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The Dragon's Trail: The Biography of Raphael's Masterpiece

di Joanna Pitman

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Raphael's St. George and the Dragon is the work of a genius -- an exquisitely rendered vision of heroism and innocence by one of the greatest painters of all time. Yet the painting's creation is only the beginning of its fascinating story, which spans centuries of power play and intrigue, and has made it a witness to the rise and fall of the great powers of the Western world as it seduced its owners to ever greater heights of corruption and greed. Raphael's masterpiece was commissioned by Duke Guidobaldo da Montefeltro, the ruler of Urbino, in 1506. Raphael was only twenty-three years old, but he had already begun to acquire a reputation as a painter who was as ruthless in his pursuit of money as he was talented. The duke sent the painting to England's King Henry VII as a thank-you for naming him a knight in the Order of the Garter. The painting then mysteriously disappeared for one hundred years until King Charles I saw it hanging in the collection of the Earl of Pembroke and acquired it for a book of Holbein drawings. After Charles was beheaded in 1649, his collection was broken up and the painting made its way to the private gallery of the third-richest man in France, where it was ensconced in its own special room. Thirty years later, the philosopher Diderot was instructed by Catherine the Great of Russia to buy it for her vast collection at the Hermitage. The heroic curators of the Hermitage protected St. George and the Dragon from fire, water, and the anarchists of the Russian Revolution, until Joseph Stalin sold it in 1930 to raise cash. The secret buyer was Andrew Mellon, Treasury Secretary of the United States, who in doing so blatantly violated a U.S. sanction against doing any business with Soviet Russia. Mellon eventually founded The National Gallery in Washington, D.C., where St. George and the Dragon rests to this day. Exceptionally written and breathlessly paced, The Dragon's Trail is a microhistory that touches on the rise of the Tudors, the downfall of a Stuart, the twilight of the French aristocracy, the terrors of the Bolshevik revolution, and the depths of the Cold War -- all witnessed by one painting that inspired the best and the worst instincts in its owners.… (altro)
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A delicious deep dive into the historical provenance of Raphael’s Renaissance masterpiece St. George and the Dragon. Commissioned to please England’s Henry VII, this little painting moves through the centuries and the hands of obsessed art collectors. It traveled from the Tudors to the nobility and back to Charles I, thence to France and the Crozat collection. Then it went to Russia and Catherine the Great where it hung in the Hermitage. It was displayed in the private rooms of a Russian empress. When Stalin came to power and needed Western technology for a tractor factory, it was sold to Andrew Mellon, who gifted the American people with his collection of great paintings and the building that houses the National Gallery of Art.

I was fascinated and now I wish I could visit St. George in DC and then see the Victoria and Albert Museum and the Hermitage too.
  KaterinaBead | Apr 28, 2022 |
Raphael's St. George and the Dragon is one the most celebrated pieces of Renaissance art. Joanna Pitman follows the journey of this great work throughout history, illuminating both the history of art and the lives of the owners. The full provenance of the painting goes from Duke Guidobaldo to Henry VII to Henry VIII to the Earl of Pembroke to Charles I to the Marquis of Sourdis to Pierre Crozat to Catherine the Great of Russia to the Hermitage Gallery to Andrew Mellon, and finally, to the Washington National Gallery of Art. Along this string of owners are many perilous events that almost consumed the piece forever. The full 504-year history of the work is a joy to read. ( )
1 vota NielsenGW | Jan 15, 2011 |
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Raphael's St. George and the Dragon is the work of a genius -- an exquisitely rendered vision of heroism and innocence by one of the greatest painters of all time. Yet the painting's creation is only the beginning of its fascinating story, which spans centuries of power play and intrigue, and has made it a witness to the rise and fall of the great powers of the Western world as it seduced its owners to ever greater heights of corruption and greed. Raphael's masterpiece was commissioned by Duke Guidobaldo da Montefeltro, the ruler of Urbino, in 1506. Raphael was only twenty-three years old, but he had already begun to acquire a reputation as a painter who was as ruthless in his pursuit of money as he was talented. The duke sent the painting to England's King Henry VII as a thank-you for naming him a knight in the Order of the Garter. The painting then mysteriously disappeared for one hundred years until King Charles I saw it hanging in the collection of the Earl of Pembroke and acquired it for a book of Holbein drawings. After Charles was beheaded in 1649, his collection was broken up and the painting made its way to the private gallery of the third-richest man in France, where it was ensconced in its own special room. Thirty years later, the philosopher Diderot was instructed by Catherine the Great of Russia to buy it for her vast collection at the Hermitage. The heroic curators of the Hermitage protected St. George and the Dragon from fire, water, and the anarchists of the Russian Revolution, until Joseph Stalin sold it in 1930 to raise cash. The secret buyer was Andrew Mellon, Treasury Secretary of the United States, who in doing so blatantly violated a U.S. sanction against doing any business with Soviet Russia. Mellon eventually founded The National Gallery in Washington, D.C., where St. George and the Dragon rests to this day. Exceptionally written and breathlessly paced, The Dragon's Trail is a microhistory that touches on the rise of the Tudors, the downfall of a Stuart, the twilight of the French aristocracy, the terrors of the Bolshevik revolution, and the depths of the Cold War -- all witnessed by one painting that inspired the best and the worst instincts in its owners.

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