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The Night Watchman: A Novel di Louise…
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The Night Watchman: A Novel (edizione 2020)

di Louise Erdrich (Autore)

UtentiRecensioniPopolaritàMedia votiCitazioni
2,151907,740 (4.06)170
It is 1953. Thomas Wazhushk is the night watchman at the first factory to open near the Turtle Mountain Reservation in rural North Dakota. He is also a prominent Chippewa Council member, trying to understand a new bill that is soon to be put before Congress. The US Government calls it an 'emancipation' bill; but it isn't about freedom - it threatens the rights of Native Americans to their land, their very identity. How can he fight this betrayal? Unlike most of the girls on the reservation, Pixie - 'Patrice' - Paranteau has no desire to wear herself down on a husband and kids. She works at the factory, earning barely enough to support her mother and brother, let alone her alcoholic father who sometimes returns home to bully her for money. But Patrice needs every penny to get if she's ever going to get to Minnesota to find her missing sister Vera. In The Night Watchman multi-award winning author Louise Erdrich weaves together a story of past and future generations, of preservation and progress. She grapples with the worst and best impulses of human nature, illuminating the loves and lives, desires and ambitions of her characters with compassion, wit and intelligence.… (altro)
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Titolo:The Night Watchman: A Novel
Autori:Louise Erdrich (Autore)
Info:HarperLuxe (2020), Edition: Large type / Large print, 624 pages
Collezioni:La tua biblioteca, Lista dei desideri, In lettura, Da leggere, Letti ma non posseduti, Preferiti
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Etichette:to-read

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1953 was the real-life year of the U.S. Congress passing House concurrent resolution 108 and therefore establishing the federal policy known as "termination", which sought to abolish tribes and relocate American Indians (the start of a series of proceedings held from 1953- 1970). Primarily through the story of the titular character, Thomas Washashk (based on the life and activism of Erdrich's grandfather, Patrick Gourneau), and Patrice (Pixie) Paranteau, the novel revisits the mid-century tension of a people long dispossessed and disenfranchised caught in a no-man's land of ambiguously defined citizenry and capitalist manipulation. Thomas, who serves on the tribal council of the Turtle Mountain Band of Chippewa, and works as a night watchman at the jewel bearing plant, reflects an optimism and ethic of tenacity, perseverance and patience. Patrice, a recent high-school graduate, on the other hand, has youthful energy and occasional impulsiveness, but is also the sole provider for family that includes her alcoholic father, her mother, and her brother. She, with her friends Valentine and Doris, works at the jewel bearing plant as well. Her older sister, Vera, moved to Minneapolis, but has not been heard from in months, so Patrice sets off on a brief, but Campbellian, hero's journey, which opens her eyes to savagery from which she has been relatively sheltered on the reservation.

Somehow, Erdrich manages to mix historical account, a coming-of-age-story, and an intriguing story through a rich cast of humanized characters -- from the Mormon missionaries to the Washington senators. Most of the characters are multi-dimensional and fairly well developed, but the pace of the story (stories, really) moves in fits and starts and occasionally we lose track of some threads in deference to others. Everything does come back together by the close of the book, although I found myself disquieted by the relative neatness of the ending (I won't say "happy"). There's more to tell, that we know, and it is perhaps the challenge of historical fiction: good characters will make us want to have a larger slice of the historical narrative, especially when that narrative is perpetuated into our own time. This is an important book that attempts to zoom in on the lived experiences of a whole host of characters in order to illuminate the hardship and mistreatment of a government toward its indigenous peoples--the task is not an easy one. The latter goal occasionally gets submerged under the former, but this is a good problem to have because if nothing else, the characters keep us turning the page for all their foibles, their propensity for chaos, their passions, and their search for meaning.

Louise Erdrich's reading is very beautiful, full of tender and sensitive intonation and wisdom behind each word. ( )
  rebcamuse | Sep 18, 2024 |
Audio from the Library. Thomas is a tribal elder and also the night watchman at a factory on the reservation in Turtle Mountain, North Dakota. Congress has come up with a bill to terminate federal rights and the treaty for this tribe, so they can be assimilated into American society. It's really a white land grab. ( )
  nancynova | Jun 25, 2024 |
Such good writing, and I like learning about native people, about which I know almost nothing. ( )
  RaynaPolsky | Apr 23, 2024 |
Rounded up from 3 1/2 stars. Takes a long long time to get going, but like the rest of Erdrich novels, the characters are amazing. ( )
  patl | Feb 29, 2024 |
Erdrich at her best. ( )
  ben_r47 | Feb 22, 2024 |
Louise Erdrich’s The Night Watchman is a singular achievement even for this accomplished writer. ... Erdrich, like her grandfather, is a defender and raconteur of the lives of her people. Her intimate knowledge of the Native American world in collision with the white world has allowed her, over more than a dozen books, to create a brilliantly realized alternate history as rich as Faulkner’s Yoknapatawpha County, Mississippi. The Night Watchman arrives in the midst of an impassioned debate over how American citizenship should be defined. As the author writes in an afterword: “If you should ever doubt that a series of dry words in a government document can shatter spirits and demolish lives, let this book erase that doubt. Conversely, if you should be of the conviction that we are powerless to change those dry words, let this book give you heart.”
 
Louise Erdrich is one of our era’s most powerful literary voices. Whether writing of love, enmity, or ambition, her descriptions feel resonant, yet arresting in their originality. Her portraits of reservation life in the northern Midwest also make her one of this generation’s most important Native American writers. Erdrich’s fictional communities are characterized by intense and ambivalent relationships – of lovers, rivals, and mothers and daughters. Rather than centering on an individual or a single family, she creates networks of families, emphasizing their interrelatedness, their shared past, and the land they inhabit, building a compelling alternative world – one that is always under siege. ... We need more of these stories that recount collective resistance and the small victories that can accompany it, while also recognizing the toll they take (economically, physically, emotionally) on individuals and communities. There’s a need, too, to be more honest about the way our country’s policies have negatively affected generations of Native Americans. “The Night Watchman” may be set in the 1950s, but the history it unearths and its themes of taking a stand against injustice are every bit as timely today.
 
The Night Watchman is indeed historical, thoroughly researched, rich with cultural and topical detail. However, what engages the reader most deeply are Erdrich’s characters: people, ghosts, even animals. As for the human cast, some of them are directly involved in responding to the legislative threat; others just live their complicated, difficult lives. ... Both the story of the tribe and the story of the individual family plumb grim history and circumstances, but the novel is neither grim nor a lament. Rather, it is a tale of resistance, courage, and love prevailing against the odds. Some readers may question such optimism and hope and doubt the tentative, nuanced resolutions achieved by the tribe and Thomas’ family. But any reader in this present, dark winter of 2020 open to reminders of what a few good people can do will find The Night Watchman bracing and timely.
 
The author ... delivers a magisterial epic that brings her power of witness to every page. High drama, low comedy, ghost stories, mystical visions, family and tribal lore — wed to a surprising outbreak of enthusiasm for boxing matches — mix with political fervor and a terrifying undercurrent of predation and violence against women. For 450 pages, we are grateful to be allowed into this world. ... In this era of modern termination assailing us, the book feels like a call to arms. A call to humanity. A banquet prepared for us by hungry people. Erdrich ends the book, in the afterword’s closing, with a kind of blessing: “If you should be of the conviction that we are powerless to change … let this book give you heart.”
aggiunto da Lemeritus | modificaNew York Times, Luis Alberto Urrea (sito a pagamento) (Mar 3, 2020)
 
... modern realism and Native spirituality mingle harmoniously in Erdrich’s pages without calling either into question. ... This tapestry of stories is a signature of Erdrich’s literary craft, but she does it so beautifully that it’s tempting to forget how remarkable it is. Chapter by chapter, we encounter characters interrelated but traveling along their own paths. ... Expecting to follow the linear trajectory of a mystery, we discover in Erdrich’s fiction something more organic, more humane. Like her characters, we find ourselves “laughing in that desperate high-pitched way people laugh when their hearts are broken.”
aggiunto da Lemeritus | modificaWashington Post, Ron Charles (sito a pagamento) (Mar 2, 2020)
 

» Aggiungi altri autori (6 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Erdrich, LouiseAutoreautore primariotutte le edizioniconfermato
Gurcel, SarahTraduttoreautore secondarioalcune edizioniconfermato
Higuera Glynne-Jonnes, Susana de laTraductorautore secondarioalcune edizioniconfermato
Schröder, GesineÜbersetzerautore secondarioalcune edizioniconfermato

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To Aunishenaubay, Patrick Gourneau; to his daughter Rita, my mother; and to all of the American Indian leaders wo fought against termination.
Afterword: My Grandfather's Letters-Aunishenaubay, Patrick Gourneau, was the chairman of the Turtle Mountain Band of Chippewa Advisory Committee during the mid-1950s, supposedly the golden age for America, but in reality a time when Jim Crow reigned and American Indians were at the nadir of power--our traditional religions outlawed, our land base continually and illegally seized (even as now) by resource extraction companies, our languages weakened by government boarding schools.
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Thomas Wazhashk removed his thermos from his armpit and set it on the steel desk alongside his scuffed briefcase.
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Patrice had come to think that humans treated the concept of God, or Gizhe Manidoo, or the Holy Ghost, in a childish way. She was pretty sure that the rules and trappings of ritual had nothing to do with God, that they were ways for people to imagine they were doing things right in order to escape from punishment, or harm, like children. She had felt the movement of something vaster, impersonal yet personal, in her life. She thought that maybe people in contact with that nameless greatness had a way of catching at the edges, a way of being pulled along or even entering this thing beyond experience.
“Holding out through every kind of business your folks could throw our way. Holding out why? Because we can’t just turn into regular Americans. We can look like it, sometimes. Act like it, sometimes. But inside we are not. We’re Indians.”
“But see here,” said Barnes. “I’m German, Norwegian, Irish, English. But overall, I’m American. What’s so different?” Thomas gave him a calm and assessing look. “All of those are countries out of Europe. My brother was there. World War Two.” “Yes, but all are different countries. I still don’t understand it.” “We’re from here,” said Thomas.
“Good thing you don’t have to. I can’t turn all the way into a white man, either. That’s how it is. I can talk English, dig potatoes, take money into my hand, buy a car, but even if my skin was white it wouldn’t make me white. And I don’t want to give up our scrap of home. I love my home.”
Thomas looked at the big childish man with his vigorous corn-yellow cowlicks and watery blue eyes. Not for the first time, he felt sorry for a white fellow. There was something about some of them—their sudden thought that to become an Indian might help. Help with what? Thomas wanted to be generous. But also, he resisted the idea that his endless work, the warmth of his family, and this identity that got him followed in stores and ejected from restaurants and movies, this way he was, for good or bad, was just another thing for a white man to acquire. “No,” he said gently, “you could not be an Indian. But we could like you anyway.”
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It is 1953. Thomas Wazhushk is the night watchman at the first factory to open near the Turtle Mountain Reservation in rural North Dakota. He is also a prominent Chippewa Council member, trying to understand a new bill that is soon to be put before Congress. The US Government calls it an 'emancipation' bill; but it isn't about freedom - it threatens the rights of Native Americans to their land, their very identity. How can he fight this betrayal? Unlike most of the girls on the reservation, Pixie - 'Patrice' - Paranteau has no desire to wear herself down on a husband and kids. She works at the factory, earning barely enough to support her mother and brother, let alone her alcoholic father who sometimes returns home to bully her for money. But Patrice needs every penny to get if she's ever going to get to Minnesota to find her missing sister Vera. In The Night Watchman multi-award winning author Louise Erdrich weaves together a story of past and future generations, of preservation and progress. She grapples with the worst and best impulses of human nature, illuminating the loves and lives, desires and ambitions of her characters with compassion, wit and intelligence.

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