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Kim Jiyoung, Born 1982: A Novel di Cho…
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Kim Jiyoung, Born 1982: A Novel (edizione 2020)

di Cho Nam-Joo (Autore), Jamie Chang (Traduttore)

UtentiRecensioniPopolaritàMedia votiCitazioni
1,0635519,149 (3.98)46
"The runaway bestseller that helped launch Korea's new feminist movement, Kim Jiyoung, Born 1982 follows one woman's psychic deterioration in the face of rigid misogyny. In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul, Kim Jiyoung-a millennial "everywoman"-spends her days caring for her infant daughter. Her husband, however, worries over a strange symptom that has recently appeared: Jiyoung has begun to impersonate the voices of other women-dead and alive, both known and unknown to her. Truly, flawlessly, completely, she became that very person. As she plunges deeper into this psychosis, Jiyoung's concerned husband sends her to a psychiatrist, who listens to her narrate her own life story-from her birth to a family who expected a son, to elementary school teachers who policed girls' outfits, to male coworkers who installed hidden cameras in women's restrooms and posted the photos online. But can her doctor cure her, or even discover what truly ails her? Rendered in eerie prose, Kim Jiyoung, Born 1982 announces the arrival of a major international writer"--… (altro)
Utente:burritapal
Titolo:Kim Jiyoung, Born 1982: A Novel
Autori:Cho Nam-Joo (Autore)
Altri autori:Jamie Chang (Traduttore)
Info:Liveright (2020), 176 pages
Collezioni:La tua biblioteca, In lettura
Voto:****
Etichette:Nessuno

Informazioni sull'opera

Kim Jiyoung, Born 1982 di Cho Nam-Joo

Aggiunto di recente dabiblioteca privata, Margaret09, Xe, caitscoterie, Justally, daplz, Yohsephina, chiaranonino, Raisa1234
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» Vedi le 46 citazioni

Inglese (48)  Tedesco (2)  Olandese (2)  Ungherese (1)  Spagnolo (1)  Francese (1)  Tutte le lingue (55)
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Kim Jiyoung is everywoman. Her name is a common one, her experience too. It would have been better if she'd been born a boy - according to her mother's in-laws. Her mother's career choices had been limited by the family's need to pay for her brother's education. Kim herself certainly plays second fiddle to her brother. The school system favours boys, university too. Boys sometimes harass girls - but it's the girl's fault. Women in work get paid less than men, and get overlooked for promotion. Kim discovers all this, and then gives up her career, which she loved, for a baby and domesticity. She can't be depressed - she has so much going for her surely? So she must be mad.

This story is told in an impersonal, baldly written style, and is supported by footnotes throughout. This is what gives the story its immediacy, and guaranteed its success among Korean women. Things might not be quite the same here, but this is a book whose message is not at all hard to understand. A vivid, uncompromising read. ( )
  Margaret09 | Apr 15, 2024 |
Unflinching and infuriating and superbly written! I got so angry and then heartbroken at times reading this and seeing how Jiyoung was treated and regarded, simply for being a woman. I think Cho does a wonderful job balancing out fact (the footnotes backing up her research were very informative) and fiction in a way that makes this story impossible to forget about. ( )
  deborahee | Feb 23, 2024 |
Although a novel, this story is punctuated with footnotes to facts and statistics about women’s second-class status in the workforce, an honest look at transitioning to full time motherhood and full economic dependency after having an interesting career, and a fascinating glimpse into the gender struggles in very traditional South Korea. I felt the characters were a little flat, but then when the narrator was revealed, it made more sense, and I suspect there may have been some nuances lost in translation. Nevertheless, a very good read. ( )
  bschweiger | Feb 4, 2024 |
„Kim Jiyoung, geboren 1982“ ist ein Roman aus Südkorea, der aufzeigt, wie Frauen im Grunde schon seit vor der Geburt benachteiligt und unterdrückt werden. Sie sind einfach nichts oder sehr wenig wert. Am Anfang zeigt die Protagonistin eine Art Persönlichkeitsspaltung und übernimmt die Rolle anderer Frauen. Dazu passt das Cover mit der gesichtslosen Frau. Die Erzählung selbst ist aber dann recht linear, von der Geburt bis heute, ohne außergewöhnliche Elemente. Die konsequente Unterdrückung und das konsequente Kleinhalten wird an vielen Kleinigkeiten gezeigt. Kim Jiyoung selbst wird weder vergewaltigt noch sehr konkret sexuell missbraucht, aber die Signale und das verhalten ist dennoch oft an der Grenze zum Missbrauch und immer frauenfeindlich, vor allem, weil Jungen und Männer so viel mehr gelten. Ich musste an Chandler Bakers „Whisper Network“ denken. Das ist krasser, aber die Tendenz ist dieselbe. ( )
  Wassilissa | Jan 30, 2024 |
See the full review and more at MyBookJoy.com!

Recommended: oh yes
For men and others who are unaware of how crappily women are treated due to institutionalized efforts against them consciously or not, for those who need a refresher on gender equality, for a short read that packs a punch, for anyone looking for a cruel dose of reality


Thoughts:
I've lived and worked in Korea before, and it is my favorite place in the world. However that doesn't mean I'm blind to its flaws, as every place will have. In the case of Korea, much of it centers around gender equality issues largely stemming from traditional roles that the culture has struggled to truly move beyond. Basically, women are treated quite poorly in many ways that are yet deemed not only acceptable, but expected.

Reading this as a woman, none of this was a surprise to me. I've experienced or known others who have experienced so many of the same situations, whether in Korea or in the United States. I'd be very curious to see what it was like for a man or someone who doesn't have painful firsthand experience thinks of this.

The writing style is pragmatic and sparse, with no beating around the bush or euphemisms to pretty up the ugly truths within. It's highly effective as it lends the story that feeling that emotions are not distorting what is being said, and these are simply the facts of existence. A reader cannot deny understanding because it is so laid bare.

The citations of sources for facts within the novel were unusual, but punctuated that truth to the problem in an undeniable way. In fact, this all rang so true that I had to double check at the end that it WAS a novel. Even though this particular person is fictional, the experience is all to real.

Jiyoung is likeable and relatable. She is thoughtful and intelligent and a hard worker and still feels trapped by the unchanged societal views. She could be so many women around the world of any age.

The end is bitter yet accurate with the doctor's notes on Jiyoungs story. Though he thinks at length in a self-congratulatory way about how he's enlightened to these problems of women in a way most men are not, he then goes on to show what a farce that is. He STILL has the same negative thoughts and behaviours regarding women and working mothers, wrapping this up with a somewhat depressing tone showing that knowledge does not necessarily equal true change.

"...she knew that something as unjust and frustrating; but Jiyoung had a hard time voicing her complaints because she wasn't used to expressing her thoughts."

Thanks to Goodreads for a free ARC copy from a giveaway in exchange for an honest review! ( )
  Jenniferforjoy | Jan 29, 2024 |
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» Aggiungi altri autori

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Cho Nam-Jooautore primariotutte le edizionicalcolato
Bisiou, PierreTraduttoreautore secondarioalcune edizioniconfermato
Chang, JamieTraduttoreautore secondarioalcune edizioniconfermato
Choi, KyungranTraduttoreautore secondarioalcune edizioniconfermato
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Kim Jiyoung is thirty-three years old, or thirty-four in Korean age.
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"The runaway bestseller that helped launch Korea's new feminist movement, Kim Jiyoung, Born 1982 follows one woman's psychic deterioration in the face of rigid misogyny. In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul, Kim Jiyoung-a millennial "everywoman"-spends her days caring for her infant daughter. Her husband, however, worries over a strange symptom that has recently appeared: Jiyoung has begun to impersonate the voices of other women-dead and alive, both known and unknown to her. Truly, flawlessly, completely, she became that very person. As she plunges deeper into this psychosis, Jiyoung's concerned husband sends her to a psychiatrist, who listens to her narrate her own life story-from her birth to a family who expected a son, to elementary school teachers who policed girls' outfits, to male coworkers who installed hidden cameras in women's restrooms and posted the photos online. But can her doctor cure her, or even discover what truly ails her? Rendered in eerie prose, Kim Jiyoung, Born 1982 announces the arrival of a major international writer"--

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