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Sto caricando le informazioni... Terra d'occidente: romanzo (1981)di Lloyd Alexander
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. Whether this counts as fantasy is doubtful --as I recall, it does not have overt magic in it, though it is set in an imaginary early modern country. I read it a long time ago, and I recall, I mildly liked the first story which has a fairly upbeat ending but disliked the later stories in which the situation gets substantially darker --the apparent political compromise et up in the first book falls apart in a bitter revolutionary situation. More mature but less agreeable than Alexander's Prydain stories. nessuna recensione | aggiungi una recensione
Premi e riconoscimentiElenchi di rilievo
A boy fleeing from criminal charges falls in with a charlatan, his dwarf attendant, and an urchin girl, travels with them about the kingdom of Westmark, and ultimately arrives at the palace where the king is grieving over the loss of his daughter. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999Classificazione LCVotoMedia:
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What I loved best was Theo. As a teenager, I'm sure I would have wanted to marry him. As an adult, I want to be him. The way he wrestles with the ideals and reality is so real. "Who decides what's right?" he asks, as he notes good people on both sides and bad people as well. He believes that killing is wrong, but when someone has a gun pointed at his friend, he also wonders does his inability to shoot make him a good person or a coward. I want to wrestle with these questions. I want our society to wrestle with these questions. In this book, Theo stands in the middle of an increasingly polarized society, and sees reality, and asks questions of the people on both sides, and I love him for it.
I also loved how throughout the entire book, you see Theo making choices. He isn't just thrown into his fate. He chooses to stay or leave. He chooses to speak or be silent. And while he always seems surprised at the outcomes of his choices, the outcome doesn't determine what choice he makes. He is determined to make the best choices, even when some might seem misguided, and stays true to himself. I think that would make him good.
All of the characters were wonderful and most were over the top, something I have come to expect from and love about Lloyd Alexander's writing. It's an incredibly underrated trilogy, one that I look forward to reading again many more times. ( )