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Sansei and Sensibility di Karen Tei…
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Sansei and Sensibility (edizione 2020)

di Karen Tei Yamashita (Autore)

UtentiRecensioniPopolaritàMedia votiCitazioni
903301,152 (3.62)10
"The protagonists of these skillful and inventive stories have traveled various paths-from Japan to Brazil, L.A. to Gardena, San Francisco to Tokyo-but along the way, they have all become archivists, whether they know it or not. They examine the contents of deceased relatives' freezers, tape-record high-school locker-room chatter, cart the contents of a household cross-country, or collect a community's gossip while cleaning the teeth of its inhabitants. They sparkle with Karen's signature wit and humor while diving into questions of race, class, colonialism, immigration, and, above all, inheritance-familial, cultural, emotional, artistic, and otherwise. How does what we collect along the way define or negate our experiences? Can we ever really be free of it? Should we want to? In second half of the book, Yamashita imagines how Jane Austen's seven novels might look "in a small provincial armpit of postwar sunshine" in sixties and seventies Japanese America. Mr. Darcy is the captain of the football team, Mansfield Park has materialized in a suburb of L.A., bake sales have replaced balls, and station wagons, not horse-drawn carriages, are the preferred mode of transit. In these buoyant and inventive stories, Yamashita asks what the act of transferring a "classic" tale across boundaries-of space, time, race, genre-can tell us about the tropes that ungird our experiences"… (altro)
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Note: I accessed a digital review copy through Edelweiss.
  fernandie | Sep 15, 2022 |
Karen Tei Yamashita's book of short stories is two collections in one. The first half concerns itself with sansei, the grandchildren of Japanese emigrants. In these stories, they live mainly in an affluent Japanese-American community in California. And there are essays from topics ranging from prominent women of Japanese heritage to the WWII internment camps in isolated locations and how they are being preserved.

The second half of the book is a series of stories in which the familiar characters and plots of [[Jane Austen]]'s novels are placed in that same Californian Japanese-American community and altered for our modern age, so that Mr. Collins is a high school librarian and Mrs. Bennett is the president of the PTA. These stories require a familiarity with Austen's novels, but that's probably a given for readers of Yamashita's collection.

I picked up this book because of the Austen stories, but much preferred the first section, especially the essays, which brought to life the Japanese-American experience and that of being the grandchildren of immigrants. The first story, of two sisters visiting Japan for the first time and of looking like they belong, while still being outsiders, was also fascinating. ( )
  RidgewayGirl | Mar 15, 2021 |
I liked the scope and uniqueness found in these short stories; from powerful grandmothers, to bathtubs, to dental hygienists who know too much, to interment camps this book has a bit of everything in it. The first half of the short stories aren't related to Jane Austen but are still profound and enjoyable. The second half of this collection turns each classic Jane Austen novel on it's head and gives it a Japanese American twist. I don't want to give anything away, but I will say they were very clever and were the most unique takes on Jane Austen that I've read in ages! Filled with beautiful prose; these unique short stories are worth a read! ( )
  ecataldi | Feb 7, 2020 |
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For Jane Tomi
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In their house, they often say that Mother has a special fascination for the bath.
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"The protagonists of these skillful and inventive stories have traveled various paths-from Japan to Brazil, L.A. to Gardena, San Francisco to Tokyo-but along the way, they have all become archivists, whether they know it or not. They examine the contents of deceased relatives' freezers, tape-record high-school locker-room chatter, cart the contents of a household cross-country, or collect a community's gossip while cleaning the teeth of its inhabitants. They sparkle with Karen's signature wit and humor while diving into questions of race, class, colonialism, immigration, and, above all, inheritance-familial, cultural, emotional, artistic, and otherwise. How does what we collect along the way define or negate our experiences? Can we ever really be free of it? Should we want to? In second half of the book, Yamashita imagines how Jane Austen's seven novels might look "in a small provincial armpit of postwar sunshine" in sixties and seventies Japanese America. Mr. Darcy is the captain of the football team, Mansfield Park has materialized in a suburb of L.A., bake sales have replaced balls, and station wagons, not horse-drawn carriages, are the preferred mode of transit. In these buoyant and inventive stories, Yamashita asks what the act of transferring a "classic" tale across boundaries-of space, time, race, genre-can tell us about the tropes that ungird our experiences"

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