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How to Tell a Story: An Ancient Guide to the Art of Storytelling for Writers and Readers

di Aristotle

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"Aaron Sorkin, the Oscar-winning director and screenwriter of such hits as The Social Network and The West Wing, recently urged aspiring writers to become students and evangelists for Aristotle's Poetics. How is it that this small and rather obscure treatise by an ancient philosopher better known for metaphysics and ethics has become over the centuries the standard and best handbook for writing drama, novels, short stories, and now screenplays for film and television? How can a book that is admittedly difficult to read have become so influential among the small group of top professional writers? The short answer is that there is nothing better than Aristotle's Poetics for explaining the key points of successful storytelling. No one has examined and explained the keys to plot, character, audience perception, tragic pleasure, and dozens of other crucial points of writing like Aristotle. It is THE standard work from which we derive many of our terms and our understanding the way stories work. It is one of the most powerful and brilliant books ever written on the subject of how to tell a story, yet very few people have actually read it. Part of the reason for this is that Aristotle, even at his clearest, can be difficult to understand. The Poetics in particular can be confusing to read on one's own without a skilled teacher's guidance. Because of this, the Poetics remains the purview of only those who make the effort to work through its careful arguments and astounding insights. And yet. Philip Freeman, thus, aims to produce a faithful yet readable translation along with introduction and commentary of Aristotle's Poetics for a modern audience, especially for aspiring writers who want to follow Sorkin's advice and become immersed in this amazing work"--… (altro)
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The writers who are most successful are those who by nature are able to identify with their characters and are gripped by their emotions. The truest anger or distres is conveyed by authors who actually feel anger or distress in their soul.
Thus the best writers are those who either highly gifted or insane. ( )
  Jon_Hansen | Jul 29, 2023 |
"How to tell a Story, An ancient Guide to the Art of Storytelling for Writers and Readers" is nothing less than Aristotle's classic masterwork "The Poetics", translated, rearranged and introduced by Philip Freeman.
Freeman is a university professor in Malibu California (yes, some guys just have it all) and to reassure his readers that he has not tinkered with the text while rearranging, the book is printed with the original Greek text on the left-hand side and the English translation on the right.

Aristotle's "Poetics" is of course THE seminal text in literary theory which cannot be absent from your library. It's a thin book with a huge content and reading it you are reminded of all these concepts and idea's which we take for granted nowadays but which were posited and explained first by the great Aristole: there is the Mimesis (imitation ) of Auerbach's fame, the Catharsis ( purification ), the apò mēkhanês ( Deus ex Machina ) and even the Homeric Anagnorisis ( Recognition ).

Reading the Poetics invariably comes with this sad awareness that writings, these repositories of narratives and knowledge, are fragile and fleeting. Throughout his book, Aristotle illustrates his literary concepts with numerous examples of texts and authors, most of which have been lost. Lost, , probably forever, altough they were once written down and numerous copies existed. The Margites, a comic epic by Homer Himself for instance, gone...The Antheus by Agathon disappeared, the Lynceus by Theodectes, lost; the Cresphontes by Euripides and the treatise "On Poets" by Aristotle forgotten...

This sad feeling culminates when the book frustratingly ends with chapter two "on Comedy" followed by white pages. The second part of the "Poetics" is lost too.

a most interesting read. ( )
1 vota Macumbeira | Jun 5, 2022 |
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"Aaron Sorkin, the Oscar-winning director and screenwriter of such hits as The Social Network and The West Wing, recently urged aspiring writers to become students and evangelists for Aristotle's Poetics. How is it that this small and rather obscure treatise by an ancient philosopher better known for metaphysics and ethics has become over the centuries the standard and best handbook for writing drama, novels, short stories, and now screenplays for film and television? How can a book that is admittedly difficult to read have become so influential among the small group of top professional writers? The short answer is that there is nothing better than Aristotle's Poetics for explaining the key points of successful storytelling. No one has examined and explained the keys to plot, character, audience perception, tragic pleasure, and dozens of other crucial points of writing like Aristotle. It is THE standard work from which we derive many of our terms and our understanding the way stories work. It is one of the most powerful and brilliant books ever written on the subject of how to tell a story, yet very few people have actually read it. Part of the reason for this is that Aristotle, even at his clearest, can be difficult to understand. The Poetics in particular can be confusing to read on one's own without a skilled teacher's guidance. Because of this, the Poetics remains the purview of only those who make the effort to work through its careful arguments and astounding insights. And yet. Philip Freeman, thus, aims to produce a faithful yet readable translation along with introduction and commentary of Aristotle's Poetics for a modern audience, especially for aspiring writers who want to follow Sorkin's advice and become immersed in this amazing work"--

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