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An inspiring discourse on the power of music from one of the twentieth century's most important figures, André Gide André Gide, one of the great intellectuals of the twentieth century and a devoted pianist, invites readers to reevaluate Frédéric Chopin as a composer "betrayed . . . deeply, intimately, totally violated" by a music community that had fundamentally misinterpreted his work. As a profound admirer of Chopin's "promenade of discoveries," Gide intersperses musical notation throughout the text to illuminate his arguments, but most moving is Gide's own poetic expression for the music he so loved. This edition includes rare pages and fragments from Gide's journals, which relate to Chopin and music.… (altro)
An interesting, if somewhat terse and thick, treatise on Chopin and other classical composers. While intriguing, I didn't ultimately feel there was that much of everlasting value.
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AVANT-PROPOS CHOPIN, LE ROMANTIQUE BAROQUE ? (Par Michaël Levinas dans l'éddition de la collection Blanche, Gallimard, 2010)
« Moi aussi, j’ai joué du piano. Mais, depuis longtemps, j’ai dû y renoncer et me contenter de lire sans exécuter. [...]
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L'édition de 2010 dans la collection Blanche, Gallimard est issue de la chronologie suivante :
Les Notes sur Chopin ont été publiées en décembre 1931 dans un numéro spécial de La Revue musicale consacré à Frédéric Chopin (après qu’il en fut consacré de semblables à Wagner, Beethoven, Liszt, Debussy, Fauré, Ravel, Stravinski…). Ce texte, auquel André Gide pensait et travaillait depuis les années 1890, fut ensuite repris, avec quelques légers aménagements, dans le quinzième volume des Œuvres complètes de l’auteur, paru aux Éditions de la NRF en 1939, puis aux Éditions de l’Arche, en 1948, dans une édition enrichie de fragments de partitions et de textes divers (fragments du Journal, feuillets et variantes), ici reproduits et complétés de nouveaux documents. Les notes de la présente édition sont regroupées en fin de volume, p. 153.
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An inspiring discourse on the power of music from one of the twentieth century's most important figures, André Gide André Gide, one of the great intellectuals of the twentieth century and a devoted pianist, invites readers to reevaluate Frédéric Chopin as a composer "betrayed . . . deeply, intimately, totally violated" by a music community that had fundamentally misinterpreted his work. As a profound admirer of Chopin's "promenade of discoveries," Gide intersperses musical notation throughout the text to illuminate his arguments, but most moving is Gide's own poetic expression for the music he so loved. This edition includes rare pages and fragments from Gide's journals, which relate to Chopin and music.
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3 stars. (