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Via dalla pazza folla (1874)

di Thomas Hardy

Altri autori: Vedi la sezione altri autori.

UtentiRecensioniPopolaritàMedia votiCitazioni
10,638185573 (3.97)642
Scritto nel 1874, apparso anonimo a puntate, il romanzo ottenne generali critiche positive e segnò l'inizio della carriera letteraria dell'autore. E' la storia di una ragazza che, nel temperamento e nella volontà di indipendenza, sembra l'antesignana di Rossella O'Hara di Via col vento (una delle sue frasi: "mi piacerebbe sposarmi, se solo non dovessi poi vivere con un marito"). La vita impartirà una dura lezione al suo orgoglio. Ma il vero protagonista è, come nei romanzi di Hardy, lo scenario: l'idilliaca campagna inglese, e la vita contadina fatta di piccoli grandi eventi e di infinite discussioni accanto al fuoco. Tre gli adattamenti cinematografici, di cui indimenticabile quello del 1967, per la regia di John Schlesinger, fedele al testo e allo spirito del romanzo.Traduzione di Silvia Cecchini.… (altro)
  1. 71
    Madame Bovary di Gustave Flaubert (Booksloth)
  2. 40
    Middlemarch di George Eliot (BookshelfMonstrosity)
    BookshelfMonstrosity: These 19th-century classics portray complex romantic relationships with vivid descriptions and a strong sense of place. With intricate, twisting plots, both offer their protagonists bleak outlooks that end in satisfying resolutions.
  3. 40
    Il ritorno alla brughiera di Thomas Hardy (Porua)
    Porua: I would like to recommend another Thomas Hardy novel, The Return of the Native. When I first read The Return of the Native it kind of surprised me to see how very similar it is to Far from the Madding Crowd. They are very similar in their story lines, characterization and narrative style.… (altro)
  4. 10
    La signora di Wildfell Hall di Anne Brontë (Lapsus_Linguae)
    Lapsus_Linguae: Both novels feature a strong female protagonist trapped in an abusive marriage. Endings are also pretty similar.
  5. 22
    Jude l'Oscuro di Thomas Hardy (Booksloth)
  6. 12
    Via col vento di Margaret Mitchell (Lapsus_Linguae)
    Lapsus_Linguae: Both main heroines are strong-willed independent women who take up entrepreneurship.
  7. 24
    York Notes on Thomas Hardy's Far from the Madding Crowd di Barbara Murray (Sylak)
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» Vedi le 642 citazioni

Inglese (180)  Olandese (2)  Francese (1)  Svedese (1)  Tutte le lingue (184)
1-5 di 184 (prossimo | mostra tutto)
Slow paced, but beautifully written, this book should appeal to those who like romance delivered in a literary package. Hardy's protagonist is Bathsheba, a beautiful and unusually independent woman, who inherits a farm. She is courted by three different men who vary widely in their natures and their intentions: a steady loyal farmhand/shepherd, a handsome obsessive farmer, and a charismatic soldier. The book slowly unveils the tensions caused by the desires of these three men and Bathsheba's attempt to cope with their attentions (both wanted and unwanted). In between, Hardy does what he does best - describes everything in spectacular language, but sometimes more detail than one might really want or need. For me, the plot line was predictable in the broad strokes, but not in the details. I wavered between a 3 and a 4, but ultimately have settled on a 4. 5 stars for the beautiful language, 4 stars for an engaging plot idea, but 3 stars for pacing which struck me as slow until the last third.. ( )
  Anita_Pomerantz | Mar 23, 2023 |
Re-read, Victober 2022: Still blown away by a couple of remarkably well-written passages, still adoring the humble shepherd Gabriel, still planning to rewatch the 2015 movie and revel in the beautiful pastoral scenes.
But.
My enjoyment was somewhat lessened this time by Hardy's failure to write a believable female character. Bathsheba is no dummy, except she is. She makes no sense. Here's an example which rubbed me all the wrong ways, a scene between her and Boldwood:

[Boldwood:] "You never liked me.”

“I did; and respected you, too.”

“Do you now?”

“Yes.”

“Which?”

“How do you mean which?”

“Do you like me, or do you respect me?”

“I don’t know—at least, I cannot tell you. It is difficult for a woman to define her feelings in language which is chiefly made by men to express theirs."


Now, in my Kindle, this last sentence is shown to have been highlighted nearly 1,000 times. That's crazy. And I can bet that most of the people highlighting it think it strikes some kind of blow in support of feminism, right?
But I don't think it does.
Because below the surface, it simply feels like Hardy is boxing Bathsheba in, as something other than an intelligent human person.
"Look, poor Bathsheba can't use her words. In fact, women are so mysterious and incomprehensible, that there actually aren't any words they can use. What a pity. I guess no one will ever understand them."

Yeah, right, Hardy.

It's funny, as time goes on, I am becoming less inclined to buy what I'm sold in books like these. But, truly, most of Hardy's female dialogue is just terrible. As well as his attempts to explain what makes them tick. Ugh.

But Gabriel Oak is still amazing, and that movie is still the sole catalyst for me wanting to have a sheep farm in Britain some day, so I guess you could say there are highs and lows here.

Best writing in the whole book was early on, when Gabriel is keeping vigil over his flock by starlight. Truly gorgeous words.

----------------------------------
Original 2016 review follows:

This was a pretty satisfying read because the language is just so great, and unlike a lot of Thomas Hardy's other books, there's a reasonably happy ending. I mean, there's some tragedy, but not an unbearable amount.
The story is worthwhile for Gabriel Oak aside from anything else. He's amazing! He's the solid pillar in Bathsheba's otherwise uncertain world. He's in love with her, but after a first rejection, he relegates himself to the post of friend, advisor, and employee. He's a humble shepherd, a deeply moral man, and hugely unselfish.
I have varying feelings about Bathsheba. She has three suitors. One can respect her initial decision about Gabriel (sort of, maybe), and her later hesitation over middle-aged Boldwood... but then there's Troy?? He's not all bad, but he really doesn't fit into the life she's building, and that's a bit painful to read.

I watched the new movie and was very taken by it, which prompted me to read the book. I'm also in the process of watching the adaptation from the 1990s, which is much longer and therefore can include more from the book. I like them both. ( )
  Alishadt | Feb 25, 2023 |
WONDERFUL BOOK! Harding is a terrific writer. he is knowledgeable in so many things. he uses the biblical ideas in many of his descriptions--i.e. someone named their son Cain because she forgot who killed who?, or "it was so dark as the plague of darkness in Egypt "...A beautiful, intertwining story love story.
print was very small and old English language, so hard to read ( )
  evatkaplan | Feb 15, 2023 |
*4.5 ( )
  Fortunesdearest | Oct 23, 2022 |
Gabriel Oats had borrowed money to buy sheep. When his old dog George's son, through lack of talent for a sheepdog, chased 200 pregnant ewes over a cliff, he is ruined. Selling his land and his farm implements allows him to pay his loan, he is left with the clothes on his back, so he travels to a hiring fair to get work. He is surprised to find that his unrequited love's uncle, who has a farm in the area, has died, and she has inherited it. He becomes her employee, a mere shepherd, though he is qualified to be the bailiff (overseer). Bathsheba is beautiful and vain and foolishly falls in love with a conman Sergeant. He ruins her, meanwhile she ruins a wealthy farmer who also loves her, making him lose his mind. Meanwhile, steadfast Gabriel stands by her, the ultimate gentleman.
Hardy's talent with a pen creates vivid scenery in the reader's mind, in the southwest of England that is the setting for his stories. His characters are written so realistically, that I became emotionally involved in them, becoming frustrated with bashsheba, cheering for Gabriel, and hating Sergeant Troy. This is a reread. ( )
  burritapal | Oct 23, 2022 |
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» Aggiungi altri autori (52 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Thomas Hardyautore primariotutte le edizionicalcolato
Allingham, HelenIllustratoreautore secondarioalcune edizioniconfermato
Dickerson, GeorgeIntroduzioneautore secondarioalcune edizioniconfermato
Drabble, MargaretIntroduzioneautore secondarioalcune edizioniconfermato
Lee, JohnNarratoreautore secondarioalcune edizioniconfermato
Marginter, PeterÜbersetzerautore secondarioalcune edizioniconfermato
Mathias, RobertProgetto della copertinaautore secondarioalcune edizioniconfermato
O'Toole, TessNotesautore secondarioalcune edizioniconfermato
Smith, Nicholas GuyNarratoreautore secondarioalcune edizioniconfermato
Vance, NormanIntroduzioneautore secondarioalcune edizioniconfermato

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From wikipedia 19 Dec 2011 - Hardy took the title from Thomas Gray's poem 'Elegy Written in a Country Churchyard' (1751):
Far from the madding crowd's ignoble strife
Their sober wishes never learn'd to stray;
Along the cool sequester'd vale of life
They kept the noiseless tenor of their way.
Dedica
Incipit
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When Farmer Oak smiled, the corners of his mouth spread till they were within an unimportant distance of his ears, his eyes were reduced to chinks, and diverging wrinkles appeared round them, extending upon his countenance like the rays in a rudimentary sketch of the rising sun.
On 30 November 1872 a letter arrived at Thomas Hardy's isolated cottage in Dorset that must by any standards be considered astonishing. (Introduction)
Citazioni
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It appears that ordinary men take wives because possession is not possible without marriage, and that ordinary women accept husbands because marriage is not possible without possession; with totally differing aims the method is the same on both sides.
It is difficult for a woman to define her feelings in language which is chiefly made by men to express theirs.
Bathsheba loved Troy in the way that only self-reliant women love when they abandon their self-reliance. When a strong woman recklessly throws away her strength she is worse than a weak woman who has never any strength to throw away. One source of her inadequacy is the novelty of the occasion. She has never had practice in making the best of such a condition. Weakness is doubly weak by being new.
... one who felt himself to occupy morally that vasgt middle space of Laodicean neutrality which lay between the Communion people of the parish and the drunken section... (p. 1)
But a resolution to avoid an evil is seldom framed till the evil is so far advanced as to make avoidance impossible. (p.125)
Ultime parole
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(Click per vedere. Attenzione: può contenere anticipazioni.)
(Click per vedere. Attenzione: può contenere anticipazioni.)
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Redattore editoriale
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Scritto nel 1874, apparso anonimo a puntate, il romanzo ottenne generali critiche positive e segnò l'inizio della carriera letteraria dell'autore. E' la storia di una ragazza che, nel temperamento e nella volontà di indipendenza, sembra l'antesignana di Rossella O'Hara di Via col vento (una delle sue frasi: "mi piacerebbe sposarmi, se solo non dovessi poi vivere con un marito"). La vita impartirà una dura lezione al suo orgoglio. Ma il vero protagonista è, come nei romanzi di Hardy, lo scenario: l'idilliaca campagna inglese, e la vita contadina fatta di piccoli grandi eventi e di infinite discussioni accanto al fuoco. Tre gli adattamenti cinematografici, di cui indimenticabile quello del 1967, per la regia di John Schlesinger, fedele al testo e allo spirito del romanzo.Traduzione di Silvia Cecchini.

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Edizioni: 0141439653, 0141198931

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