Questo sito utilizza i cookies per fornire i nostri servizi, per migliorare le prestazioni, per analisi, e (per gli utenti che accedono senza fare login) per la pubblicità. Usando LibraryThing confermi di aver letto e capito le nostre condizioni di servizio e la politica sulla privacy. Il tuo uso del sito e dei servizi è soggetto a tali politiche e condizioni.
Risultati da Google Ricerca Libri
Fai clic su di un'immagine per andare a Google Ricerca Libri.
Out of the shadows: Art and architecture of ancient Rome For a long time, Roman art was somewhat overshadowed by the art of ancient Greece. It was only in about 1900 that a search began for ancient Roman art and architecture. The foundations of Roman imagery were laid in the early days of the Empire under Emperor Augustus. The imperial court and the imperial family were role models for artistic style, taste and fashion--trendsetters, so to speak, which imperial society was obliged to follow. It was at court that the "new" took shape, pieced together from the vocabulary of Greek originals, copies and imitations as well as new creations, but fulfilling entirely new functions and expressing new meanings. The portrait of the ruler and the so-called state reliefs, which enhanced and embroidered real events, by depicting gods for example, had a particular influence in the shaping of the imagery. Using classical stylistic means, Roman art was able to fulfill all the desires and ideas of its patrons for more than two centuries. Featured works include: Augustus of Primaporta; Gemma Augustea; Lycurgus beaker; funerary relief of the Roman couple Publius Aiedius and Publia Aiedia; Constantine I in a helmet with the christogram; the portrait of a man, the so-called Brutus; equestrian statue of Marcus Aurelius; colossal portrait of Emperor Constantine I; group statue of the Emperors Diocletian, Maximian, Galerius and Constantine I, the "tetrarch group"; personifications of Macedonia and Persia About the Series: Each book in TASCHEN's Basic Genre Series features: a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist approximately 100 colour illustrations with explanatory captions… (altro)
Dati dalle informazioni generali inglesi.Modifica per tradurlo nella tua lingua.
It could be said that Mars, the god of war, stood at the cradle of Rome, since according to legend he was responsible for what was in that cradle: the twins Romulus and Remus.
Citazioni
Ultime parole
Dati dalle informazioni generali inglesi.Modifica per tradurlo nella tua lingua.
Thus we can grasp an important phenomenon from this richly narrated representation, which stood at the transition between Antiquity and the early Middle Ages: the power of the emperor was now based on his proximity to the new, one and only god.
Out of the shadows: Art and architecture of ancient Rome For a long time, Roman art was somewhat overshadowed by the art of ancient Greece. It was only in about 1900 that a search began for ancient Roman art and architecture. The foundations of Roman imagery were laid in the early days of the Empire under Emperor Augustus. The imperial court and the imperial family were role models for artistic style, taste and fashion--trendsetters, so to speak, which imperial society was obliged to follow. It was at court that the "new" took shape, pieced together from the vocabulary of Greek originals, copies and imitations as well as new creations, but fulfilling entirely new functions and expressing new meanings. The portrait of the ruler and the so-called state reliefs, which enhanced and embroidered real events, by depicting gods for example, had a particular influence in the shaping of the imagery. Using classical stylistic means, Roman art was able to fulfill all the desires and ideas of its patrons for more than two centuries. Featured works include: Augustus of Primaporta; Gemma Augustea; Lycurgus beaker; funerary relief of the Roman couple Publius Aiedius and Publia Aiedia; Constantine I in a helmet with the christogram; the portrait of a man, the so-called Brutus; equestrian statue of Marcus Aurelius; colossal portrait of Emperor Constantine I; group statue of the Emperors Diocletian, Maximian, Galerius and Constantine I, the "tetrarch group"; personifications of Macedonia and Persia About the Series: Each book in TASCHEN's Basic Genre Series features: a detailed illustrated introduction plus a timeline of the most important political, cultural and social events that took place during that period a selection of the most important works of the epoch, each of which is presented on a 2-page spread with a full-page image and with an interpretation of the respective work, plus a portrait and brief biography of the artist approximately 100 colour illustrations with explanatory captions