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Sto caricando le informazioni... Dreyer's English: An Utterly Correct Guide to Clarity and Style (2019)di Benjamin Dreyer
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"Authoritative as it is amusing, this book distills everything Benjamin Dreyer has learned from the hundreds of books he has copyedited, including works by Elizabeth Strout, E. L. Doctorow, and Frank Rich, into a useful guide not just for writers but for everyone who wants to put their best foot forward in writing prose. Dreyer offers lessons on the ins and outs of punctuation and grammar, including how to navigate the words he calls 'the confusables,' like tricky homophones; the myriad ways to use (and misuse) a comma; and how to recognize--though not necessarily do away with--the passive voice. (Hint: If you can plausibly add 'by zombies' to the end of a sentence, it's passive.) People are sharing their writing more than ever--on blogs, on Twitter--and this book lays out, clearly and comprehensibly, everything writers can do to keep readers focused on the real reason writers write: to communicate their ideas clearly and effectively. Chock-full of advice, insider wisdom, and fun facts on the rules (and nonrules) of the English language, this book will prove invaluable to everyone who wants to shore up their writing skills, mandatory for people who spend their time editing and shaping other people's prose, and--perhaps best of all--an utter treat for anyone who simply revels in language"-- Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)808.02Literature modified standard subdivisions Rhetoric and collections of literary texts from more than two literatures Rhetoric and anthologies Authorship techniques, plagiarism, editorial techniquesClassificazione LCVotoMedia:
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I love the chapter heading, "The Life-Changing Magic of Tidying Up (Your Prose)." This pokes fun at those pompous decluttering books that are all the rage these days. Although Dreyer does not tell us how to get rid of the junk in our homes, he is a stickler for streamlining sentences. In addition, he suggests ways to convey one's meaning lucidly and succinctly while steering clear of dangling participles, mistakes in subject-verb agreement, misuse of quotation marks, misspellings, and redundancies. Dreyer also cautions us to give clichés a wide berth (I couldn't resist) and to avoid pretentiousness. He is a kinder version of my college English professor who commanded us to "cut and connect"—to trim our writing down to its essentials and ensure that each idea leads to the next seamlessly. "Dreyer's English" gives us the tools to improve our prose, and the author charms us with sassy and humorous anecdotes that demonstrate how much fun playing with language can be.
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