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Afternoon of a Good Woman

di Nina Bawden

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675391,669 (3.79)13
Penelope has always done her best to be a good wife, a good mistress, a good mother - and a good magistrate. Today she is more conscious that usual of the thinness of the thread that distinguishes good from bad, the law-abiding from the criminal. Sitting in court, hearing a short, sad case of indecent exposure and a long, confused theft, she finds herself examining her own sex life (how would all that sound in court?) her own actions and intentions while she observes the defendants in the dock. This novel is a tour-de-force , an ingeniously constructed novel in which Nina Bawden counterpoints public appearance with private behaviour in her heroine, Penelope. The result is a marvellous picture of a not always admirable but engagingly complex and very human heroine. As always, Bawden offers a compelling story, sharply witty and beautifully observed. But it is also an honest and provocative book tracing the divergent courses of morality and justice, and uncomfortably posing, as Penelope does of herself, the question: who and what is a good woman?… (altro)
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Mostra 5 di 5
When I was in primary school, we had a visit from Nina Bawden: I’ve no idea why she should have come to a modest school in a distinctly undistinguished small town, but it clearly made a deep impression on me. I bought Carrie’s War, got it signed and, since then, I’ve always associated Bawden with children’s books. So it’s been a surprise to find out that actually she wrote numerous books for adults, and this happens to be the first one I found. It unfolds during the course of one day, as middle-aged Penelope – a magistrate, wife and mother – sits in judgement at the Crown Court with her colleagues. But this is no ordinary day, for Penelope has decided to leave her husband. And so, as she finds herself up against the letter of British justice, she finds herself revisiting her own past and wondering, if her own life was laid out for public scrutiny, how she would fare…

For the full review, please see my blog:
https://theidlewoman.net/2018/07/30/afternoon-of-a-good-woman-nina-bawden/ ( )
  TheIdleWoman | Nov 7, 2018 |
Nina Bawden’s 1976 novel Afternoon of a Good Woman, is a slight, serious novel about a woman’s self-examination and guilt.

As the novel opens we learn that Penelope has decided to leave her husband.

“Today, Tuesday, the day that Penelope has chosen to leave her husband, is the first really warm day of spring. Her decision, last-minute but well researched, happens, through some chance (or perhaps characteristic) ineptitude, to coincide with her sitting, at ten o’clock in the morning, in judgement on her peers.”

Penelope is a magistrate, proud to be the good woman of the title – she is a good mother and a good wife of twenty years. Her husband; Eddie, writes successful tv dramas, and once wrote a novel which has been an enormous success, but now he has become lazy in his routine, and Penelope feels she must nag him into work. Eddie’s fist wife is in a psychiatric hospital – where she has been for years, and where Eddie still visits. His guilt, that he drove her there with his novel which she saw as a terrible betrayal – and about which Eddie was forced to think differently when he looked at it through her eyes.

Today Penelope will become more aware than usual of the fragile line between good and bad. The cases which will come before her on the day she leaves a note on Eddie’s typewriter keys – will be sad, pathetic and unglamorous – but will give her plenty to think about. The case of a middle-aged man charged with indecent exposure – forces Penelope to wonder how her own sex life might sound the details were blandly and emotionlessly read out. Then there is the more convoluted case of theft brought against Abel Binders, which the judge instructs the jury to dismiss – but the jury have other ideas and want to hear the defence after all – much to the irritation of the bench.

“Apart from one woman who has fallen asleep, plump chin on fur collar, the jury listen attentively to the Judge’s instruction like good children in class. When he has finished some of them frown as if the intrusion of what seems a subjective moral assessment into this court of law is somehow improper. How are they to know what has gone on in Abel Binder’s mind? Or perhaps they are simply confused. One elderly man is cupping a blue knuckly hand at the back of his ear, although he has not appeared deaf before. It is confusing, of course that innocence should emerge in the course of prosecution evidence. Incongruous anyway.”

Throughout the day, as the business of the court rumbles on – Penelope reflects on her past, the things for which she still feels guilt and sadness. She remembers her step-mother Eve – who she had loved so jealously when her father brought her home, that she had resented Eve’s own children. The young Penelope had not really understood Eve’s fragility and vulnerabilities – had enjoyed caring for her when her father was working away, caring for Eve the best she can before and after school. Not realising she should be getting help for Eve, Penelope unwittingly leaves her in harm’s way. When Eve ends up hospitalised Penelope goes to live with Auntie and Uncle – a house in which she feels awkward and constrained, and where Eve’s illness is never mentioned. She remembers the lies she told in that house.

“When she first became ill, I enjoyed looking after her. If I came home from school to find her still in her nightdress, sitting limply before the empty grate, or weeping into a stack of dirty dishes in the kitchen, I lit the fire, washed the dishes, made supper for us both. If there was nothing to eat in the house, I took Eve’s purse and ran to the corner shop, later on; when it seemed that Eve was feeling too tired to go out at all, I took charge of the ration-books and began to shop regularly, on the way to and from school. I felt strong and competent, looking after my poor little stepmother, and though I hoped she would be better soon, for her own sake, I was glad to have been given this chance to show what I could do for her.”

Penelope examines her difficult sometimes heady relationships with her step-siblings, which included meddling in the abusive marriage her step-sister entered into – and which led indirectly to a sudden tragedy. Looking back at her adolescence and young womanhood, she explores her first all-consuming love – which has never gone away, comparing it with how she has felt about Eddie.

As the court day ends. Penelope will leave, carry out her plans, she telephones Desdemona, Eddie’s friend and editor, a sign perhaps of Penelope’s guilt, though she is certain she is doing the right thing for both of them.

As ever, Nina Bawden brings her unique understanding of complicated families and the relationships inside them to this novel. It is an intelligent novel about people who feel very real. Penelope is a flawed heroine; many readers won’t like her – though I find such characters so much more interesting. ( )
  Heaven-Ali | Nov 11, 2017 |
The opening line of Afternoon of a Good Woman is "Today, Tuesday, the day that Penelope has chosen to leave her husband, is the first really warm day of spring." So Bawden is up front about the fact that her heroine, after twenty years of marriage and two children, is about to make a life change. And for one afternoon the reader is allowed inside Penelope's head to understand why a good woman would leave her family.

For Penelope is a good woman, in the truest sense of the phrase. On the day she leaves, she does not just run off, she spends the hours serving as a magistrate and listening to two insignificent cases, the first of a pitiful little man who exposed himself to a young girls and the second of a genial not-too-bright mechanic who sold an apparently abandoned junk car for 5 pounds only to have the owner turn up to claim it a year later. On this last day, Penelope finds herself remembering aspects of her own past and wondering what a jury would make of her life.

For instance, how would they judge her twelve-year old self going to school and also caring for a mentally ill step mother while her father was in the army? Would they see it as the act of love, which it was, her attempt to keep the household going? Or would they see the obvious facts, a young girl and her step-mother living in squalor with only junk food to eat? And her relationship with her step-mother's children. Would her genuine concern for her battered step-sister be regarded as an act of compassion or as the meddling action of a teenager in love with her handsome brother-in-law? As the hours tick by, Penelope cannot help but examine the highpoints and lowpoints in her life and wonder if she has been a help or a crutch to those she cares for. In the end she makes a startling decision, but such a right one for her.

Bawden has a knack for making ordinary people extraordinarily interesting. She succeeds wonderfully in this book. I really liked Penelope when I got to know her. I liked her honesty and her desire, in a small way, to make society a little better. I liked her empathy with the two defendants and her ability to see them as individuals, not just law-breakers. And, at the end, I liked that she valued herself.

Can you tell I liked this book! ( )
2 vota Liz1564 | Jan 5, 2015 |
A woman who works as a magistrate has decided to leave her husband. Throughout the day while hearing various cases she muses about the past as it mingles with the present. She candidly talks about sex, attraction, and killer marital boredom. More and more light is shed as people are revealed and discussed. A poignant and sometimes humorous account of an average life until it reaches a stunning conclusion. Nicely done. ( )
  jaimjane | Jul 19, 2009 |
Written in 1976, this short novel is quite forward thinking for its time. Penelope has decided to leave her husband after twenty years of marriage. Her reasons are many and complex; and interspersed with the minutiae of her working day - essentially the first day of the rest of her life, as she prepares to strike out for independence, we gradually peel away the layers of her life to see what has led her to this point.
The author very skilfully intrigues us with clues and little revelations leading to larger ones until Pen makes her final decision. Superb structure and written with humour, irony and pathos. ( )
  gaskella | Sep 15, 2007 |
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For Juliet O'Hea and John Guest
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Today, Tuesday, the day that Penelope has chosen to leave her husband, is the first really warm day of spring.
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Penelope has always done her best to be a good wife, a good mistress, a good mother - and a good magistrate. Today she is more conscious that usual of the thinness of the thread that distinguishes good from bad, the law-abiding from the criminal. Sitting in court, hearing a short, sad case of indecent exposure and a long, confused theft, she finds herself examining her own sex life (how would all that sound in court?) her own actions and intentions while she observes the defendants in the dock. This novel is a tour-de-force , an ingeniously constructed novel in which Nina Bawden counterpoints public appearance with private behaviour in her heroine, Penelope. The result is a marvellous picture of a not always admirable but engagingly complex and very human heroine. As always, Bawden offers a compelling story, sharply witty and beautifully observed. But it is also an honest and provocative book tracing the divergent courses of morality and justice, and uncomfortably posing, as Penelope does of herself, the question: who and what is a good woman?

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