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Sto caricando le informazioni... The Tobacconist. (originale 2012; edizione 2016)di Robert Seethaler (Autore), Charlotte Collins (Traduttore)
Informazioni sull'operaThe Tobacconist di Robert Seethaler (2012) Books Read in 2016 (4,154) Books Read in 2019 (3,606) Sto caricando le informazioni...
Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. Aufgeschlagen, mittendrin eine Seite gelesen, irgendwo in einer Buchhandlung zufällig herausgezogen, sofort gekauft. So meine Begegnung mit diesem Buch und dem Autor. Keine einzige weitere Seite hat mich enttäuscht. Im Gegenteil: die Bewunderung für Robert Seethaler wuchs mit jedem Blättern. Ganz langsam nisten sich seine Beschreibungen in die Vorstellungswelt der eigenen, sie malen und charakterisieren Situationen und Schicksale so treffend, dass man am klaren Gebirgsbach bis auf den Grund blickt, die Dinge erkennt, während ein kühlender Wind die Stirn umspielt. RS schreibt füllfederspitzenzart (ein Wort von ihm auf Seite 202) tief fühlend in Seelen und Umstände, er schafft es sogar, Sigmund Freud alt aussehen zu lassen. Sigmund verzweifelt am hungrigen Leben des jungen Franz, die ganze Psychoanalyse mit ihren Chancen und Problemen liegt offen, entblößt von einem jungen Burschi aus dem Salzkammergut. Ihm, dem Burschi und Trafikanten, der täglich Zeitungen lesen und mit den Kunden reden muss, winkt die Liebe, und selten habe ich schönere Sätze um die Kraft dieses Gefühls gefunden. Aber auch selten schmutzigere, hinterhältigere Lurche, die sich in Gedanken festnisten können, das ganze Leben wird ausgebreitet, in seiner furchtbaren Schönheit. Zu welcher Zeit könnte man das besser erhellen als in jener Übergangsphase in Österreich hin zum Anschluss nach Deutschland? „Er wird schon wissen, was gut ist“, das Denken der untertänigen Deutschen und auch Österreicher regnet sich auf den Lesenden, die Zweifel, das Gute, die Ahnungen, Schicksale, Leben, Liebe. Unbedingt lesen! An enjoyable novel with depth. Franz is a young man of 17 when he leaves home to work with his uncle in his tobacconist shop in Vienna. He meets Sigmund Freud and a friendship grows. It is 2937 and the novel takes us through the annexation of Austria and the changes that are seen. Franz shares his dreams on the door of the shop, sellotaping a note with his dream every morning. Robert Seethaler is an Austrian novelist and actor, and I am thrilled to have read three of his impressive books: The Field, A Whole Life, and his bestselling novel, The Tobacconist. I am thoroughly taken with his understated writing style that drew me in to each of these books. In The Tobacconist, he reveals the story of a young man coming of age and simply trying to figure out his life, all while deadly prejudice and WWII begin to surround him. As a long-time bookseller who loved to create displays, I can’t ignore the fact that the paintings on the covers of all three books are very appealing, understated in much the same way as Seethaler’s writing, and are at the same time, very unique. Displayed together these covers would draw most any browser’s eyes. Covers alone may not sell a book, but they certainly do give a book a leg up when it comes to getting a wandering customer to pick a certain book up and check it out. With The Tobacconist, the publisher’s marketing department highlighted Franz, a young innocent boy being sent to apprentice for a tobacconist in Vienna, then meeting Sigmund Freud, introduced to love and sex by a music hall dancer, and then seeing the Nazis occupy the city and making violence and death common. All these things are described in little more than two hundred pages, but the story is told from the viewpoint of a very naïve seventeen-year-old boy from the countryside who finds himself selling tobacco, newspapers, and racy “wank” magazines in a shop during a world war. Back home the only newspapers he had ever been familiar with were cut up beside the toilet. Everything is new to him, as he’s also coming alive sexually, and he simply doesn’t have the experience to know how to judge all of these changes, as this is the only life he knows. I loved how Seethaler writes about how this unexperienced boy learns about desire, lust, love, and the subtle beauty of a woman’s body. “But it was mainly by the hollows in the backs of her knees that he recognized her. Not all that long ago he had buried his face in those hollows, had probed them, millimeter by millimeter, with his tongue, before embarking towards higher ground. These hollows were softer than anything Franz had ever known.” Let me add, that any wise man knows that every place on a woman’s body is the sexiest. Upon his arrival in Vienna, Franz finds just about everything overwhelming. “The city seethed like the vegetable stew on Mother’s stove.” One day, when Dr. Freud leaves his hat behind in the shop, Franz delivers it along with his newspapers and cigars to Freud’s house. Once there, he gets to know the doctor and both his wife Martha and daughter Anna. When Franz becomes infatuated and involved with a young woman, Anezka, who he learns is a music hall dancer/stripper, he gets dating advice from none other than Dr. Sigmund Freud, as well as having his active libido explained to him. There are distant rumblings about Hitler’s rise throughout the book. The storefront is tagged in pig’s blood that read, GET OUT JEWLOVER! The eventual Nazi occupation of Vienna brings about the persecution, street beating, and eventual death of the boy’s boss and the owner of the tobacco shop, Otto Trsnyek. The young boy is coming of age in a world that is brutal in inconceivable ways. Even when the story turns dark, Seethaler keeps some whimsy in his writing. The author doesn’t have to create the horror, we are all too familiar with the story, but he does an excellent job of describing how an innocent mind tries to comprehend this changing world. After Otto’s brutal beating and arrest, the boy is informed by authorities that he is to operate the shop, as the owner has died in Gestapo custody. In a most telling scene, Franz witnesses a Bolshevist hanging a large banner from a rooftop, and when he is cornered by Hitler’s followers, he chooses to “escape” by leaping to his death from the roof’s edge. Over the next few days, Franz reads in the very biased newspapers about the “dangerous and subversive” banner, never revealing what it actually said: FREEDOM OF THE PEOPLE REQUIRES FREEDOM OF THE HEART. LONG LIVE FREEDOM! LONG LIVE OUR PEOPLE! LONG LIVE AUSTRIA! One day in 1938, the postman tells Franz that after living in Vienna for eighty years, Dr. Freud is leaving the country over concerns for his safety. Seeing the guards stationed around Freud’s house, Franz sneaks in through a coal chute to say goodbye to his friend. Franz also learns about the Reich Flight Tax that took one third of a family’s fortune upon their departure. Over time, Franz learns how to manage the tobacco shop and to keep the Nazis off his case for some time. At the same time, he’s compelled to write short messages on slips of paper that he posts daily on the storefront. The book ends when several years later, Anezka visits the then abandon tobacco shop, and sees the remaining half of one of Franz’s slips still taped beside the door, she quickly takes it and hurries away as she hears the Allied bombers coming overhead. I am so glad to have discovered such a writer. This book tells the story of a youth from the provinces sent to Vienna to become apprentice to a news agent (Trafik is Viennese colloquialism for a small newsstand/tobacco shop). He learns his trade from the agent, a one-legged war veteran with fond memories of the youth's mother, and gets acquainted with some of the regular customers, becoming particularly fascinated with one, Sigmund Freud. An unlikely friendship begins, and soon an unlikely love story with an elusive Bohemian dancer who slips in and out of the youth's life. Franz, the apprentice, appeals to the professor; certainly a world famous psychiatrist can help him understand love. Well, you know where this is heading; of course Freud finds this topic mystifying as well. All this would be a charming little story, except that Franz arrives in Vienna in the summer of 1937. Over the next twelve months, the city around them turns on its head with little regard for the cares of an apprentice or a renowned professor. The book is meticulously written, with phrases and descriptions that stay with the reader. Seethaler manages to balance the serious nature of the times he describes with a light touch. There are passages that had me laughing out loud. It was worth learning German to enjoy this novel. Highly recommended.
Seethaler blends tragedy and whimsy to create a bittersweet picture of youthful ideals getting clobbered by external forces. Premi e riconoscimentiElenchi di rilievo
"Seventeen-year-old Franz Huchel journeys to Vienna to apprentice at a tobacco shop. There he meets Sigmund Freud, a regular customer, and over time the two very different men form a singular friendship. When Franz falls desperately in love with the music hall dancer Anezka, he seeks advice from the renowned psychoanalyst, who admits that the female sex is as big a mystery to him as it is to Franz. As political and social conditions in Austria dramatically worsen with the Nazis' arrival in Vienna, Franz, Freud, and Anezka are swept into the maelstrom of events. Each has a big decision to make: to stay or to flee?"--Back cover. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)833.92Literature German and related languages German fiction Modern period (1900-) 1990-Classificazione LCVotoMedia:
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Österreich 1937: Der 17-jährige Franz Huchel verlässt sein Heimatdorf, um in Wien als Lehrling in einer Trafik - einem kleinen Tabak- und Zeitungsgeschäft - sein Glück zu suchen. Dort begegnet er eines Tages dem Stammkunden Sigmund Freud und ist sofort fasziniert von ihm. Im Laufe der Zeit entwickelt sich eine ungewöhnliche Freundschaft zwischen den beiden unterschiedlichen Männern. Als sich Franz kurz darauf Hals über Kopf in die Varietétänzerin Anezka verliebt, sucht er bei dem alten Professor Rat. Dabei stellt sich jedoch schnell heraus, dass dem weltbekannten Psychoanalytiker das weibliche Geschlecht ein mindestens ebenso großes Rätsel ist wie Franz. Ohnmächtig fühlen sich beide auch angesichts der sich dramatisch zuspitzenden politisch-gesellschaftlichen Verhältnisse. Und schon bald werden Franz, Freud und Anezka jäh vom Strudel der Ereignisse mitgerissen. ( )