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A Guide to Reading Herodotus' Histories

di Sean Sheehan

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Modern scholarship judges Herodotus to be a more complex writer than his past readers supposed. His Histories is now being read in ways that are seemingly incompatible if not contradictory. This volume interrogates the various ways the text of the Histories has been and can be read by scholars: as the seminal text of our Ur-historian, as ethnology, literary art and fable. Our readings can bring out various guises of Herodotus himself: an author with the eye of a travel writer and the mind of an investigative journalist; a globalist, enlightened but superstitious; a rambling storyteller but a prose stylist; the so-called 'father of history' but in antiquity also labelled the 'father of lies'; both geographer and gossipmonger; both entertainer and an author whom social and cultural historians read and admire. Guiding students chapter-by-chapter through approaches as fascinating and often surprising as the original itself, Sean Sheehan goes beyond conventional Herodotus introductions and instead looks at the various interpretations of the work, which themselves shed light on the original. With text boxes highlighting key topics and indices of passages, this volume is an essential guide for students whether reading Herodotus for the first time, or returning to revisit this crucial text for later research… (altro)
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As the title indicates, this book gives students confidence to navigate the rich but disjointed narrative of the Histories under the guidance of the current trends in research. It is divided into two parts. The first section, “Approaches to Herodotus”, centres on the formal aspects of the work as a whole and on its overarching conceptual themes. The second, much longer, section offers a full commentary on each book of the Histories and introduces the relevant scholarship as the various topics arise. In due Herodotean manner, both parts are composed of a number of subsections that tap into smaller structural components and thematic ramifications. Unlike the Histories, however, the headings keep the path well signposted for the reader. To the same end, multiple information boxes containing summaries and diagrams of markedly intricate passages ensure that the complex narrative does not throw the reader off. In order to facilitate reading, notes are placed at the end, following separately after each section. The essential scholarly works are filtered into the bulk of the text, however, as the author wraps his exposition around select but abundant references. The book closes with a comprehensive bibliography and an index.
 
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Modern scholarship judges Herodotus to be a more complex writer than his past readers supposed. His Histories is now being read in ways that are seemingly incompatible if not contradictory. This volume interrogates the various ways the text of the Histories has been and can be read by scholars: as the seminal text of our Ur-historian, as ethnology, literary art and fable. Our readings can bring out various guises of Herodotus himself: an author with the eye of a travel writer and the mind of an investigative journalist; a globalist, enlightened but superstitious; a rambling storyteller but a prose stylist; the so-called 'father of history' but in antiquity also labelled the 'father of lies'; both geographer and gossipmonger; both entertainer and an author whom social and cultural historians read and admire. Guiding students chapter-by-chapter through approaches as fascinating and often surprising as the original itself, Sean Sheehan goes beyond conventional Herodotus introductions and instead looks at the various interpretations of the work, which themselves shed light on the original. With text boxes highlighting key topics and indices of passages, this volume is an essential guide for students whether reading Herodotus for the first time, or returning to revisit this crucial text for later research

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