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The New Neighbor

di Leah Stewart

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1328206,951 (3.53)1
Ninety-year-old Margaret Riley is content hiding from the world, finding comfort in the mystery novels that keep her company, that is, until she spots a woman who's moved into the long-empty house across the pond. Jennifer Young is also looking to hide. On the run from her old life, she and her four-year-old son Milo have moved to a quiet town where no one from her past can find her. In Jennifer, Margaret sees both a potential companion in her loneliness and a mystery to be solved. But Jennifer refuses to talk about herself, her son, his missing father, or her past. Frustrated, Margaret crosses more and more boundaries in pursuit of the truth, threatening to unravel the new life Jennifer has so painstakingly created - and reveal some secrets of her own.… (altro)
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This was a good book. I wish there were half stars. It's not quite a four star. It would be good for a book group. Chapters aren't too long and the character development proceeds at a good pace. ( )
  Sunandsand | Apr 30, 2022 |
This was pretty much a disappointment with one bright spot. I did read it all the way through (as opposed to abandoning) because I assumed that eventually, the story would turn into something. But, at the end, I realized that while the plot was weak, the real problem was that I did not find one single one of the characters, interesting, admirable, or likable. Not good. The bright spot was the reader Dianna Doorman. I'd never read a book read by her before and she's excellent. She was especially good with the little kid voice. Most readers do not do this well. She sure did. ( )
  susandennis | Jun 5, 2020 |
Not one of my favorites. I enjoyed the parts when Margaret was telling her WWII story, but short of that, I was not intrigued. I found this book kept trudging along at a rather slow, boring pace. Too bad, I had high hopes after The Myth if You and Me. ( )
  bnbookgirl | Jan 11, 2020 |
This is the story of two women - one young (Jennifer) and one old (Margaret) - whose lives intersect in rural Tennessee. They are both keeping secrets about their past, and those secrets have tremendously damaged each of them. Normally, in stories like this, you would expect a bright, shiny resolution to all of the problems. Not so in this book - and I like that. Sometimes, real life can't be neatly tied up in a nice, pretty bow. ( )
1 vota flourgirl49 | May 13, 2016 |
Elderly Margaret Riley lives alone in rural Tennessee. She seeks comfort in her mystery novels and her memories - not other people. One day Margaret looks across her pond and realizes she has a new neighbor. Margaret becomes intrigued and eventually meets the young woman, Jennifer, and her son, Milo. Margaret begins telling Jennifer about her past and finds herself increasingly curious about Jennifer's own past. Why are she and Milo in Tennessee? What is Jennifer not telling her? Fancying herself a detective similar to those in her beloved novels, will Margaret unveil Jennifer's secrets?

The novel reveals its stories (and secrets) through varying narratives - mainly those of Margaret and Jennifer. We see Margaret's increasing curiosity about Jennifer's life and Jennifer's own increasing reluctance to share why she and Milo have left their old life behind. Further, we see that the two women may not be as different as they appear. Margaret begins telling Jennifer about her life as a nurse during the War, while we learn about Jennifer's life with her drunken husband. Suddenly, the parallels between the two women -- especially when pushed to the brink -- seem surprisingly clear.

This was an intriguing book, in many ways. Neither Margaret nor Jennifer are incredibly likable characters (Margaret is often your classic "old biddy" for sure), but they are interesting. In some ways, nothing really happens in the book - a lot of the action has happened in the past, and we're simply learning about it as Margaret and Jennifer reveal their respective pasts and secrets. Still, it's an insightful look into the two woman's lives - I found it quite compelling. The end was somewhat fascinating, though it did seem to fall a bit flat after all the buildup. Still, a solid 3.5 stars. ( )
  justacatandabook | Mar 9, 2016 |
aggiunto da jmg12 | modificaThe New York Times, MARILYN STASIO (Jul 5, 2015)
 

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The whole world thinks she did it.  She knows that.  Even in her house with the doors locked and the blinds down, she can feel the weight of it.  All that certainty.
Every story is a history...and when there is no comprehensible story, there is no history. ---CHARLES BAXTER, BURNING DOWN THE HOUSE
Shall we continue with your story where we left off? He says. I've forgotten just where that was, I say.  This is not quite true, but I wish to see if he has really been listening to me, or just pretending. ---MARGARET ATWOOD, ALIAS GRACE
I always see the skull beneath the skin. ---P. D. JAMES
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For Dr. Florence "Flossie" Ridley
For Dr. Florence "Flossie" Ridley
And in memory of
Col. Ellis Cameron "Cam" Stewart and Mildred "Sissy" Stewart
Dr. Nina J. Markus and Capt. Felix "Mac" McAndrews
And in memory of Col. Ellis Cameron "Cam" Stewart and Mildred "Sissy" Stewart, 
Dr. Nina J. Markus and Capt. Felix "Mac" McAndrews
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Where before there was no one, suddenly I, Margaret Riley, have a neighbor.
The whole world thinks she did it.
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Impatience and age are not compatible.
Before they put me into a nursing home, in forced companionship with the sick and the dying, I will fling myself into the pond. I'll weight my pockets with rocks, like Virginia Woolf, whose books I did my best to understand. All her words float away when I think of her. I see her crouched at the edge of the water, searching for just the right stones.
But some of us don't work so that we can rest. Some of us rest so that we can work.
Don't leave me. Anyone I can say that to is already gone.
The world has forgotten that there is more pleasure in wondering than knowing.
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Ninety-year-old Margaret Riley is content hiding from the world, finding comfort in the mystery novels that keep her company, that is, until she spots a woman who's moved into the long-empty house across the pond. Jennifer Young is also looking to hide. On the run from her old life, she and her four-year-old son Milo have moved to a quiet town where no one from her past can find her. In Jennifer, Margaret sees both a potential companion in her loneliness and a mystery to be solved. But Jennifer refuses to talk about herself, her son, his missing father, or her past. Frustrated, Margaret crosses more and more boundaries in pursuit of the truth, threatening to unravel the new life Jennifer has so painstakingly created - and reveal some secrets of her own.

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