Well this was interesting read.

This is probably book with the best start. Entire scene, pace, world - very interesting, very noir and very cyberpunk. Slow but very visual presentation of UHU, new planetary authoritarian government that keeps everyone in check is truly upsetting (especially when one takes into account what happened in last two years and later in the book when some years start to pop up). Besides these highly controlled areas there are rogue, independent and highly criminalized/corrupted areas like Grand Junction - areas where everything is possible and where dream of leaving Earth for space colonies is used to control the people. Acting as special economic zones, areas like Junction offer glimpse in the world before the planetary wars.

Our main character (Plotkin) ends up in Junction, uncertain why he is there but led by the advanced augmentations that reveal next step after a certain time period. Without memories but with good instincts and some [what seems to be] intrinsic knowledge of what is going on he starts to get more and more interested about the people residing in his motel (Laika Motel, entire Grand Junction is a giant monument to humankind's space adventures from 20th century).

And after these really beautiful 35% of story reader will hit the speed bump and then incline of about 80 degrees. Author's style is very verbose at this point and assumes a lot on behalf of the reader. If you have not read some mid to hard level philosophical works, with loops in definitions that require a very high level of concentration this part of the story will be not just slow but snail paced at best.

Author's constant repetitions, looping back to the beginning of definitions (again something that is common in philosophical works), referencing works from Greeks to Averoes and then to Christian theologians and philosophers and ending with Leibniz and Guenther Andres, coupled with heavy use of philosophical terms (did not come across the mention of monad for at least a decade) can cause an effect of wall of text - believe me I managed only maybe 10-20 pages per day during this period. It is just too much information - for some reason some definitions would end up getting repeated in almost every chapter and just fog the brain.

At the end persistence payed off. If we put aside terms and phrases like carbon-carbon, constant meta etc (something that annoyed me a lot in Metabarons, another European/French SF epic) style is very catchy, and once author exits the marshes of philosophical explanations, story has a very fast pace and keeps you interested to the end.

This is a novel of apocalypse, novel about the relation between technology and humans, humankind's desire to avoid any thinking and communication during [lets call it] easy times, and relegation of oneself to just being a cog in a wheel (equivalent of Matrix's human battery) in order to obtain security. This of course culminates in the total dehumanization.

It contains SF elements (in domain of technology and human augmentations) with mystical element (reason for the above mentioned philosophical texts). It is a weird combination, but I gotta admit it is done very well. To me it was a very well executed mix of Matrix and Inception - very trippy and playing with reader's perception of reality [within the novel story-line of course] and keeps intrigue alive through entire novel.

While there are technical marvels everywhere in this world - both body augmentations and technical devices - this world is devolving in every way and further technological progress is either suppressed or just plainly lost because of lack of communication and transfer of knowledge (machine optimization - what is not required is not remembered). This is civilization at the end of its life, heavily wounded by religious and civil wars 50 years before establishment of UHU and it's omnipotent and ever controlling planet-wide government.

What is required is spark of life, of soul, of true human inquisitive and exploratory nature to awake the humankind. And this spark is mystical part of the novel that is classical approach to way legends are structured. Ending is mix of disaster and hope and very well done.

All in all very interesting SF novel that is [unfortunately] too heavy with philosophy. If these philosophical parts were made shorter or at least without constant repetitions, story would be more effective (at least for me).

I had no issues with translation, again only downside being parts of the book with philosophical discussions - not something that is result of translation but the very subject (trust me it is rare to find philosophical works in general that wont pop up in your dreams where you will ask yourself what did I just read? :) and philosophical subject in this book is very complex).

Highly recommended to fans of SF novels and thrillers/detective works. Trust me, going through the slow parts of the story does pay off.

I am now on the lookout for the sequel (Grand Junction). Really wondering how will the story end. ( )

La première moitié de l'ouvrage est de la science-fiction classique, tout à fait lisible. Puis exactement à la moitié du livre, le déclic se passe et on passe en mode "pur Dantec". Les connaisseurs sauront de quoi je parle : des phrases sans dessus dessous, des termes alambiqués, des délires d'écrivain shooté à je ne sais quoi. Pour le commun des mortels, la progression sera alors pénible et on a hâte d'en finir. Pour les autres, les 0.01% de fans de Dantec... je suppose qu'ils apprécieront. ( )

Voyez ce qu'en dit l'ours:
http://lours.tooblog.fr/?2005/10/05/11-maurice-g-dantec---cosmos-incorporated ( )

"" ( )