Always on the sidelines of the dominant currents, the poetry of Concha Garcia has developed an exploration work and stubborn resistance in the language of daily events. His style, naked and direct, but with a strange aura that instills in mystery as close and domestic, is heir to the works of poets such as Celanese, Stevens, Milosz or Ajmtova. As stated on occasion, the author feels that poetry is "linked to a sense of the ephemeral, all loans of everyday objects, from fleeting thoughts and experiences alive or imagined." Event is a wonderful example of the scope of its proposal, developed from the perplexity that the existence leads in the voice that tells of the poems.