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Sto caricando le informazioni... Georges Seurat: The Master of Pointillism (Taschen)di Hajo Düchting, Georges Seurat
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Georges Seurat (1859-1891) was only 31 when he died, but his short life blazed with inspiration, vision, and creativity and altered the course of European painting. A keen student of the interplay between light and color, Seurat studied Delacroix, in particular, as a student at the École des Beaux-Arts in Paris. His studies led him to develop the concept of Neoimpressionism, which in turn, resulted in the radical approach of Divisionism. This technique, which informs his two best-known pieces Bathers at Asnières and A Sunday on La Grande Jatte - 1884, used pointillism to laboriously develop images that shimmered with luminescence and movement. In this accessible and enjoyable introduction to Seurat's life and work, we meet an artist driven by a profound need to articulate nature, harmony, and the simple pleasures of life in dense, kinetic tones and lines. Non sono state trovate descrizioni di biblioteche |
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Seurat had a number of important influences, including the contemporary Impressionists, but perhaps the most significant were not artists but scientists. He absorbed all the latest theories of colour and used them to develop the extraordinary effects of Pointillism - paintings composed entirely of dots of colour - usually of unmixed, single pigment paints, relying on proximity of dots and distance of the observer to create mixed colours in the eye, which the science had demonstrated gave a brighter, less muddy colour effect.
Oddly, his genius was better recognised during his lifetime than in the immediate aftermath: Thirty or so years after his death, The Metropolitan Museum of Art turned down the purchase of one of his greatest works - it was bought instead by the Art Institute of Chicago, where it still hangs. Now, of course, he's considered to have been exceptional and a sad loss, dying young, but leaving a huge impact on the development of Western art - the second step towards Abstract art after the original Impressionists. It's a pity that no sane format of book can ever really do justice to the Pointillist technique when fully reproducing even modestly sized paintings, but this gives you an idea - go see the real things if you ever have opportunity. ( )