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In this, the second release in the annual Heiresses of Russ series, Lambda Literary Award winning editor Connie Wilkins joins Steve Berman in choosing the best of the prior year's published speculative fiction with lesbian themes. An unexplained astronomical phenomenon brings a woman and her grandfather closer while she questions the meaning of faith. African villagers are sent automatons rather than human relief workers. Mermaids devour men drawn by their song but what will happen to a steampunk submersible piloted by a woman? Two teenage girls discover that memories are held in the fine aromas of perfumes. A family of sisters in Mexico discover a fallen angel. These are tales of the strange, the wondrous, the eerie but all are richly told stories of women facing the unknown and how they are changed by the experience.… (altro)
Lesbian speculative fiction, most of it very good.
My favorites: "To Follow the Waves" by Amal El-Mohtar. Hessa is a dream-crafter, but when someone commissions her to create a dream of the sea, she is at a loss. She doesn't like the sea, or salt water, or beaches. Her art at a stand-still, Hessa goes to a cafe for a break--and there sees a woman so desirable that Hessa is truly inspired for the first time. Beautifully told, with an emotionally complex plot. I've never read anything like it.
"Ours is the Prettiest," by Nalo Hopkinson, is a wonderful mixture of urban and fairy, set in Bordertown.
"D is for Delicious," by Steve Berman is the tale of one school nurse's struggle between starvation and eating children. It's delightfully macabre.
"God in the Sky" by An Awomoyela. A new and unexplained astronomical phenomenon appears, and an astronomer tries to work out what to think. Thoughtful without being preachy or clear-cut.
My least favorite: "Feedback" by Lindy Cameron is hackneyed old-school cyberpunk. Nothing feels believable, the main character has basically no personality beyond "would-be noir," and the writing is clunky and hard to follow, with more than its fair share of imaginary "futuristic" slang. ( )
Often clever, often sexy, sometimes deeply touching, and always inventive, this new collection introduced me to several authors I'll be keeping an eye on. Touching on issues of disability, domestic violence, racism, and other difficult topics, these stories don't shy away from the kind of truth-telling enabled by the best of imaginative settings. ( )
In this, the second release in the annual Heiresses of Russ series, Lambda Literary Award winning editor Connie Wilkins joins Steve Berman in choosing the best of the prior year's published speculative fiction with lesbian themes. An unexplained astronomical phenomenon brings a woman and her grandfather closer while she questions the meaning of faith. African villagers are sent automatons rather than human relief workers. Mermaids devour men drawn by their song but what will happen to a steampunk submersible piloted by a woman? Two teenage girls discover that memories are held in the fine aromas of perfumes. A family of sisters in Mexico discover a fallen angel. These are tales of the strange, the wondrous, the eerie but all are richly told stories of women facing the unknown and how they are changed by the experience.
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My favorites:
"To Follow the Waves" by Amal El-Mohtar. Hessa is a dream-crafter, but when someone commissions her to create a dream of the sea, she is at a loss. She doesn't like the sea, or salt water, or beaches. Her art at a stand-still, Hessa goes to a cafe for a break--and there sees a woman so desirable that Hessa is truly inspired for the first time. Beautifully told, with an emotionally complex plot. I've never read anything like it.
"Ours is the Prettiest," by Nalo Hopkinson, is a wonderful mixture of urban and fairy, set in Bordertown.
"D is for Delicious," by Steve Berman is the tale of one school nurse's struggle between starvation and eating children. It's delightfully macabre.
"God in the Sky" by An Awomoyela. A new and unexplained astronomical phenomenon appears, and an astronomer tries to work out what to think. Thoughtful without being preachy or clear-cut.
My least favorite:
"Feedback" by Lindy Cameron is hackneyed old-school cyberpunk. Nothing feels believable, the main character has basically no personality beyond "would-be noir," and the writing is clunky and hard to follow, with more than its fair share of imaginary "futuristic" slang. (