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""I love comics. Comics is (Comics ARE?) a perfect language, robustly evolving and expanding like any other living language," writes Phoebe Gloeckner in her Introduction to The Best American Comics 2018. This year's collection includes work selected from the pages of graphic novels, comic books, periodicals, zines, online, and more, highlighting the kaleidoscopic diversity of the comics language today." -- Back cover.… (altro)
It's good to see all the different styles in the form. But I can't say anything in this particular selection moved me or made me interested enough to seek out more of the author's work. ( )
I approached this volume with trepidation after last year's disastrous entry, but I'm pleased to see some selections in here from books I might actually consider putting on a best-of list myself, especially Guy Delisle's Hostage or Sarah Glidden's Rolling Blackouts: Dispatches from Turkey, Syria, and Iraq. (It wasn't good for me, but the critically-acclaimed My Favorite Thing Is Monsters, Vol. 1 is also included.)
There is still too much fixation on being an alternative comix sampler or indie publisher showcase for my taste, but I can forgive that if I at least discover something interesting of which I was not previously aware. The excerpted gem from this volume for which I'll be seeking out the full work: Playground of My Mind by Julia Jacquette. ( )
""I love comics. Comics is (Comics ARE?) a perfect language, robustly evolving and expanding like any other living language," writes Phoebe Gloeckner in her Introduction to The Best American Comics 2018. This year's collection includes work selected from the pages of graphic novels, comic books, periodicals, zines, online, and more, highlighting the kaleidoscopic diversity of the comics language today." -- Back cover.
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