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Jade Snow Wong?s autobiography portrays her coming-of-age in San Francisco's Chinatown, offering a rich depiction of her immigrant family and her strict upbringing, as well as her rebellion against family and societal expectations for a Chinese woman. Originally published in 1950, Fifth Chinese Daughter was one of the most widely read works by an Asian American author in the twentieth century. The US State Department even sent its charismatic young author on a four-month speaking tour throughout Asia. Cited as an influence by prominent Chinese American writers such as Amy Tan and Maxine Hong Kingston, Fifth Chinese Daughter is a foundational work in Asian American literature. It was written at a time when few portraits of Asian American life were available, and no similar works were as popular and broadly appealing. This new edition includes the original illustrations by Kathryn Uhl and features an introduction by Leslie Bow, who critically examines the changing reception and enduring legacy of the book and offers insight into Wong?s life as an artist and an ambassador of Chinese American culture.… (altro)
I came across this book via the 500 Great Books by Women Group on Goodreads. It’s a group that discusses the list in the book by Erica Bauermeister. It’s also a list on List Challenges if you like ticking off things online and that sort of thing.
And like in Family Trust by Kathy Wang, a book I was also reading at around the same time, it’s a book set in San Francisco. Unlike the 2018-published Family Trust, Fifth Chinese Daughter by Jade Snow Wong was originally published in 1945, and it’s quite telling of its time, with a 73 year difference between publication of these two books.
Fifth Chinese Daughter is an autobiography but is written more like a novel. And it has a rather educational tone to it, like it’s trying to teach the (presumably) white person reading it. So as a modern Chinese-Singaporean reading this book, it sometimes is amusing but more often it feels a bit heavy-handed and didactic.
I must admire Wong’s life and her determination to be educated and find a career. It wasn’t easy at that time for women, and I must imagine, even more so for a Chinese woman living in the US. Her father, while pushing education, especially Chinese-language education, when she was younger, is unwilling to pay for college, as he’s already paying for her brother’s medical school.
“You are quite familiar by now with the fact that it is the sons who perpetuate our ancestral heritage by permanently bearing the Wong family name and transmitting it through their blood line, and therefore the songs must have priority over the daughters when parental provision for advantages must be limited by economic necessity. Generations of sons, bearing our Wong name, are those who make pilgrimages to ancestral burial grounds and preserve them forever. Our daughters leave home at marriage to give sons to their husbands’ families to carry on the heritage for other names.”
She then begins working as a housekeeper for various families and manages to also find herself a scholarship to a college.
It’s an interesting account of various Chinese traditions, such as a funeral, a baby’s first full month with red eggs (which is something that Chinese families in Singapore still do) and pickled pigs’ feet (that was new to me).
Fifth Chinese Daughter may be a bit dated but it does offer an insight into the life of a young Chinese-American growing up in San Francisco at the time and trying to find a balance between her traditional Chinese upbringing and the more American lifestyle she’s becoming accustomed to as she goes to school and finds a career for herself. ( )
Fifth Chinese Daughter is an autobiography written in simple and straightforward language in the proper Chinese third person. As a result I read it in two day's time. It covers the first 24 years of a Chinese-American girl, Jade Snow Wong. From the very beginning, growing up in San Francisco, California, Wong struggled with cultural differences between modern America and the Old World Chinese of her parents. Everything from food, physical contact, gender discrimination, mourning the dead & burials, order of names, to education was contradictory and Wong had to wade through it all during her most formative years. While she didn't mean to disrespect her parents she struggled with independence in a new world, especially when she sought an education normally expected of males in her culture. ( )
What I first thought might be a book strictly for the younger reader, has turned into one of my favorite books of all time. This is a story of a first generation Chinese American girl growing up in a traditionally conservative, materially disadvantaged Chinese family in 1920-1940's San Francisco Chinatown. Through her own will, perseverance, hard work and integrity, she charts her own course at a time in history when women had much less opportunity than today, and grows into a successful artist, author, and businesswoman. A true American success story, which left me wishing I had access to such a book earlier in my life. A warm, wonderful story which I highly recommend to readers of any age. ( )
Jade Snow Wong tells her story in third person, a tale of a young girl raised in San Francisco in a 1930s immigrant family, the father a new Christian and an overalls small factory owner, classically educated in Confucian mores and strictures of living. She describes a childhood filled with hard work, food, traditional life of obedience and discipline, and teen how her father taught her Chinese and the value of an education. Through her teen years, she straddles the American-Chinese divide, understanding that Americans see value in her differences that have caused her to fee pain and "less-than." Now a typical story of a young girl's struggle against tradition and toward independence, education and freedom, this story stands out as being a very early woman's account in this genre, and for its cultural details, especially around food and herbal treatments. The narrative remains dated, narrow, predictably linear and somewhat dry of emotion, which, as the author is a Confucian-trained Chinese daughter from early 20th century Amierca, is to be expected. ( )
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To my mother and father
Incipit
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Hugging the eastern slope of San Francisco's famous Nob Hill is one of the unique spots of this continent.
[Introduction to the 1989 Edition] At the age of twenty-four, I was aware that my upbringing by the nineteenth-century standards of Imperial China, which my parents deemed correct, was quite different from that enjoyed by twentieth-century American s in San Francisco, where I had to find my identity and vocation.
[Author's Note to the Original Edition] A Chinese maxim often repeated to me by my parents is, "When you drink water, think of its source."
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And when she came home now, it was to see Mama and Daddy look up from their work, and smile at her, and say, "It is good to have you home again!"
[Author's Note to the Original Edition] The drawings are authentic and accurate in detail and represent many hours of careful research on the part of Kathryn Uhl Ball, who co-operated fully to make this book a careful record of an American Chinese girl's first twenty-four years.
Jade Snow Wong?s autobiography portrays her coming-of-age in San Francisco's Chinatown, offering a rich depiction of her immigrant family and her strict upbringing, as well as her rebellion against family and societal expectations for a Chinese woman. Originally published in 1950, Fifth Chinese Daughter was one of the most widely read works by an Asian American author in the twentieth century. The US State Department even sent its charismatic young author on a four-month speaking tour throughout Asia. Cited as an influence by prominent Chinese American writers such as Amy Tan and Maxine Hong Kingston, Fifth Chinese Daughter is a foundational work in Asian American literature. It was written at a time when few portraits of Asian American life were available, and no similar works were as popular and broadly appealing. This new edition includes the original illustrations by Kathryn Uhl and features an introduction by Leslie Bow, who critically examines the changing reception and enduring legacy of the book and offers insight into Wong?s life as an artist and an ambassador of Chinese American culture.
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And like in Family Trust by Kathy Wang, a book I was also reading at around the same time, it’s a book set in San Francisco. Unlike the 2018-published Family Trust, Fifth Chinese Daughter by Jade Snow Wong was originally published in 1945, and it’s quite telling of its time, with a 73 year difference between publication of these two books.
Fifth Chinese Daughter is an autobiography but is written more like a novel. And it has a rather educational tone to it, like it’s trying to teach the (presumably) white person reading it. So as a modern Chinese-Singaporean reading this book, it sometimes is amusing but more often it feels a bit heavy-handed and didactic.
I must admire Wong’s life and her determination to be educated and find a career. It wasn’t easy at that time for women, and I must imagine, even more so for a Chinese woman living in the US. Her father, while pushing education, especially Chinese-language education, when she was younger, is unwilling to pay for college, as he’s already paying for her brother’s medical school.
“You are quite familiar by now with the fact that it is the sons who perpetuate our ancestral heritage by permanently bearing the Wong family name and transmitting it through their blood line, and therefore the songs must have priority over the daughters when parental provision for advantages must be limited by economic necessity. Generations of sons, bearing our Wong name, are those who make pilgrimages to ancestral burial grounds and preserve them forever. Our daughters leave home at marriage to give sons to their husbands’ families to carry on the heritage for other names.”
She then begins working as a housekeeper for various families and manages to also find herself a scholarship to a college.
It’s an interesting account of various Chinese traditions, such as a funeral, a baby’s first full month with red eggs (which is something that Chinese families in Singapore still do) and pickled pigs’ feet (that was new to me).
Fifth Chinese Daughter may be a bit dated but it does offer an insight into the life of a young Chinese-American growing up in San Francisco at the time and trying to find a balance between her traditional Chinese upbringing and the more American lifestyle she’s becoming accustomed to as she goes to school and finds a career for herself. (