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A Head Full of Ghosts

di Paul Tremblay

Altri autori: Vedi la sezione altri autori.

UtentiRecensioniPopolaritàMedia votiCitazioni
2,1331447,486 (3.75)93
Fiction. Horror. Thriller. HTML:

WINNER OF THE 2015 BRAM STOKER AWARD FOR SUPERIOR ACHIEVEMENT IN A NOVEL

A chilling thriller that brilliantly blends psychological suspense and supernatural horror, reminiscent of Stephen King's The Shining, Shirley Jackson's The Haunting of Hill House, and William Peter Blatty's The Exorcist.

The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia.

To her parents' despair, the doctors are unable to stop Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts' plight. With John, Marjorie's father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend.

Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface??and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.… (altro)

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Inglese (142)  Svedese (1)  Italiano (1)  Tutte le lingue (144)
Questa è una storia horror. Non troppo originale perchè il tema della possessione è un po' sfruttato ma comunque ben condotta e non cade in eccessi splatter. La voce narrante è Merry la sorella minore e la storia è vista sia dal punto di vista di Merry a otto anni sia dal punto di vista di Merry a 23. Per tutto il libro non si sa se Marjorie è posseduta o ha qualche problema mentale ( io propendo per la prima ipotesi) ma il finale cambia tutto. Chi era la persona posseduta? ( )
  Angela.Me | Jun 10, 2017 |
Perhaps the most confronting thing about A Head Full of Ghosts is how it interrogates the fine line between what we think of as possession and what is an outward display of severe mental illness. It’s ambiguous which is the case here, but the predatory nature of involving a reality TV show, as well as everyone making Marjorie’s illness about themselves, shows a far more realistic and unsettling horror than just spinning heads.... A Head Full of Ghosts starts a little slow, and the perspective of an eight-year-old may take a little bit to get used to, but if you pick up this book, stick with it. Tremblay’s novel is a slow boil towards a tragic end, but so much of the horror lies in the journey along the way, not just a climactic jump scare. In many ways, it feels like every possession story in the 20th century has led up to this book.
 
Imagine a literary horror novel that riffs on one of the best and creepiest short stories out there, Charlotte Perkins Gilman’s The Yellow Wall-Paper: “It is so pleasant to be out in this great room and creep around as I please!” Then throw in elements of every tale of possession you’ve read or seen, from Shirley Jackson’s The Haunting of Hill House to William Peter Blatty’s The Exorcist, and you’ll end up with Paul Tremblay’s A Head Full of Ghosts, one of the most frightening books I’ve read this, or any, year....Despite the skill with which Tremblay wields his demons, real or otherwise, whether or not Marjorie is actually possessed ends up not being the point of A Head Full of Ghosts. None of our narrators here, adult or child Merry (a brilliantly-realised eight-year-old girl), or the blogger, who has secrets of her own, are remotely reliable, and Tremblay is elegantly, carefully ambiguous about the situation. But wherever it comes from, there’s real evil at the heart of this book – and just in time for Halloween.
aggiunto da Lemeritus | modificaThe Guardian, Alison Flood (Oct 18, 2016)
 
...it smartly, viscerally exposes the way mass media, the Internet and pop culture have transformed our experience of that primal human impulse, horror.... Tremblay ambitiously structures the story as a pingponging narrative that coalesces into an unsettling conversation about the truth, or what the various characters suspect is the truth.... In essence, A Head Full of Ghosts is a book about a book about a TV show about a real-life event whose facts have never been fully established, with running meta-commentary by a blog that bears its own secret agenda. On top of that, it's told by an eyewitness whose reliability is just as problematic.
 
Tremblay paints a believable portrait of a family in extremis emotionally as it attempts to cope with the unthinkable, but at the same time he slyly suggests that in a culture where the wall between reality and acting has eroded, even the make believe might seem credible. Whether psychological or supernatural, this is a work of deviously subtle horror.
aggiunto da Lemeritus | modificaPublishers Weekly (Apr 20, 2015)
 
When a teenager exhibits early signs of schizophrenia, her parents turn not to traditional psychiatry but to a Catholic priest determined to drive out demons and a sleazy reality TV show eager to get the whole fiasco on tape.... As the adult Merry's memories clash with the televised version of events leading up to the climactic final episode of The Possession—it's not spoiling too much to say that everything that could go wrong does—readers will begin to question if anyone in the house is truly sane.
Tremblay expertly ratchets up the suspense until the tension is almost at its breaking point.
aggiunto da Lemeritus | modificaKirkus Reviews (Apr 16, 2015)
 

» Aggiungi altri autori (2 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Paul Tremblayautore primariotutte le edizionicalcolato
Osmanski, JoyNarratoreautore secondarioalcune edizioniconfermato

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My memory, she was first to the plank, and the B-movie played in the aisle. - Future of the Left, "An Idiot's Idea of Ireland"

It is so pleasant to be out in this great room and creep around as I please! - Charlotte Perkins Gilman, "The Yellow Wallpaper"

Do you wanna know a secret? Will you hold it close and dear? This will not be made apparent, but you and I are not alone in here. - Bad Religion, "My Head Is Full of Ghosts"
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For Emma, Stewart, and Shirley
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"This must be so difficult for you, Meredith."
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DC politicians, angry Occupy Wall Street protestors, Tea-Party rallies, unemployment charts and graphs, chaotic courtrooms, ranting talking heads, crying people filing out of the Barter Brothers factory. Within the first minute of the series, we’d already witnessed the new and all-too-familiar American economic tragedy. The show established a sense of gravity, along with an air of unease by using only realism and by first introducing John Barrett: the new and neutered postmillennial male; a living symbol of the patriarchal breakdown of society
The show had horror fans hooked at hello because, frankly, most of us are not picky. We’re like the family dog that wags its tail at a treat, no matter if it’s a crappy store-brand Milk-Bone or a piece of steak.
By the time we finally meet the real Marjorie (and not her Liz Jaffe reenactment stand-in) in the final moment of the pilot, the show has painstakingly built its thematic foundation through realism, through the fears of our deteriorating middle-class and core conservative family values, and through the recycled cultural lessons borrowed or reimagined from the classics of horror literature and film.
Dad tries arguing theology and scripture with the other man, which becomes Dad blaming Father Wanderly (who had “forsaken” him) and the Catholic church for failing and abandoning him and his family, which becomes Dad also blaming the television show producers who duped him into believing what he was doing was for the best, which became Dad lashing out at his former employers, politicians, the economy, modern society, and American culture, which eventually became Dad asking for help and for advice from this other frothing lunatic of a man who never once offered a single word of love or comfort or support and only said that God was unhappy with Dad, unhappy with the whole family.
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(Click per vedere. Attenzione: può contenere anticipazioni.)
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Fiction. Horror. Thriller. HTML:

WINNER OF THE 2015 BRAM STOKER AWARD FOR SUPERIOR ACHIEVEMENT IN A NOVEL

A chilling thriller that brilliantly blends psychological suspense and supernatural horror, reminiscent of Stephen King's The Shining, Shirley Jackson's The Haunting of Hill House, and William Peter Blatty's The Exorcist.

The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia.

To her parents' despair, the doctors are unable to stop Marjorie's descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts' plight. With John, Marjorie's father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend.

Fifteen years later, a bestselling writer interviews Marjorie's younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface??and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.

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