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Il palazzo del pavone (1960)

di Wilson Harris

UtentiRecensioniPopolaritàMedia votiCitazioni
1561174,765 (3.27)11
The visionary masterpiece, tracing a riverboat crew's dreamlike jungle voyage ... 'My new all time favourite book ... A magnificent, breathtaking and terrifying novel.' Tsitsi Dangarembga 'An exhilarating experience ... Makes visions real and reality visions ... Genius.' Jamaica Kincaid 'A masterpiece: I love this book for its language, adventure and wisdoms.' Monique Roffey 'Revel in the inviolate, ever-deepening mystery of Wilson Harris's work.' Jeet Thayil 'The Guyanese William Blake . Such poetic intensity.' Angela Carter I dreamt I awoke with one dead seeing eye and one living closed eye ... A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Their domineering leader, Donne, is the spirit of a conquistador, obsessed with hunting for a mysterious woman and exploiting indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior - their own hearts of darkness - deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock ... A modernist fever dream; prose poem; modern myth; elegy to victims of colonial conquest: Wilson Harris' masterpiece has defied definition for over sixty years, and is reissued for a new generation of readers. 'One of the great originals ... Visionary ... Dazzlingly illuminating.' Guardian 'Amazing ... Masterly ... Near-miraculous.' Observer 'Staggering ... Both brilliant and terrifying.' The Times 'The most inimitable [writer] produced in the English-speaking Caribbean.' Fred D'Aguiar 'Extraordinary ... Courageous and visionary ... It speaks to us in tongues.' Pauline Melville… (altro)
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I bought this one for a class in grad school that never got around to reading it, and it's been an object of mystery on my bookshelf ever since. I can't recommend it to everybody, but it's certainly one of the most audacious first novels I've ever read.Harris tells the story of a colonial explorer lost in the depths of the Guyanan jungle with a native crew; the novel's basic plotline will remind some readers of "Heart of Darkness." His writing treads the boundary between prose and poetry; it's dense and difficult, by turns miraculously vibrant and overwhelmingly verbose. On a thematic level, "The Palace of the Peacock" is even bolder. The author is, I think, trying to replace the basic tropes and conventions that the European novel is on based with Amerindian images and storylines, carving out a sort of private mythology and introducing his own ideas about the relationship between time, space and character in the process. In order to accomplish this, he employs a library's worth of literary devices: doubling, the foreknowledge of death, the use of Christian and pre-Christian religious imagery, and the constant blurring of the boundaries between self and other and fantasy and reality. It's a bold vision and one that suggests a whole new perspective on the colonial and post-colonial experience, though I often felt that Harris's meticulous vocabulary and grand ideas were running far ahead of his mechanics. "Palace of the Peacock" is one of the most challenging books I've ever picked up, but, in the end, worth the strenuous reading and re-reading I had to do to get through its hundred-or-so pages. It's deeply flawed but still exciting, a unique, and uniquely difficult, reading experience. ( )
1 vota TheAmpersand | Mar 12, 2011 |
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The visionary masterpiece, tracing a riverboat crew's dreamlike jungle voyage ... 'My new all time favourite book ... A magnificent, breathtaking and terrifying novel.' Tsitsi Dangarembga 'An exhilarating experience ... Makes visions real and reality visions ... Genius.' Jamaica Kincaid 'A masterpiece: I love this book for its language, adventure and wisdoms.' Monique Roffey 'Revel in the inviolate, ever-deepening mystery of Wilson Harris's work.' Jeet Thayil 'The Guyanese William Blake . Such poetic intensity.' Angela Carter I dreamt I awoke with one dead seeing eye and one living closed eye ... A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Their domineering leader, Donne, is the spirit of a conquistador, obsessed with hunting for a mysterious woman and exploiting indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior - their own hearts of darkness - deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock ... A modernist fever dream; prose poem; modern myth; elegy to victims of colonial conquest: Wilson Harris' masterpiece has defied definition for over sixty years, and is reissued for a new generation of readers. 'One of the great originals ... Visionary ... Dazzlingly illuminating.' Guardian 'Amazing ... Masterly ... Near-miraculous.' Observer 'Staggering ... Both brilliant and terrifying.' The Times 'The most inimitable [writer] produced in the English-speaking Caribbean.' Fred D'Aguiar 'Extraordinary ... Courageous and visionary ... It speaks to us in tongues.' Pauline Melville

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