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Sto caricando le informazioni... The Cat and the Citydi Nick Bradley
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. Tokyo is preparing for hosting the 2020 Olympics. Author Nick Bradley has weaved a collection of short stories together, with numerous characters that connect in a variety of unexpected ways, but with too few appearances by the calico cat prominently featured on the book’s striking cover. The first story is a determined girl getting a large map of the city tattooed on her back in the traditional (tebori) style. She insists on no people appearing in the tattoo, but the renowned artist sneaks in a tattoo of a calico cat, which moves in between visits to the shop. Naomi and the cat share strange green eyes and re-appear occasionally in stories, but not enough. I really enjoyed the second story of a homeless man, down on his luck, but wanting to make a difference, and a loving caretaker for the calico cat. Sadly, I was less impressed by the rest of the stories. Bradley boldly used a variety of styles and motifs, but the unifying thread was just too weak for me to create a cohesive narrative in the metropolis. This book provides the reader insight into contemporary Japan. It also features a cute recurring motif (the cat of the title) which serves to unify the different strands of the story. This old addled brain had a tough time keeping all the many characters straight in my head - perhaps a dramatis personae would have been in order. Especially given the plethora of Japanese names in the story. At some point, I may be motivated to read it again with some note taking... I enjoyed this, and anyone interested in Japan or Japanese literature will find this an interesting read - from a Westernised view of the country and its capital city. We open with a young girl getting a tattoo of the city on her back in a traditional (tebori) style. She specifically states that she doesn't want the tattoo with any people in it, but Kentaro sneaks in a small tattoo of a calico cat. The next time she visits to continue with the tattoo, Kentaro notices that the cat has moved.... And so we progress through a series of inter-linked narratives, where characters crop up and are the main focus, or re-appear in the background. Common to them all is the figure of the cat, now wandering the city and somehow encountering each of our characters. As a plot device, this is a clever way of linking the stories: the city's homeless being 'cleansed' from the streets in preparation for the 2020 Olympics; an American translator trying to fit into the city; a scientist trying to clone or create an AI cat for his daughter; a private investigator being threatened by the mob; a taxi driver who suffers a life-changing car crash... Nick Bradley gives us a sweeping look into moments of each of these lives, and we see that, even in a mega-city, we are all somehow connected. His choice of narrative styles changes, too, and we get a (fictional) short story, a short manga comic, a relationship seen in the form of footnotes, amongst others Where the book doesn't quite work is its failure to escape from its Western perspective. It *feels* like it's written by a Westerner, and in so doing you can almost play 'Japan bingo' with the book: salarymen and karaoke; gaijin; women being hassled on the underground; the yakuza; the formal restrictions of family life; etc. Not that there is anything wrong with this, of course, but it does then also have the feel of a first novel where the author, who has clearly done his research, wants to include absolutely everything. Sometimes, less is more. It can't help but be compared with David Mitchell's debut, 'Ghostwritten', which has a similar plot device of a spirit passing between characters and linking their stories. For me, Mitchell had a much better narrative style and control of what to include and what to omit. Perhaps that's grossly unfair of me to compare the two, but hey, I just have. On the whole, however, this is a diverting and rewarding read, not afraid to show the underbelly of a country that prides itself on its social cohesion. An interesting Western take on Tokyo and its problems. 3 stars. nessuna recensione | aggiungi una recensione
Premi e riconoscimenti
In Tokyo - one of the world's largest megacities - a stray cat is wending her way through the back alleys. And, with each detour, she brushes up against the seemingly disparate lives of the city-dwellers, connecting them in unexpected ways. But the city is changing. As it does, it pushes her to the margins where she chances upon a series of apparent strangers - from a homeless man squatting in an abandoned hotel, to a shut-in hermit afraid to leave his house, to a convenience store worker searching for love. The cat orbits Tokyo's denizens, drawing them ever closer. In a series of spellbinding, interlocking narratives, with styles ranging from manga to footnotes, Nick Bradley has hewn a novel of interplay and estrangement; of survival and self-destruction; of the desire to belong and the need to escape. Formally inventive and slyly political, The Cat and The City is a lithe thrill-ride through the less-glimpsed streets of Tokyo. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)823.92Literature English & Old English literatures English fiction Modern Period 2000-Classificazione LCVotoMedia:
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This is one of those reviews where i feel i can't say as much as i'd like to say without giving away the book's ending, which is a bit annoying, both for me and, i imagine, anyone wanting a review. So i'll just do my best without ruining it for anyone: i'm sure if anyone wants to have it ruined by reading a more in depth review they'll soon find one somewhere on the internet.
At first this is what appears to be a collection of short stories, however, each is interconnected by a calico cat and various characters that keep appearing around various parts of Tokyo. Slowly, over time, a back story begins to coalesce.
I wouldn't put this down as an easy read because you do have to keep track of some of the characters who randomly appear -- and their relationships -- add to this that most of the characters have Japanese names and it becomes a bit of a challenge. Then there's the Japanese terminology that is peppered throughout, for which most of us will need to stop occasionally and use "Look Up". All in all it is quite a challenge but it is well worth the investment if you have the sort of mind that likes reading books that require you to make a bit of effort. If, however, you like your stories spoon fed to you by mother at bedtime then i would probably not bother as you'll probably just end up getting totally lost, confused, annoyed and ultimately blame a really good book for your own failings.
One could ask why is all this chaos necessary? I would suggest that it's meant to portray Tokyo and it's metropolitan area of 37,468,000 people, all passing on the streets, trains, taxis, etc.; pretending to ignore each other while obviously being continually affected, being extremely polite while ultimately suffering inside, and being so distant from each other while being so very near.
Anyway, like the two David Mitchell books, mentioned above, i really enjoyed it and if you do make the effort i'm sure you will to as it's a great story spread out all over one of the world's greatest cities. ( )