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Priestess of Avalon di Marion Zimmer Bradley
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Priestess of Avalon (originale 2000; edizione 2001)

di Marion Zimmer Bradley (Autore), Diana L. Paxson (Autore)

UtentiRecensioniPopolaritàMedia votiCitazioni
2,451196,149 (3.61)16
When a British princess falls in love with a Roman officer destined for imperial greatness, their forbidden desire exacts an unexpected price: banishment from Avalon. Journeying outside the enchanted isle, Helena grows from maiden to mother to wisewoman, experiencing both joy--with the birth of her child--and loss, when politics forces her lover to choose between the Empire and her. Then Helena's son, Constantine, becomes Emperor, and her position as Empress-Mother propels her to prominence at a crucial turning point in Western history. Seeking a way to bridge the pagan world of the Goddess and the new Christian Empire, Helena embarks on a pilgrimage to the Holy Land to find the truth that transcends both the old religion and the new.… (altro)
Utente:AdocentynLibrary
Titolo:Priestess of Avalon
Autori:Marion Zimmer Bradley (Autore)
Altri autori:Diana L. Paxson (Autore)
Info:New York : Viking, 2001.
Collezioni:La tua biblioteca, Rowan
Voto:
Etichette:Fiction, Pagan Fiction, Marion Zimmer Bradley, Avalon

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La sacerdotessa di Avalon di Marion Zimmer Bradley (2000)

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» Vedi le 16 citazioni

Historical Fiction
  BooksInMirror | Feb 19, 2024 |
Couldn't finish the first book, so it makes not much sense to keep this one...
  zjakkelien | Jan 2, 2024 |
Cette histoire est différente des autres de la série. Elle ne se situe pas en Angleterre mais suit la vie d’Eilan, la mère de l’empereur romain Constantin le Grand, tout au long de ses déplacements en Europe et de ses évolutions personnelles.

Le style est semblable aux livres précédents, avec toujours beaucoup de détails qui ne peuvent être appréciés qu’avec un minimum de connaissances historiques et géographiques.

C’est un livre différent dans son environnement, mais toujours pleinement dans la continuité de la série. On y retrouve les thèmes habituels, sans se lasser. ( )
  dClauzel | Aug 17, 2015 |
Priestess of Avalon by Marion Zimmer Bradley and Diana L. Paxson is the story of a priestess named Helena who was forced to leave her home at Avalon and live an entirely different life from what she was used to. The story follows her life and her pseudo marriage and tells of the different places that she lived in the Roman Empire. The story tells about her relationship with her children and her grandchildren and also about her feelings in regard to the rise of Christianity in the Empire and how it relates to her own spirituality. There are some parts of the book that were enjoyable for me such as Helena's time on Avalon and reading about how her spirituality evolves in her time away from Avalon, but I found much of the story to be very tedious to get through and I'd have to say that this is probably my least favorite book in the Avalon series. I'd probably only recommend reading this book if you are also reading Lady of Avalon because the story of Priestess of Avalon overlaps, both chronologically and in plot, with part two of Lady of Avalon, though I'm not sure it's entirely necessary.

There are many options for the order in which to read the two books. You could simply read Lady of Avalon first and then Priestess of Avalon second or vice-versa. You could read Priestess of Avalon anytime after the first part of Lady of Avalon, but make sure you finish reading it before you start part three of Lady of Avalon. My preferred method is a bit more complicated though. First read part one of Lady of Avalon. Second read part one of Priestess of Avalon and up to chapter 11 of part two. Third read part two of Lady of Avalon. Forth finish parts two and three of Priestess of Avalon, and then finally read part three of Lady of Avalon.

Priestess of Avalon(along with Lady of Avalon) takes place after The Forest House, so you might want to read that book first as well as Ravens of Avalon which provides some of the background story to The Forest House. There are also some references made to The Fall of Atlantis and Ancestors of Avalon, but I'd say it's less important to have read those books prior to reading Priestess of Avalon. One last thing I'd like to comment on is that this book is written in first person while the other books in the series are all written in third person(with the exception of some introduction passages). I'm not a big fan of first person perspective, but I have to say that it was done well enough in this book that I didn't really notice too much. ( )
1 vota Kythe42 | Mar 29, 2014 |
This book had me on a bit of a seesaw. On some occasions, I couldn't wait to find out what happened and couldn't put it down. At others, the language really put me off and I was bored with it. I enjoyed reading the context it was in, because I haven't read a lot based in that era, but sometimes the story got lost in the language. 2.5 stars. ( )
  crashmyparty | Dec 11, 2013 |
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» Aggiungi altri autori (9 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Marion Zimmer Bradleyautore primariotutte le edizionicalcolato
Paxson, Diana L.autore principaletutte le edizioniconfermato
Balkenhol, MarionTraduttoreautore secondarioalcune edizioniconfermato
Craft, Kinuko Y.Immagine di copertinaautore secondarioalcune edizioniconfermato
Lewis, PaulaImmagine di copertinaautore secondarioalcune edizioniconfermato

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To our grandchildren
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With sunset, a brisk wind had blown in from the sea.
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To travel on the sea is to move outside time. One sits, with neither tasks nor duties, contemplating the dim grey ribbon of shoreline on the horizon, and the ever-changing, undulant landscape of the sea. The scene in the boat's wake alters as swiftly as the view from the prow, so there is no way to recognize where one has been, and after a time the succession of ridges and valleys begins to repeat itself, so that one wonders if any progress has been made at all.
I thought of the proverb, "God could not be everywhere at once so he invented Mothers," and it seemed to me that it should be the other way around, "Mother did not have enough breasts for everyone, so man invented deities enough so that every man would have a Mother who would never leave him for another…"
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When a British princess falls in love with a Roman officer destined for imperial greatness, their forbidden desire exacts an unexpected price: banishment from Avalon. Journeying outside the enchanted isle, Helena grows from maiden to mother to wisewoman, experiencing both joy--with the birth of her child--and loss, when politics forces her lover to choose between the Empire and her. Then Helena's son, Constantine, becomes Emperor, and her position as Empress-Mother propels her to prominence at a crucial turning point in Western history. Seeking a way to bridge the pagan world of the Goddess and the new Christian Empire, Helena embarks on a pilgrimage to the Holy Land to find the truth that transcends both the old religion and the new.

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