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All Dressed Up: Sixties and the Counterculture

di Jonathon Green

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This account expands upon the author's previous Days in the Life to provide a fascinating and controversial overview of the cultural and political events of the 1960s. Green's starting point is the invention of the teenager, Teds, Beats and CND; he finishes with the Oz trial, the women's movement and gay politics. In between, his focus is on the whole panoply of that extraordinary decade, from sex, drugs and rock'n'roll to student protests. He also surveys the anti-Vietnam movement, and the radical social legislation pioneered by Roy Jenkins - on abortion, obscenity, homosexuality and capital punishment. The underground press, the Arts Lab, Swinging London, anti-psychiatry, the hippie trail, the festivals, the drug busts, all fall under an affectionate but critical eye, celebrating the prevailing optimism of the decade without being blind to its absurdities.… (altro)
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John Lennon, in his notorious 1970 interview with Jan Wenner, said that ‘nothing happened in the ‘60s except that we all dressed up’. It was classic Lennon - blatant exaggeration which undeniably contained a kernel of truth. Despite all the noise and heat of the 1960s the fundamental structure of society remained unchanged. Indeed, contemporary British society is even more unequal and socially divided than back then. Jonathon Green’s book, however, borrows Lennon’s quote for its title but reframes it to more positive effect. In his view, if the 1960s was a sort of glorified fancy dress party, it was a necessary and liberating one after the decades of sacrifice, austerity and conformity which preceded it.

When did the ‘60s start? Not on January 1st 1960, that’s for sure. For Green preparations for the ‘60s blowout began in the ‘50s with the Beats, Angry Young Men and the Campaign for Nuclear Disarmament (CND), and it was all over by the early ‘70s, but the festivities were in full swing from about 1965 to 1971; these were the years of the counter-culture and an analysis of the British manifestation of this forms the heart of the book.

The counter-culture or underground or alternative society was easy to recognise but difficult to define. It took its immediate inspiration from America but Green traces its lineage through the upper class rebels of Bloomsbury, Dada, Surrealism and 19th Century Romantics like Shelley. As he makes clear, it was more an attitude and style than a coherent ideology: sex, drugs, rock ‘n’ roll and ‘revolution in the head’. A cultural rather than political alternative to mainstream society it constituted a sort of psychedelic parallel universe with its own newspapers (IT and Oz), institutions (the London Free School, the Antiuniversity and the drug counselling service Release, founded in 1967 and still going strong today), and it’s own hierarchies and leaders (John Hopkins, Richard Neville and Mick Farren). If it was an alternative society it was certainly a very small one, London-centric and overwhelmingly middle class. The 1960s was essentially the revolt of privileged youth; dropping out not being an option for those who were never in to begin with. Behind the revolutionary rhetoric lay considerable entrepreneurial energy and the pioneering vegetarian restaurants, fringe theatres and arts centres of the counter-culture gradually proliferated and became mainstream.

I was fascinated by the mutual antipathy between the hippies and ‘freaks’ of the counter-culture and the more conventional politicos of the New Left. IT published articles attacking the student rebels of the London School of Economics as ‘boring’ and ‘bureaucratic’; and also, rather astonishingly in retrospect, an editorial following the anti-Vietnam War March in March 1968, denouncing the leaders of the Vietnam Solidarity Campaign (to be fair, many counter-culture figures did take part in the march). The politicos, in their turn, regarded the hippies as self-indulgent and superficial.

Freedom might have been a keyword for both sides but, for the hippies, a socialist state in which every worker was guaranteed a job in a factory was no kind of freedom at all. For them the personal was political and commitment to changing the world demonstrated by lifestyle rather than by spouting ideology. The hippies, in other words, represented a revolutionary form of libertarianism. This can be reduced to the caricature of ‘ I just want to do my own thing, man’, but in a Britain still haunted by the ghost of Queen Victoria, their concern with sexual freedom and personal liberty was by no means trivial.

Ultimately, for all their alleged self-indulgence and superficiality, the hippies were vindicated. The political revolution remained a pipe dream; the cultural and social revolution, albeit in severely compromised form, actually happened. This is where the rather unlikely hero of the book emerges - 1960s Labour Home Secretary Roy Jenkins. Certainly no hippie, he nonetheless played a pivotal role in liberalising law reforms relating to homosexuality, abortion and censorship. I was rather taken aback by Green’s description of the somewhat staid and sober Jenkins as a ‘visionary’; on reflection, given the far-reaching nature of the changes he enabled, it might well be justified. He was certainly the most liberal and progressive Home Secretary in British history.

Books about the 1960s tend to divide between cosy pop culture nostalgia and serious social history. All Dressed Up is emphatically in the latter category; impressively comprehensive it puts the events and movements of the period in a longer historical perspective. Green writes with the instinctive sympathy of the insider - he wrote for the underground press in its later years - while never oblivious to the failings of the counter-culture: its rampant sexism, frequent intellectual incoherence and banality, and infantilising wish-fulfilment.

The counter-culture may have been over by the early ‘70s but the radicalism of the previous decade continued with the Gay Liberation movement, feminism and environmentalism. Green is surely correct that the most important and enduring legacy of the 1960s is greater personal liberty; the freedom to live your own life in your own way unconstrained by an externally imposed notion of morality. 21st century Britain, if more unequal, is certainly more liberal than it was in the 1960s. So much that was marginal or considered extreme then is now accepted and part of the legislature. Not that I mean to sound complacent; the right-wing backlash against the new freedoms began almost before the freedoms themselves and is currently being pursued with great vigour.

This history of the 1960s has a curious history of its own. It was published in August 1998 - a sequel to Days in the Life, Green’s excellent oral history of the ‘60s - and promptly withdrawn two weeks later as a result of two libel actions. A paperback edition, with the litigious section dutifully excised, followed a year later but this is also now out of print. It’s a pity as All Dressed Up is one of the most perceptive books I’ve ever read on this subject; happily, secondhand copies are still easily available at sensible prices. ( )
  gpower61 | Jun 12, 2023 |
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This account expands upon the author's previous Days in the Life to provide a fascinating and controversial overview of the cultural and political events of the 1960s. Green's starting point is the invention of the teenager, Teds, Beats and CND; he finishes with the Oz trial, the women's movement and gay politics. In between, his focus is on the whole panoply of that extraordinary decade, from sex, drugs and rock'n'roll to student protests. He also surveys the anti-Vietnam movement, and the radical social legislation pioneered by Roy Jenkins - on abortion, obscenity, homosexuality and capital punishment. The underground press, the Arts Lab, Swinging London, anti-psychiatry, the hippie trail, the festivals, the drug busts, all fall under an affectionate but critical eye, celebrating the prevailing optimism of the decade without being blind to its absurdities.

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