Pagina principaleGruppiConversazioniAltroStatistiche
Cerca nel Sito
Questo sito utilizza i cookies per fornire i nostri servizi, per migliorare le prestazioni, per analisi, e (per gli utenti che accedono senza fare login) per la pubblicità. Usando LibraryThing confermi di aver letto e capito le nostre condizioni di servizio e la politica sulla privacy. Il tuo uso del sito e dei servizi è soggetto a tali politiche e condizioni.

Risultati da Google Ricerca Libri

Fai clic su di un'immagine per andare a Google Ricerca Libri.

Sto caricando le informazioni...

William Shakespeare: A Life (1991)

di Garry O'Connor

UtentiRecensioniPopolaritàMedia votiConversazioni
362679,474 (3.38)Nessuno
(Applause Books). Garry O'Connor's biography creates a vivd impression of Shakespeare's family life, his marriage and sexuality, the intimate details of his background, and his relationships with the theatre, his audiences and the towering political figures of his time such as Queen Elizabeth and the Earl of Essex. It captures the darkness and confusion of his religious feelings, and his painful search for identity as well as his continuous commitments to change and development. O'Connor imaginatively and persuasively reconstructs the playwright's life and career.… (altro)
Nessuno
Sto caricando le informazioni...

Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro.

Attualmente non vi sono conversazioni su questo libro.

Mostra 2 di 2
This … book … was originally released in 2001, and all but states it is meant to ride the doublet-tails of "the success of the Oscar-winning film Shakespeare in Love". I was puzzled by this for a moment – I don't usually expect a book received through Netgalley to be fifteen years old. But hey – a Shakespeare biography! How can that be bad?

This. This is how that can be bad.

From the introduction: My aim has been to give Shakespeare a life, not only as a historical figure who can be brought to life, but the dimension of one who is still living. To do this I have dropped the usual tentative approach of scholars (the “might’s”, the “could have’s” and “may have’s”).

That's a nice idea, to a reader who loves Shakespeare. To a reader who loves Shakespeare and who has read biographies, looking for something new or fresh, it's horrendous. Because the problem with Shakespeare from that point of view is that perhaps every single aspect of his life, birth to death and everything in between, involves "'might’s', the 'could have’s' and 'may have’s'". That's why there's an authorship question in some people's minds: we just don't know much about the man at all.

The above quote worried me, a little. What worried me more was the author's statement that he would be using the plays and sonnets to extrapolate fact. I didn't make it far into the book, but even in the few pages I read there were at least a couple of statements – not presented as supposition, but absolute fact – which gave me actual pain:

- "Denied, or perhaps ultimately uninterested in, confession to a priest, he came over the years to turn his plays into secret and disguised confessionals, in which he could play both confessor and penitent."

- "Anne [Hathaway] was nurtured and protected by both Shakespeare and his mother as few women were in Elizabethan times." Which as far as I know is completely unsupported by anything known about the Shakespeare menage.

I am baffled about why this foundationless bubble of guesses and fantasy is presented as a biography. If it had a plot, this would be a novel; plotless, it's a tissue of lies.

The usual disclaimer: I received this book via Netgalley for review.

ETA: The Goodreads quote of the day is entirely relevant to this book.

“There is a technical term for someone who confuses the opinions of a character in a book with those of the author. That term is idiot.”
― S.M. Stirling ( )
  Stewartry | Sep 27, 2016 |
Simon Callow liked it. I'm kind of surprised that there isn't more for Gary O'Connor. He's a theatre man who knows the ropes and knows his Shakespeare. ( )
  Porius | Oct 11, 2008 |
Mostra 2 di 2
aggiunto da KayCliff | modificaThe Independent (Sep 15, 1993)
 
Rather than taking on the Sisyphean task of sifting through the reams of documents generated by zealous scholars, British biographer O'Connor has chosen "to give Shakespeare a life, not only as a historical figure who can be brought to life, but the dimension of one who is still living."
aggiunto da KayCliff | modificaPublishers Weekly
 
Devi effettuare l'accesso per contribuire alle Informazioni generali.
Per maggiori spiegazioni, vedi la pagina di aiuto delle informazioni generali.
Titolo canonico
Titolo originale
Titoli alternativi
Data della prima edizione
Personaggi
Dati dalle informazioni generali svedesi. Modifica per tradurlo nella tua lingua.
Luoghi significativi
Eventi significativi
Film correlati
Epigrafe
Dedica
Incipit
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Shakespeare left his true biography in his plays and poems.
Citazioni
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Queen Elizabeth commanded Shakespeare to show her Falstaff in love, and gave him a fortnight in which to do it.... But Falstaff and the direction and intention which come from being in love are a contradiction in terms.... The Merry Wives was putting to ill employment his greatest comic creation.
Shakespeare wrote The Merry Wives in a fortnight, mostly in prose, so that it became, with Shakespeare in a free-wheeling mood, his purest pot-boiler, the least contaminated by quality or originality, stripped down for popularity ... This was middle-class comedy at its most typical and farcical ... The play did provide some flattery for its royal patron’s susceptibilities. On her mother’s side Queen Elizabeth came from quite a humble middle-class background, which Shakespeare flattered; the comedy also pandered to her much-exercised dislike of husbands, and the state of matrimony. Shakespeare directed The Merry Wives not only at the Queen, but at the bourgeois ladies in the audience, housewives, as well as courtly ladies. Shakespeare ranged himself on the side of the women.
Twelfth Night shows the constancy of the bond of twins in the face of the fickle, transient passions of the lovers ... the quest for the lost twin of a pair dominates the action.
The romantic atmosphere of much of The Merchant of Venice has subsequently been overloaded with the weight and problems of Shylock, and with his sombre humanitarian challenges.
Ultime parole
Nota di disambiguazione
Redattore editoriale
Elogi
Lingua originale
DDC/MDS Canonico
LCC canonico

Risorse esterne che parlano di questo libro

Wikipedia in inglese

Nessuno

(Applause Books). Garry O'Connor's biography creates a vivd impression of Shakespeare's family life, his marriage and sexuality, the intimate details of his background, and his relationships with the theatre, his audiences and the towering political figures of his time such as Queen Elizabeth and the Earl of Essex. It captures the darkness and confusion of his religious feelings, and his painful search for identity as well as his continuous commitments to change and development. O'Connor imaginatively and persuasively reconstructs the playwright's life and career.

Non sono state trovate descrizioni di biblioteche

Descrizione del libro
Riassunto haiku

Discussioni correnti

Nessuno

Copertine popolari

Link rapidi

Voto

Media: (3.38)
0.5
1 1
1.5
2
2.5
3
3.5 1
4 1
4.5
5 1

Sei tu?

Diventa un autore di LibraryThing.

 

A proposito di | Contatto | LibraryThing.com | Privacy/Condizioni d'uso | Guida/FAQ | Blog | Negozio | APIs | TinyCat | Biblioteche di personaggi celebri | Recensori in anteprima | Informazioni generali | 204,373,036 libri! | Barra superiore: Sempre visibile