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Yellow Bird: Oil, Murder, and a Woman's Search for Justice in Indian Country

di Sierra Crane Murdoch

UtentiRecensioniPopolaritàMedia votiCitazioni
3041486,264 (3.74)13
"When Lissa Yellow Bird was released from prison in 2009, she found her home, the Fort Berthold Indian Reservation in North Dakota, transformed by the Bakken oil boom. In her absence, the landscape had been altered beyond recognition, her tribal government swayed by corporate interests, and her community burdened by a surge in violence and addiction. Three years later, when Lissa learned that a young white oil worker, Kristopher 'KC' Clarke, had disappeared from his reservation worksite, she became particularly concerned. No one knew where Clarke had gone, and no one but his mother was actively looking for him. Unfolding like a gritty mystery, Yellow Bird traces Lissa's steps as she obsessively hunts for clues to Clarke's disappearance. She navigates two worlds -- that of her own tribe, changed by its newfound wealth, and that of the non-Native oil workers, down on their luck, who have come to find work on the heels of the economic recession. Her pursuit becomes an effort at redemption -- an atonement for her own crimes and a reckoning with generations of trauma. Yellow Bird is both an exquisitely written, masterfully reported story about a search for justice and a remarkable portrait of a complex woman who is smart, funny, eloquent, compassionate, and -- when it serves her cause -- manipulative. Ultimately, it is a deep examination of the legacy of systematic violence inflicted on a tribal nation and a tale of extraordinary healing"--… (altro)
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Lissa Yellow Bird becomes obsessed with the disappearance of a young man working the oil fields in North Dakota. She becomes convinced she knows who killed him. She goes all over the reservation looking for his body. She talks to whoever she can who might know something about him on the day he was killed. As her investigation continues she uncovers loads of corruption, with people trying to line their own pockets during the oil boom, including members of her own people. ( )
  dara85 | Nov 20, 2023 |
The more I learn about the history of Native Americans the harder it is to face. So many wrongs were done to them.
The greed exposed in this book makes me sick, so many crimes committed for $$. Very sad.
Good listen, the author reads the book. It did leave me feeling depressed, so much hurt, so many greedy unethical people.
I do like true crime and this book weaves many issues in with the story of the crimes. ( )
  carolfoisset | Jul 30, 2023 |
(21) This is a journalist's meandering telling of a disappearance of a young man on a North Dakota reservation during the "fracking" boom of 2016. Tribal lands have turned out to sit on a wealth of oil that can be drilled from the ground and, of course, the oil companies have come to swindle the Native Americans or so the story goes. It turns out many of the people on the reservation were done wrong by their own relatives. But hey - the actual facts don't matter when we can write a nice victim story especially with the oh-so-PC concept of intergenerational trauma thrown in. Sigh. Nevertheless, the story itself is a true-crime whodunnit told from the lens of a Native American woman who is trying to put her life back together after addiction and prison. She becomes obsessed with the case and determined to solve it and put the perpetrators behind bars.

I admired Lissa who I think is a fascinating woman. Although the author admittedly was a 'biased' journalist who became Lissa's friend and allowed her input into the story, she actually did a nice job depicting Lissa as a real, flawed individual but not a victim, and not a scumbag. I enjoyed reading about her mother, Irene, and her life's trajectory as well. Strength and smarts from chaos and dysfunction. After reading this on the heels of 'We were once a Family' which detailed the horrors and chaotic lives of children in foster care, I feel like I need to just wash all the grime and filth off my skin with a Chlorox wipe. Poverty is one thing, but jeez - cruelty, violence, drugs, crime, running off and fornicating with random people and getting knocked up. What is wrong with people!!!

I thought that while some stories and people were interesting - in the end the book was a mish-mash of stories not in great chronological organization and the main thrust of the narrative kept changing. Is this about life on Native American reservations? Lissa's life story? the young man KC who disappeared? the crooked contractors who profited off the oil boom and maybe knocked-off their enemies? I dunno really - a lot of players that were hard to keep straight who kept coming in and out of the story and the same scenes seemed to be written again and again. After awhile I truly just felt petty and dirty reading about long text or Facebook page exchanges between random people. Is there a story here or not?

So mixed feelings. I was definitely motivated to finish and find out what happened but the pacing and the dramatic tension and structure of the book were a bit of a hot mess. Despite all this, I actually think there is a spark to this author's writing and some great potential. I would read her next one. ( )
  jhowell | Apr 22, 2023 |
Read about 100 pages and then switched to audio, which was a much better experience. I don't have patience for overly detailed accounts of anything these days, so this was just a bit too much for me. I would have liked this better as a long New Yorker piece rather than a 300 page book. ( )
  BibliophageOnCoffee | Aug 12, 2022 |
There are several stories going on in this book and I often felt like I had whiplash between them. I enjoyed the history aspects, the Native American culture, etc... I listened to the audio book and wonder if it would have felt least jarring as the story jumped around if I had read it instead. ( )
  LittleSpeck | May 17, 2022 |
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"When Lissa Yellow Bird was released from prison in 2009, she found her home, the Fort Berthold Indian Reservation in North Dakota, transformed by the Bakken oil boom. In her absence, the landscape had been altered beyond recognition, her tribal government swayed by corporate interests, and her community burdened by a surge in violence and addiction. Three years later, when Lissa learned that a young white oil worker, Kristopher 'KC' Clarke, had disappeared from his reservation worksite, she became particularly concerned. No one knew where Clarke had gone, and no one but his mother was actively looking for him. Unfolding like a gritty mystery, Yellow Bird traces Lissa's steps as she obsessively hunts for clues to Clarke's disappearance. She navigates two worlds -- that of her own tribe, changed by its newfound wealth, and that of the non-Native oil workers, down on their luck, who have come to find work on the heels of the economic recession. Her pursuit becomes an effort at redemption -- an atonement for her own crimes and a reckoning with generations of trauma. Yellow Bird is both an exquisitely written, masterfully reported story about a search for justice and a remarkable portrait of a complex woman who is smart, funny, eloquent, compassionate, and -- when it serves her cause -- manipulative. Ultimately, it is a deep examination of the legacy of systematic violence inflicted on a tribal nation and a tale of extraordinary healing"--

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