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Sto caricando le informazioni... The Hide (1970)di Barry Unsworth
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This early work by the Booker Prize-winning author Barry Unsworth chronicles one of his literary obsessions the corruption of innocence and forms it into a compelling contemporary narrative set in the rambling, overgrown grounds of an English estate. There, relying on his rich sister Audrey's beneficence, Simon obsessively digs a secret system of tunnels from which to spy on others. When Josh, a good-looking naif, becomes a gardener at Audrey's home, the two women of the household, Audrey and her distant relative and housekeeper, Marion, find Josh's strength and seeming innocence a potent spell, and his response escalates unacknowledged tensions between them. Meanwhile, Simon, worried about Josh, takes steps to prevent the exposure of his underground labyrinth. The explosive chemistry between the characters will eventually rip apart and rearrange all their lives. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)823.914Literature English & Old English literatures English fiction Modern Period 1901-1999 1945-1999Classificazione LCVotoMedia:
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Simon is a forty-something-year old neurotic effete: over-educated and under-socialized. Living on the grounds of his widowed sister Audrey’s massive estate, he has acclimated to life by burrowing underground, creating what he terms his “hide.” Some of Unsworth’s most stunning descriptions in this book of landscape and distance can be found in Simon’s sections, and, admittedly, it’s unclear just how skillfully Simon has constructed his hideaway or if it’s just merely a series of bushes and fences. From here, he moves about the estate, surveilling and watching neighbors and also the social gatherings of his sister’s theatre group—distanced, remote, but judgmental: “Why should I always be on the outside of everything, appreciating my exclusion with an aesthetic ache?”
When Audrey realizes that the estate needs a gardener, Josiah answers the call, and the lower-class gardener’s presence—bringing more to the fore the same-class but servant-like Marion, Audrey’s late-husband’s cousin—begins to complicate everyone’s lives. While Simon is innocent in his voyeurism and underground burrowing, insofar as he never acts on his desires, this is then juxtaposed with Josiah’s less-educated and much more youthful innocence: the wide-eyed, believe-all-you-tell-me sort that takes words at face value, an innocence that longs to explore. Both of these get tested and pitted against one another in a theatrical and truly psychoanalytical way; indeed, while immersed in this, my first Unsworth, I read somewhere that this was an early, minor work of his. I can only imagine how his insights into human nature have grown with his subsequent books.
Much of Unsworth’s strength in this book is how slowly the creepy and evil aspects of human nature begin to become apparent—and this is even long after the first chapter, when we witness Simon observing the neighboring woman (virtually naked) do her chores in a heat wave from the security of his hide: Lust, covert queerness, hero worship, sibling rivalry, and an ever-growing sense of the strange and the downright eerie… The Hide grows steadily just as it ping-pongs back and forth between the two men narrating, keeping a running volley of counterpoint on very different voices' commentaries on social class, generational gaps, and displaced (or repressed) desires. A true commentary on, as Unsworth puts it, “how inscrutable we human creatures are, what a mystery inheres in every follicle.”
Highly recommended for fans of interior and gradually unsettling prose. ( )