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L' apprendista del vento (2000)

di Elizabeth Hay

UtentiRecensioniPopolaritàMedia votiCitazioni
4642053,325 (3.72)52
From some accidents of love and weather we never quite recover. At the worst of the Prairie dust bowl of the 1930s, a young man appears out of a blizzard and forever alters the lives of two sisters. There is the beautiful, fastidious Lucinda, and the tricky and tenacious Norma Joyce, at first a strange, self-possessed child, later a woman who learns something of self-forgiveness and of the redemptive nature of art. Their rivalry sets the stage for all that follows in a narrative spanning over thirty years, beginning in Saskatchewan and moving, in the decades following the war, to Ottawa and New York City. Disarming, vividly told, unforgettable, this is a story about the mistakes we make that never go away, about how the things we want to keep vanish and the things we want to lose return to haunt us.… (altro)
  1. 10
    Padrona di casa di Marilynne Robinson (Miels)
    Miels: Both are lyrical, heavily atmospheric novels. Both concern the relationship between a strange, bookish protagonist and her more sensible sister. In Robinson's book, it's an eccentric aunt who comes between them. In Hay's, it's a charming, seductive man. Both books are very much about love, loss, social ostracism, and ephemeral/elemental beauty.… (altro)
  2. 00
    A Recipe for Bees di Gail Anderson-Dargatz (bnbookgirl)
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This is lush. A saga of how to survive a family with multiple challenges. A love of Canadian prairie and the vast grass lands. A determined girl who becomes a woman on her own terms. The kid who falls in love with the older guy who takes her seriously but keeps his distance except for one brief but important interlude with the consequences that change a life. They keep intersecting over years in ways not predictable but like weather it keeps changing and rolling over everyone involved. It's more than just a Canadian story. With more than a dash of art. ( )
  Ed_Schneider | May 11, 2020 |
Mostly liked this story of two Saskatchewan sisters, their dad, and the unexpected Ontario man who comes by a couple of times to study grass. Norma Joyce is more interesting as a child than she is as an adult (she's more normal then), and Lucinda gets more interesting. The dad is consistent. The mysterious man turns into a dull typical man. Lots of references to plants, though, so a nice story for a botanist (assuming the references are all accurate).
Depth, wisdom, life: it all happens here. A decent piece of literature without drama or extreme tragedy. ( )
  LDVoorberg | Dec 3, 2017 |
Elizabeth Hay has this wonderful knack of really embedding you in the location of her novels. One morning, I was so deeply surrounded by 1930s Saskatchewan dust that it was a surprise to see Ontario trees and a lake outside my window when I put the book down.

A lot of the book is about the uneasy relationship between citizens of those two provinces. Norma Joyce Hardy is Saskatchewan: mercurial, productive and yet needy. Maurice Dove is Ontario: sophisticated, confident, self-absorbed.

Loved it. ( )
  AJBraithwaite | Aug 14, 2017 |
A beautifully written novel.

I am generally facinated when stories open in a geographical region with which I am unfamiliar, and this one did - in Saskatchewan during the Dust Bowl years of the Depression. The word pictures were strong and evocative, both during this time and at the end of the book when the heroine returns in the 1970's.

The well-crafted story centers around Nora Joyce, a darkly unattractive, introspective child who is little loved and works hard to construct a world for herself where it doesn't matter. She is motherless, and lives in a household consisting of her beautiful sister, Lucinda, her father Ernest (who blames her for the death of her twin brother Norman), and occasional long visits from a traveling author-naturalist, Maurice.

The story falters in the last quarter, and the ending is unsatisfying -- almost as if the author ran out of things in Nora Joyce's life to share. I kept looking for an epilogue, but no. ( )
  wareagle78 | Feb 3, 2014 |
9 year old Norma Joyce lives on a Saskatchewan farm during the great depression with her father and 18 year old sister. A young man appears in a blizzard, and both girls fall in love with him. The book ends several decades later.

The first half of this novel captivated me with its interesting story and gorgeous writing. However, later half of the book covers Norma Joyce's adult years in Ottawa and New York City, and I didn't really get the point. ( )
  Nickelini | May 6, 2013 |
But A Student of Weather is not simply a well-wrought example of a fine CanLit premise (Two Prairie Sisters in Love with the Same Man). The plot itself is wide in both physical and emotional geography, and textured enough that the book moves beyond the spare and elegant. . . . Add the seductive incisiveness of the writing, and it’s nearly impossible not to gobble the book whole, even when you want to savour every bite.
aggiunto da Nickelini | modificaQuill & Quire, Barbra Leslie (Apr 28, 2013)
 
These excesses don't spoil ''A Student of Weather,'' which, like its maddening characters, is nearly impossible not to like. Even as a child, Norma Joyce ''has to make everybody uncomfortable.'' Hay seems to share that impulse -- and in this disquieting novel, she succeeds.
 
Top-flight fiction keeps arriving from Canada with remarkable frequency these days. This time, the high standards set by Alice Munro, Robertson Davies, and others are matched—and then some—by a dramatic first novel from an award-winning Ottawa journalist and short-story writer (Small Change, 1997).

In stunningly precise and suggestive prose, Hay tells a story of obsession and rivalry neatly summarized at the start: “Two sisters fell down a well, and the well was Maurice Dove.”
aggiunto da Nickelini | modificaKirkus Reviews, -- (Feb 7, 2001)
 
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"But when there are two sisters, one is uglier and more clumsy than the other, one is less clever, one is more promiscuous. Even when all the better qualities unite in one sister, as most often happens, she will not be happy, because the other, like a shadow, will follow her success with green eyes,"

LYDIA DAVIS, Break It Down
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Soms laat ze 's avonds nog eens alle details de revue passeren, beginnend met het weer en dan de druppel bloed op het oude laken - waarna ze snel een wens deed: ik wil een man met rechte witte tanden en rode lippen - en tenslotte de komst van die man. Zijn stem buiten, haar hand op de ronde bevroren plek op zijn wang, de appel die hij meebracht.
Some nights she still goes over every detail, beginning with the weather and proceeding to the drop of blood on the old sheet - her quick wish for a man with straight white teeth and red lips - and then his arrival. His voice outside, her hand on the coin of frostbite on his cheek, his gift of an apple.
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From some accidents of love and weather we never quite recover. At the worst of the Prairie dust bowl of the 1930s, a young man appears out of a blizzard and forever alters the lives of two sisters. There is the beautiful, fastidious Lucinda, and the tricky and tenacious Norma Joyce, at first a strange, self-possessed child, later a woman who learns something of self-forgiveness and of the redemptive nature of art. Their rivalry sets the stage for all that follows in a narrative spanning over thirty years, beginning in Saskatchewan and moving, in the decades following the war, to Ottawa and New York City. Disarming, vividly told, unforgettable, this is a story about the mistakes we make that never go away, about how the things we want to keep vanish and the things we want to lose return to haunt us.

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