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Sto caricando le informazioni... Huumaa (edizione 2010)di Anna Godbersen, Katja Ruunaniemi ((KAnt.))
Informazioni sull'operaThe luxe: il ballo degli inganni di Anna Godbersen
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. Alright, as a reader well versed in the world of Edith Wharton and Gilded Age mores, I've got to say it was a lazy "fix for when the classics got a bit dry"... What started promising soon spirited into a love web of unending proportions, with plot thin enough to glaze a donut and it's predictability so startling I asked myself if the last hundred pages were even worth skimming. I slogged my way through it though, with some interesting themes playing through my head to distract me from the mess held in my hands. Firstly it helped to imagine all the characters in Forsyte Saga level costumes (who let them get away with that atrocious cover?) and May Welland conversation abilities, so I guess that masked the sometimes lazy social etiquette and dialogue. It's wasn't bad per se, I don't mind bypassing historical accuracy (which was for the most part impressive and I commend) for some fun. This takes me to my second point: unfortunately the pretty Astor allusions and Newport mummery could not save the complete pointlessness of this novel. Never once did I feel the characters come alive. To me they all felt like horrible stock fillers dressed up and swept from scene to scene, floating abysmally and near drowning in the fabricated woes of their lives. No lessons where learned, no growth could be measured, nothing but whining about how awful their situation was. Where are the strong characters? Is it too much to ask for a character that has more than one personality trait and can properly express inner feelings in a believable way? (And before you mention Diana — no — a strong female character /=/ having little interest in feminine qualities and displaying a more boyish attitude. That belief is almost in itself as annoying as the antithesis it tries to contrast, ugh.) At the end of the day, if this really interests you, don't bog yourself down in the nitpicky historical inaccuracies. I genuinely see it as a "what if" book of manners; the bad kids stories that never reach the light of day. (Unfortunately still a massive time waster. Will not be reading the rest. Would not recommend.)
A delicious new twist along the Gossip Girl vein, readers will clamor for this sharp, smart drama of friends, lovers, lies and betrayal. The dialogue has its clunky moments, and the plot twist that drives the tale is telegraphed from the very start, but readers caught up in the fancy dress intrigue are unlikely to mind much: Appartiene alle SerieLuxe Novels (1) È contenuto inPremi e riconoscimentiElenchi di rilievo
In Manhattan in 1899, five teens of different social classes lead dangerously scandalous lives, despite the strict rules of society and the best-laid plans of parents and others. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)813.6Literature English (North America) American fiction 21st CenturyClassificazione LCVotoMedia:
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Final Word: I finished with mixed feelings. It not a good historical fiction and only a middling book- yet I may end up picking up the others for the sake of its unusual construction and perspective.
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