

Fai clic su di un'immagine per andare a Google Ricerca Libri.
Sto caricando le informazioni... Via dalla pazza folla (1874)di Thomas Hardy
![]()
» 48 altro BBC Big Read (64) Unread books (45) Books Read in 2022 (44) Books Read in 2020 (167) Top Five Books of 2014 (192) Books Read in 2015 (233) Top Five Books of 2013 (751) A Novel Cure (163) BBC Big Read (56) Books Read in 2016 (1,886) 1,001 BYMRBYD Concensus (207) Greatest Books (48) Books Read in 2010 (49) Ambleside Books (268) Women's reading list (32) Books Read in 2021 (3,711) Read the book and saw the movie (1,040) Love and Marriage (46) Out of Copyright (160) Victorian Period (22) 1870s (4) 19th Century (170) Books I've read (28) Elegant Prose (68) Fate vs. Free Will (39) Read These Too (102) Books on my Kindle (80) Tagged 19th Century (33) Country Life (3) Sto caricando le informazioni...
![]() Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. Slow paced, but beautifully written, this book should appeal to those who like romance delivered in a literary package. Hardy's protagonist is Bathsheba, a beautiful and unusually independent woman, who inherits a farm. She is courted by three different men who vary widely in their natures and their intentions: a steady loyal farmhand/shepherd, a handsome obsessive farmer, and a charismatic soldier. The book slowly unveils the tensions caused by the desires of these three men and Bathsheba's attempt to cope with their attentions (both wanted and unwanted). In between, Hardy does what he does best - describes everything in spectacular language, but sometimes more detail than one might really want or need. For me, the plot line was predictable in the broad strokes, but not in the details. I wavered between a 3 and a 4, but ultimately have settled on a 4. 5 stars for the beautiful language, 4 stars for an engaging plot idea, but 3 stars for pacing which struck me as slow until the last third.. ( ![]() Re-read, Victober 2022: Still blown away by a couple of remarkably well-written passages, still adoring the humble shepherd Gabriel, still planning to rewatch the 2015 movie and revel in the beautiful pastoral scenes. But. My enjoyment was somewhat lessened this time by Hardy's failure to write a believable female character. Bathsheba is no dummy, except she is. She makes no sense. Here's an example which rubbed me all the wrong ways, a scene between her and Boldwood: [Boldwood:] "You never liked me.” “I did; and respected you, too.” “Do you now?” “Yes.” “Which?” “How do you mean which?” “Do you like me, or do you respect me?” “I don’t know—at least, I cannot tell you. It is difficult for a woman to define her feelings in language which is chiefly made by men to express theirs." Now, in my Kindle, this last sentence is shown to have been highlighted nearly 1,000 times. That's crazy. And I can bet that most of the people highlighting it think it strikes some kind of blow in support of feminism, right? But I don't think it does. Because below the surface, it simply feels like Hardy is boxing Bathsheba in, as something other than an intelligent human person. "Look, poor Bathsheba can't use her words. In fact, women are so mysterious and incomprehensible, that there actually aren't any words they can use. What a pity. I guess no one will ever understand them." Yeah, right, Hardy. It's funny, as time goes on, I am becoming less inclined to buy what I'm sold in books like these. But, truly, most of Hardy's female dialogue is just terrible. As well as his attempts to explain what makes them tick. Ugh. But Gabriel Oak is still amazing, and that movie is still the sole catalyst for me wanting to have a sheep farm in Britain some day, so I guess you could say there are highs and lows here. Best writing in the whole book was early on, when Gabriel is keeping vigil over his flock by starlight. Truly gorgeous words. ---------------------------------- Original 2016 review follows: This was a pretty satisfying read because the language is just so great, and unlike a lot of Thomas Hardy's other books, there's a reasonably happy ending. I mean, there's some tragedy, but not an unbearable amount. The story is worthwhile for Gabriel Oak aside from anything else. He's amazing! He's the solid pillar in Bathsheba's otherwise uncertain world. He's in love with her, but after a first rejection, he relegates himself to the post of friend, advisor, and employee. He's a humble shepherd, a deeply moral man, and hugely unselfish. I have varying feelings about Bathsheba. She has three suitors. One can respect her initial decision about Gabriel (sort of, maybe), and her later hesitation over middle-aged Boldwood... but then there's Troy?? He's not all bad, but he really doesn't fit into the life she's building, and that's a bit painful to read. I watched the new movie and was very taken by it, which prompted me to read the book. I'm also in the process of watching the adaptation from the 1990s, which is much longer and therefore can include more from the book. I like them both. WONDERFUL BOOK! Harding is a terrific writer. he is knowledgeable in so many things. he uses the biblical ideas in many of his descriptions--i.e. someone named their son Cain because she forgot who killed who?, or "it was so dark as the plague of darkness in Egypt "...A beautiful, intertwining story love story. print was very small and old English language, so hard to read *4.5 Gabriel Oats had borrowed money to buy sheep. When his old dog George's son, through lack of talent for a sheepdog, chased 200 pregnant ewes over a cliff, he is ruined. Selling his land and his farm implements allows him to pay his loan, he is left with the clothes on his back, so he travels to a hiring fair to get work. He is surprised to find that his unrequited love's uncle, who has a farm in the area, has died, and she has inherited it. He becomes her employee, a mere shepherd, though he is qualified to be the bailiff (overseer). Bathsheba is beautiful and vain and foolishly falls in love with a conman Sergeant. He ruins her, meanwhile she ruins a wealthy farmer who also loves her, making him lose his mind. Meanwhile, steadfast Gabriel stands by her, the ultimate gentleman. Hardy's talent with a pen creates vivid scenery in the reader's mind, in the southwest of England that is the setting for his stories. His characters are written so realistically, that I became emotionally involved in them, becoming frustrated with bashsheba, cheering for Gabriel, and hating Sergeant Troy. This is a reread. nessuna recensione | aggiungi una recensione
Appartiene alle Collane EditorialiDoubleday Dolphin (C75) — 17 altro El cercle de Viena (34) Limited Editions Club (S:26.08) Penguin Clothbound Classics (2013) Penguin English Library, 2012 series (2012-04) È contenuto inThe Collected Novels: Volume I (Modern Library: Far from the Madding Crowd ∙ The Return of the Native ∙ The Mayor of Casterbridge) di Thomas Hardy Far from the Madding Crowd / The Mayor of Casterbridge / Tess of the d'Urbervilles / Wessex Tales / The Woodlanders (Omnibus) di Thomas Hardy Far From the Madding Crowd / Jude the Obscure / The Mayor of Casterbridge / The Return of the Native / Tess of the d'Urbervilles (Five Novels) di Thomas Hardy Far from the Madding Crowd / Jude the Obscure / The Mayor of Casterbridge / The Return of the Native / Tess of the d'Urbervilles / The Woodlanders (The Wessex Novels) di Thomas Hardy È rinarrato inHa l'adattamentoÈ riassunto inOne hundred best novels condensed: 3 of 4 see note: Adam Bede; Tess of the D'Urbervilles; Don Quixote; East Lynne; Count of Monte Cristo; Paul and Virginia; Tom Brown's School Days; Waverley; Dombey and Son; Romola; Legend of Sleepy Hollow; Last of the Mohicans; Wreck of the "Grosvenor"; Right of Way; Coniston; Far from the Madding Crowd; Woman in White; Deemster; Waterloo; Hypatia; Kidnapped; Oliver Twist; Gil Blas; Peg Woffington; Virginians di Edwin Atkins Grozier Ha ispiratoHa come guida per lo studente
Scritto nel 1874, apparso anonimo a puntate, il romanzo ottenne generali critiche positive e segnò l'inizio della carriera letteraria dell'autore. E' la storia di una ragazza che, nel temperamento e nella volontà di indipendenza, sembra l'antesignana di Rossella O'Hara di Via col vento (una delle sue frasi: "mi piacerebbe sposarmi, se solo non dovessi poi vivere con un marito"). La vita impartirà una dura lezione al suo orgoglio. Ma il vero protagonista è, come nei romanzi di Hardy, lo scenario: l'idilliaca campagna inglese, e la vita contadina fatta di piccoli grandi eventi e di infinite discussioni accanto al fuoco. Tre gli adattamenti cinematografici, di cui indimenticabile quello del 1967, per la regia di John Schlesinger, fedele al testo e allo spirito del romanzo.Traduzione di Silvia Cecchini. Non sono state trovate descrizioni di biblioteche |
Copertine popolari
![]() GeneriSistema Decimale Melvil (DDC)823.8 — Literature English {except North American} English fiction Victorian period 1837-1900Classificazione LCVotoMedia:![]()
Sei tu?Diventa un autore di LibraryThing.
|