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According to Mark (1984)

di Penelope Lively

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2296117,521 (3.83)5
A respected literary biographer, Mark is working on the life of Gilbert Strong - a writer about whom he thinks he knows everything. Happily married, and apparently dedicated to a life of letters, he nevertheless falls in love with Strong's granddaughter Carrie, a vague and unsophisticated young woman more interested in bedding plants than books or passion. As Mark's obsessions develop over a hot, complicated summer, he begins to understand that nothing is ever what it seems; not Gilbert Strong, and certainly not himself. According to Mark is a witty and moving look at love, literature and the dangers of middle-aged folly.… (altro)
Aggiunto di recente daSoupdragon, urcinc, DrKJMarshall, whichcord, AngelikaD, rmcmahon22, Alybabyyeah, DaveFord, lukehoney
Biblioteche di personaggi celebriRobert Ranke Graves
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» Vedi le 5 citazioni

This book turned out to be a delightful surprise. It's essentially about an author writing the biography of another author. But the search for facts becomes personal and revealing. Lovely! ( )
  Rosareads | Feb 16, 2023 |
I thoroughly enjoyed this novel about a biographer, the Mark in the title. He is writing a biography of a respected writer now dead and whose grand-daughter lives in his last house and runs a garden centre there, while the friends of society look after the writers study / library / papers etc. From the novel you get a sense of the process of writing a biography and the hard graft of research before pen is put to paper so to speak. Mark's wife, Diana, works in a gallery and is a planner who likes to be in control. It is not surprising when Mark falls for the grand-daughter but Penelope Lively takes the reader through various twists and turns of the relationships of the different characters, as well as Mark's relationship with the biography he is researching and the eminent writer in a charming and engaging way that I enjoyed. The section in France has an excellent sense of place and worked well and the section in Porlock when Mark was staying with the elderly man was very sympathetic. Well written. ( )
  CarolKub | Apr 27, 2015 |
This is a very interesting and thought-provoking novel. On one level it tells the story of a biographer's mid-life crisis, but it addresses deeper questions about the nature of experience, memory, truth and fiction, as the writer's experiences, thoughts and perceptions are contrasted with those of his subject, and he begins to question how his own life will be remembered. A rewarding book reminiscent of A.S. Byatt (I was reminded of elements of Possession and The Biographer's Tale, but this book preceded both of those). ( )
1 vota bodachliath | Apr 22, 2015 |
This is a hard book to review for me, probably because I did not get all the nuances of the characters' relationships. But, just from the point of view of characters and a sense of place, the book was very interesting. The scenes as various characters drive through France are riveting. And all the while the characters are evolving in unexpected ways. Looking forward to reading more by Penelope Lively. ( )
  jklavanian | Sep 29, 2014 |
I am a fan of Penelope Lively so I couldn't resist this on a recent visit to my favourite 2nd hand bookshop.

From the back of the book:
"A respected literary biographer, Mark is working on the life of Gilbert Strong - a writer about whom he thinks he knows everything. A happily married man, dedicated to a life of letters, he nevertheless manages to fall in love with Strong's grand-daughter, a vague and unsophisticated young woman more interested in bedding plants and alpines than books or passion. As the summer of Mark's obsession steams along, he begins to understand that nothing is ever exactly what it seems - certainly not Gilbert strong. And certainly not himself"

Penelope Lively is now confirmed as one of my favourite writers. This is essentially another examination of memory and perception, a theme she touches on time and again in her novels and her non-fiction. To some extent the plot and the characters as described above are incidental and what is important is their history and their memories, explored through their perceptions of Gilbert Strong, who has affected all their lives. Mark is trying to find the truth of a disjointed multi-faceted life and realises eventually that what is known is only the tip of the iceberg.

Despite what I have said of plot and characters being almost incidental, her characters are still wonderfully observed and the plot interesting. I love the way that she writes, she has a wonderful turn of phrase and has the ability to make me think for hours over a single sentence.
For example: "It takes staggering powers of detachment to accept that other people's view of you might be more reliable than your own."

Add to all that the knowledge that if I read this book four more times in quick succession I will still not know everything about it or understand all the nuances, makes for a great book in my opinion. ( )
2 vota starryjen | Jul 13, 2010 |
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Mark Lamming, driving from London to Dorset to visit a young woman he had not met, thought about her grandfather.
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To drive from south-west to north-east London is not just to spend a lot of time sitting in traffic-jams but also, for a certain kind of person, to pass through a system of references and allusions that ought to be more dizzying than it actually is. Mark, during the next hour and a quarter, found himself reflecting -- in quick succession -- upon Roman Britain, Whistler, Daniel Defoe, Harrison Ainsworth, Virginia Woolf, Isambard Kingdom Brunel, and various other matters, all of these prompted by fleeting glimpses of the river, the dome of St Paul's, a railway station or street name. The city, indeed, seemed to exist not just on an obvious, physical and visual plane but in a secondary and more mysterious way as a card-index system to an inexhaustible set of topics. The river always made him think of the Romans, because of some oddly luminous book on Roman London, author and title long forgotten but whose insights lay around still in his head. But then it made him think of Whistler also; you took your pick. And then Tavistock Square and St Pancras station -- and all these references coexist in the landscape even though separated from one another by decades and centuries; the mind has no problem in latching onto each in turn, switching obediently from one level to another, providing without effort the appropriate furnishings by way of costume and language and action. The head should be spinning, and yet it isn't; it accepts quite calmly the promptings of what is seen and what is known.
Mark had never felt like this before. He had read without flinching and frequently without response of any kind the most intimate and revealing documents; he had marched resolutely into the privacies of strangers. He could not understand why, now, he confronted Gilbert Strong with greater and greater reluctance. ... Here was a Strong with all defences down, ... vulnerable and doomed. ... These letters were not supposed to be read.
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A respected literary biographer, Mark is working on the life of Gilbert Strong - a writer about whom he thinks he knows everything. Happily married, and apparently dedicated to a life of letters, he nevertheless falls in love with Strong's granddaughter Carrie, a vague and unsophisticated young woman more interested in bedding plants than books or passion. As Mark's obsessions develop over a hot, complicated summer, he begins to understand that nothing is ever what it seems; not Gilbert Strong, and certainly not himself. According to Mark is a witty and moving look at love, literature and the dangers of middle-aged folly.

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