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Waiting for Godot. The Importance of Being Earnest. Rosencrantz and Guildenstern Are Dead. Since Shakespeare's time, no period has produced more brilliant and various theatrical dramas in Great Britain than in the past 100 years. Professor Saccio has selected the major British playwrights of the past century to cover Wilde, Shaw, Coward, Beckett, Osborne, Pinter, Stoppard, Churchill, and Hare. Why this roster of modern British playwrights? As you'll discover while exploring their great works in these eight lectures, some of them celebrate (or satirize) elite manners, some explore the changes in a kingdom that once ruled a quarter of the globe, some assault the sociopolitical establishment, and some probe the Existential anxiety of the modern age. "Unlike other media, dramatic art occurs in a certain place in time; in the 'here and now,'" states Professor Saccio. You'll examine the role theater has played in British culture and society over the past 100 years. You'll witness the evolution of the stylistic conventions of the British play, from the genteel drawing-room comedies of the late 19th century to the radical political theater of the late 20th century. Throughout this brief survey of some of the great innovators of the dramatic arts of the modern era, you'll understand how and why modern British drama has changed so dramatically, and you'll realize the importance of the political and social context in which these works were written.… (altro)
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Saccio is an engaging guide to "Modern" British Drama, which in this case means Oscar Wilde, George Bernard Shaw, John Osborne, Samuel Beckett, Harold Pinter, Tom Stoppard, Caryl Churchill, and David Hare. He is at best when describing the details of the plays and quoting (or acting out) their dialogue. He is at his worst when he takes an early sidetrack in the Wilde lecture to allude to his own sex life. This 8-part survey is much too short to be anything more than a brief introduction, and dating from 1995, it is dated, especially the last lecture on Churchill and Hare. These days, he would probably be allotted 24 half-hour lectures rather than eight 45-minute ones. Still, he doesn't waste any time, and he is a smooth lecturer, other than his frequent pauses to sip water (at least that's what it sounded like he was doing on my audio version). Most surprisingly, to me, was his ranking of Shaw right after Shakespeare as the greatest British playwright, although he makes a good case for it.The lecture on Pinter's Homecoming, a play I read in college, is especially good. So despite it being out of date, I would still recommend this course to anyone interested in the theater or in literature. ( )
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Waiting for Godot. The Importance of Being Earnest. Rosencrantz and Guildenstern Are Dead. Since Shakespeare's time, no period has produced more brilliant and various theatrical dramas in Great Britain than in the past 100 years. Professor Saccio has selected the major British playwrights of the past century to cover Wilde, Shaw, Coward, Beckett, Osborne, Pinter, Stoppard, Churchill, and Hare. Why this roster of modern British playwrights? As you'll discover while exploring their great works in these eight lectures, some of them celebrate (or satirize) elite manners, some explore the changes in a kingdom that once ruled a quarter of the globe, some assault the sociopolitical establishment, and some probe the Existential anxiety of the modern age. "Unlike other media, dramatic art occurs in a certain place in time; in the 'here and now,'" states Professor Saccio. You'll examine the role theater has played in British culture and society over the past 100 years. You'll witness the evolution of the stylistic conventions of the British play, from the genteel drawing-room comedies of the late 19th century to the radical political theater of the late 20th century. Throughout this brief survey of some of the great innovators of the dramatic arts of the modern era, you'll understand how and why modern British drama has changed so dramatically, and you'll realize the importance of the political and social context in which these works were written.

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