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Sto caricando le informazioni... Mister Johnson ; Aissa è salva (1939)di Joyce Cary
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. Masterful character depictions not limited to the titular character nor other native people of Nigeria, but the white "overlords" as well--from Pig's-Neck to his wife and even barelly sketched minor characters. Mister Johnson himself is a tragi-comic character who makes us laugh along with, and a bit *at,* and love this absurd man who, in the end, just wants to make everyone happy. Using colourful words that may be politically incorrect today, Cary can be forgiven for using words of his generation; the book was published 1939. And he (i neer knew Joyce was a 'he') shows great empathy for his character. Truly a pleasure. Problematic in the same fashion as Conrad's Heart of Darkness, Cary's presentation of Africans is questionable at best, and racist at worst. Yet, his style and the story give this novel some heavy worth even so, even regardless of this historical worth of such novels. Whether viewed as a simple story, as a metaphor, or as allegory, the story explores characters whose adaptations (and lack thereof) end up driving their fates. And, in some ways, Cary explores an immoral example of Myshkin, the prince from Dostoevsky's Idiot. If you're interested, this might well be worth your while--just keep in mind what you're walking into. nessuna recensione | aggiungi una recensione
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Johnson may not be the Empire's most able servant, but he certainly is keen and is very good at replacing expertise with enthusiasm. How, though, to protect the Empire from its most devoted upholder? How, come to that, to protect Johnson from himself? Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)823.912Literature English & Old English literatures English fiction Modern Period 1901-1999 1901-1945Classificazione LCVotoMedia:
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Mister Johnson suffers from the "Big Man" syndrome. He imagines wealth and the good things in life are his due because he has a chief clerk's job in a District office of the Nigerian Colonial Service. He is inept; he steals, he borrows irresponsibly, he lies and is a farcical husband.
Meanwhile, the District Officer sees the opportunity of a road building project as a lasting memorial to his term of tenure at his otherwise tedious posting.
All transactions are corrupt in this dusty set-up. Accounts are falsified, money diverted, the roading project brings only overcrowding and no prosperity.
There is no resolution to the colonial divide, and it is Cary's genius that drives home the futility of colonial administration amid the chronically corrupt and mean culture of the native population. The final scenes are a devastating commentary on the whole sorry story.