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Interview with the Vampire di Anne Rice
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Interview with the Vampire (edizione 1991)

di Anne Rice (Autore)

UtentiRecensioniPopolaritàMedia votiConversazioni / Citazioni
22,202320161 (3.83)1 / 469
Fantasy. Fiction. Horror. Thriller. HTML:40th ANNIVERSARY EDITION ? From the #1 New York Times bestselling author, "a magnificent, compulsively readable thriller...Rice begins where Bram Stoker and the Hollywood versions leave off and penetrates directly to the true fascination of the myth??the education of the vampire? (Chicago Tribune). ? The inspiration for the hit television series

The time is now.
We are in a small room with the vampire, face to face, as he speaks??as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . .
He speaks quietly, plainly, even gently . . . carrying us back to the night when he departed human existence as heir??young, romantic, cultivated??to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the "endless," life . . . learning first to sustain himself on the blood of cocks and rats caught in the raffish streets of New Orleans, then on the blood of human beings . . . to the years when, moving away from his final human ties under the tutelage of the hated yet necessary Lestat, he gradually embraces the habits, hungers, feelings of vampirism: the detachment, the hardened will, the "superior" sensual pleasures.
He carries us back to the crucial moment in a dark New Orleans street when he finds the exquisite lost young child Claudia, wanting not to hurt but to comfort her, struggling against the last residue of human feeling within him . . .
We see how Claudia in turn is made a vampire??all her passion and intelligence trapped forever in the body of a small child??and how they arrive at their passionate and dangerous alliance, their French Quarter life of opulence: delicate Grecian statues, Chinese vases, crystal chandeliers, a butler, a maid, a stone nymph in the hidden garden court . . . night curving into night with their vampire senses heightened to the beauty of the world, thirsting for the beauty of death??a constant stream of vulnerable strangers awaiting them below . . .
We see them joined against the envious, dangerous Lestat, embarking on a perilous search across Europe for others like themselves, desperate to discover the world they belong to, the ways of survival, to know what they are and why, where they came from, what their future can be . . .
We follow them across Austria and Transylvania, encountering their kind in forms beyond their wildest imagining . . . to Paris, where footsteps behind them, in exact rhythm with their own, steer them to the doors of the Théâtre des Vampires??the beautiful, lewd, and febrile mime theatre whose posters of penny-dreadful vampires at once mask and reveal the horror within . . . to their meeting with the eerily magnetic Armand, who brings them, at last, into intimacy with a whole brilliant and decadent society of vampires, an intimacy that becomes sudden terror when they are compelled to confront what they have feared and fled . . .
In its unceasing flow of spellbinding storytelling, of danger and flight, of loyalty and treachery, Interview with the Vampire bears witness of a lit
… (altro)
Utente:stixnstones004
Titolo:Interview with the Vampire
Autori:Anne Rice (Autore)
Info:Ballantine Books (1991), Mass Market Paperback, 352 pages
Collezioni:La tua biblioteca
Voto:***1/2
Etichette:Nessuno

Informazioni sull'opera

Intervista col vampiro di Anne Rice

  1. 164
    Dracula di Bram Stoker (becca58203, Morteana)
  2. 10
    The Passion di Donna Ball (VictoriaPL)
  3. 10
    Sunglasses After Dark di Nancy A. Collins (VictoriaPL)
  4. 10
    Agyar di Steven Brust (VictoriaPL)
    VictoriaPL: The diary of a vampire. A bit more modern than Rice's tale.
  5. 00
    The Thief of Time di John Boyne (Booksloth)
  6. 11
    Il bacio d'argento di Annette Curtis Klause (kaledrina)
  7. 00
    Papillon: A Gothic Romance Novella di Sonia Palermo (Utente anonimo)
  8. 14
    Finchè non cala il buio di Charlaine Harris (letsdisco2373)
  9. 05
    Not Safe for Vampires di William Frost (LostVampire)
    LostVampire: Thomas Watson becomes a vampire during the Civil War. The YA fantasy fiction novel NOT SAFE FOR VAMPIRES is a good read. It is only 128 pages, but it is not light reading, You really have to follow the beginning - once you understand the style of writing (there are flashback scenes) you will really enjoy the journey. The story is filled with history. For example, Africatown and the Clotilde ship are a real part of history (I googled it). Also, the character Captain Thomas Watson was really a soldier for the Union Army. I believe you will enjoy this book and add it to your library as well.… (altro)
1970s (92)
Kayla (11)
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» Vedi le 469 citazioni

Inglese (307)  Spagnolo (5)  Svedese (2)  Portoghese (Brasile) (1)  Danese (1)  Francese (1)  Olandese (1)  Tutte le lingue (318)
1-5 di 318 (prossimo | mostra tutto)
Anne Rice and readers like me were into Vampires when Vampires weren't cool. ( )
  Kim.Sasso | Aug 27, 2023 |
I read this book as a school assignment. I remember it mostly as gloomy and sad.
  Snowflurry | Jul 31, 2023 |
cannot believe people have been shipping louis and lestat for decades based on THIS material???? ( )
  Deah | Jul 31, 2023 |
"When [I became a vampire], I thought it was going to be fun and exciting, like that movie Spaceballs; but instead it was sad and depressing, like that movie Police Academy." - Homer Simpson


Initially, Interview's narrative feels at once engaging and directionless. There doesn't appear to be much of a story beyond a vampire's search for identity, but this alone makes for an interesting read and is held together by good characters. I enjoyed the search, the struggle, the frustration, the lack of means for these creatures to learn what they are; yet trapped in a state of uncertain immortality, lust and self-loathing... and ultimately, despite its episodic nature, many strands come back around to tie everything up in a way that is mostly satisfying.

I did enjoy this, but it felt lacking. The biggest drawback is the prose, which to me feels very empty. Although at times bordering on poetic, any attempt at flair just feels "put on", or lacking substance. I was drawn in by characters and situations, but nothing in the writing touched me. I was left cold.

Despite this, the book was often engrossing and is helped immensely by some excellent character development. I almost felt able to look past its drawbacks and slap a high 3 (or 4) on this fella, but I just found the ending too clunky. The central premise, a vampire being interviewed, is also superfluous, which I found dissapointing. It gives no context for its relevance, and is wrapped up fairly predictably.

3.5 ( )
  TheScribblingMan | Jul 29, 2023 |
First Anne Rice book. Did not disappoint!

Such a tragic case study in the mind of a vampire. My fiancé read this one before I did, and she said there was a lack of “excitement” in the book. I couldn’t disagree more.

The excitement in this book doesn’t stem from physical altercations (though there are some nice ‘hunting’ scenes); it stems from our narrators struggle with humanity.

That is the book, teaching is how depraved and ‘evil’ vampires can be not through flashy murders, but through a long and meandering prose from a Vampire who wishes so deeply that there is more to his life than these ‘evil’ things.

I love the unreliable narrator we hear the story through, because all of these events are given a sense of questioning despite being presented as the truth. Without spoiling too much, I also loved the conclusion of Louis character arc, and look forward to reading more Anne Rice! ( )
  CasualShino | Jun 2, 2023 |
The author's seriousness is honest, I think, but misplaced; perhaps a bit more Grand Guignol elegance was called for father than incessant philosophizing. Immersed in the book's fetid, morbid atmosphere - like being in a hothouse full of decaying funeral lilies - one longs to get out in the garden.
aggiunto da Shortride | modificaThe New York Times, Richard F. Lingeman (sito a pagamento) (Apr 30, 1976)
 

» Aggiungi altri autori (15 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Anne Riceautore primariotutte le edizionicalcolato
Bignardi, MargheritaTraduttoreautore secondarioalcune edizioniconfermato
Deas, MichaelImmagine di copertinaautore secondarioalcune edizioniconfermato
Mancius, W. vanTraduttoreautore secondarioalcune edizioniconfermato
Muller, FrankNarratoreautore secondarioalcune edizioniconfermato
Murail, TristanTraduttoreautore secondarioalcune edizioniconfermato
Niffenegger, AudreyPrefazioneautore secondarioalcune edizioniconfermato
Spagnol, Luigiautore secondarioalcune edizioniconfermato
Vance, SimonNarratoreautore secondarioalcune edizioniconfermato

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Luoghi significativi
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Premi e riconoscimenti
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Epigrafe
Dedica
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For Stan Rice, Carole Malkin,
and Alice O'Brien Borchardt
Incipit
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"I see..." said the vampire thoughtfully, and slowly he walked across the room towards the window.
Citazioni
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I never knew what life was until it ran in a red gush over my lips, my hands!
Ultime parole
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(Click per vedere. Attenzione: può contenere anticipazioni.)
Nota di disambiguazione
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This is for the book by Anne Rice.  Do not combine with graphic novels.
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Wikipedia in inglese (3)

Fantasy. Fiction. Horror. Thriller. HTML:40th ANNIVERSARY EDITION ? From the #1 New York Times bestselling author, "a magnificent, compulsively readable thriller...Rice begins where Bram Stoker and the Hollywood versions leave off and penetrates directly to the true fascination of the myth??the education of the vampire? (Chicago Tribune). ? The inspiration for the hit television series

The time is now.
We are in a small room with the vampire, face to face, as he speaks??as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . .
He speaks quietly, plainly, even gently . . . carrying us back to the night when he departed human existence as heir??young, romantic, cultivated??to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the "endless," life . . . learning first to sustain himself on the blood of cocks and rats caught in the raffish streets of New Orleans, then on the blood of human beings . . . to the years when, moving away from his final human ties under the tutelage of the hated yet necessary Lestat, he gradually embraces the habits, hungers, feelings of vampirism: the detachment, the hardened will, the "superior" sensual pleasures.
He carries us back to the crucial moment in a dark New Orleans street when he finds the exquisite lost young child Claudia, wanting not to hurt but to comfort her, struggling against the last residue of human feeling within him . . .
We see how Claudia in turn is made a vampire??all her passion and intelligence trapped forever in the body of a small child??and how they arrive at their passionate and dangerous alliance, their French Quarter life of opulence: delicate Grecian statues, Chinese vases, crystal chandeliers, a butler, a maid, a stone nymph in the hidden garden court . . . night curving into night with their vampire senses heightened to the beauty of the world, thirsting for the beauty of death??a constant stream of vulnerable strangers awaiting them below . . .
We see them joined against the envious, dangerous Lestat, embarking on a perilous search across Europe for others like themselves, desperate to discover the world they belong to, the ways of survival, to know what they are and why, where they came from, what their future can be . . .
We follow them across Austria and Transylvania, encountering their kind in forms beyond their wildest imagining . . . to Paris, where footsteps behind them, in exact rhythm with their own, steer them to the doors of the Théâtre des Vampires??the beautiful, lewd, and febrile mime theatre whose posters of penny-dreadful vampires at once mask and reveal the horror within . . . to their meeting with the eerily magnetic Armand, who brings them, at last, into intimacy with a whole brilliant and decadent society of vampires, an intimacy that becomes sudden terror when they are compelled to confront what they have feared and fled . . .
In its unceasing flow of spellbinding storytelling, of danger and flight, of loyalty and treachery, Interview with the Vampire bears witness of a lit

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