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Sto caricando le informazioni... The Face of Britain: A History of the Nation Through Its Portraitsdi Simon Schama
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Simon Schama's latest book fuses history and art to create a tour de force of narrative sweep and illuminating insight. Using images from works--paintings, photographs, lithographs, etchings, sketches--found in London's National Portrait Gallery, The Face of Britain weaves together an account of their composition, framed by their particular moment of creation, and in the process unveils a collective portrait of a nation and its history. "Portraits." Schama writes, "have always been made with an eye to posterity." Commissioned to paint Winston Churchill in 1954, Graham Sutherland struggled with how to capture the "savior" of Great Britain honestly and humanely. Schama calls the portrait, initially damned, the "most powerful image of a Great Briton ever executed." Annie Leibovitz's photograph of a nude John Lennon kissing Yoko Ono, taken five hours before his murder, bears "a weight of poignancy she could not possibly have anticipated." Hans Holbein's preparatory sketch for a portrait of Henry VIII depicts "an unstoppable engine of dynastic generation." Here are expressions from across the centuries of normalcy and heroism, beauty and disfigurement, aristocracy and deprivation, the familiar and the obscure--the faces of courtesans, warriors, workers, activists, playwrights, the high and mighty as well as pub-crawlers. Linking them is Schama's vibrant exploration of how their connective power emerges from the dynamic between subject and artist, work and viewer, time and place. Schama's compelling analysis and impassioned evocation of these works create an unforgettable verbal mosaic that at once reveals and transforms the images he places before us.--Adapted from dust jacket. Non sono state trovate descrizioni di biblioteche |
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This book is about pictures in the UK’s National Portrait Gallery, attached to a BBC series which I didn’t see. I have come to appreciating art rather late in life, and perhaps as a result I really enjoyed this look at the history and culture of portraiture. Every chapter is a nicely shaped story about a particular artist or group of artists, or occasionally about their subjects – the section on Emma Hamilton is a real eye-opener if all you know about her is her romance with Nelson. It’s a big book – 600 pages before you get the the end notes – but well illustrated and well worth it.
It’s always great to find new artists to enjoy, and my particular discoveries here were Gwen John, who I had at least heard of before, and Laura Knight, who I’m ashamed to say was a new name to me. This in itself says something about my previous encounters with art – she is not a minor figure, and lived to be 93, and I see that the Imperial War Museum North in Manchester has 13 of her works but I failed to notice any of them when I was there. Her Self-Portrait with Nude is absolutely stunning.
I learned a lot from this very entertaining book. ( )