A compelling novel based on true events, the story of Sarah Edmonds will captivate any history buff. The pacing is a great mix of battle action and a historical story you can sink your teeth into. Back matter includes an author's note detailing where Moss strayed from Sarah's actual story, biographies of Union officers, a Civil War timeline, and a selected bibliography. This would make an excellent title for Women's History Month. Pair it with I'll Pass for your Comrade: Women Soldiers in the Civil War by Anita Silvey. ( )

What it says on the tin: this is the story of a young woman who ran away from her life, and created a new one wearing trousers. Her life as a girl was intolerable, so she reinvented herself as a man, and when the Civil War came along she, or rather he, enlisted in a spirit of determined patriotism, and became the best soldier in his unit. He sought out nursing duties, and was devoted to his patients, and then was recruited as postmaster (which I never really realized was so dangerous) and attaché and Union spy. And in two years of service to the Union (almost) no one ever even suspected Frank Thompson was actually a girl named Sarah.

I'm not sure what this book is, exactly. (Besides received from Netgalley - thank you to them and the publisher.) It's based on fact, which could make it historical fiction. Moreover, it's based on the life of a real individual, so maybe it could be called a fictional biography – but no, it's in the first person, so maybe a fictional memoir. Except that the individual in question, a woman named Sarah Emma Edmonds, wrote a memoir of her own in 1864, so it's a little odd to have a novelized version.

I read this with the understanding that it was based on a true story, and the notes following the book emphasize this:

Although more than four hundred women are known to have dressed as men to fight in the Civil War, most of them were joining husbands, brothers, fathers, or fiancés. They had someone to help with their disguise and share the burden of their secret. Sarah Emma Edmonds was the only one known to have lived as a man before enlisting.

All the names are real, and Sarah/Frank really lived as the book describes before and after the war, and served when and where and how the book relates during the war.

But immediately after stressing the truth of the story, the author reveals that a major event at the end of the book was a complete fabrication, almost exactly the opposite of what really happened. The end of the story is not how the story ended. So, while "the bones of the story are all true", this event at the end "seemed like something that should have happened, and the advantage of fiction is that you can choose the shape of the story".

Yes, but – this isn't fiction. Not really. It's fictionalized. And I have a problem with the change that was made. Problems. For one, I don't see making a change this big at the end of the story of a woman few have heard of as any more acceptable than, oh, saying that one day Thomas Jefferson freed and married Sally Hemings. Or having Henry VIII say "You know, that Catherine is actually rather nice. I believe I'll go back to her and be a good husband." If a writer takes on the task of writing about a life, about an individual's existence, it doesn't (shouldn't) matter if it's a major historical figure everyone's heard of or one Union soldier among thousands (albeit one extraordinary soldier): to make a change just because it feels like what should have happened is, in my opinion, intellectually dishonest. It breaks faith with the subject of the writing.

The other side of it is that now I have doubts about everything else in the book. There are some highly improbable events in the story, and the story as a whole is improbable, and I went along with all of it because, I was assured, it was all based on history. But. If that last really quite large happening never happened, I'm inclined to doubt the rest, however much the author assures me it's faithful. There was so much luck running through it – sheer dumb luck that kept Sarah/Frank from major injury in battle, not to mention from discovery – that it became a little hard to swallow; s/he glided through the War like the Maryest of Sues, able to do absolutely anything they set her to: she was a crack shot, a born rider, a gentle and patient nurse with an iron nerve, a natural spy, a daring messenger, and no more prone to feminine squeamishness over killing the enemy than the next man. So to speak. Very shortly she had everyone thinking Frank was the best fellow ever, and in the two years she fought only completely coverable glitches occurred, and – as I said, almost no one ever even entertaining a suspicion that Frank wasn't what he seemed to be in two years of sleeping and eating and everything else in close quarters with no real privacy. Only the "but she really existed!" thing kept me going. Once there was a hole knocked in that, the boat begin to founder.

The point is played up that all the names in the book are true to life, that Sarah Emma Edmonds/Frank Thompson did indeed serve in the same unit with Damon Stewart (no relation – I don't think) and Jerome Robbins (!) and so on. But I wish the real names had not been used. I feel like this would have been a more honest novel – more honest as a novel – if the heroine had been named Jane Doe calling herself Joe Schmoe, and bunked with a lad named John Doe and fell in love with Richard Roe. Or something. My understanding is that Sarah's experience served as the backbone of the book, and the plot was filled in with bits and pieces and shreds and patches from other tales of others of the four hundred women. If this had been straightforwardly presented as a composite portrait, leaning heavily on Sarah but not trying to revivify Sarah, I feel it would have been a much better book – a cleaner book, in a way.

Another way to keep it honest would have been to simply tell Sarah's story without messing about with facts.

You can't have it both ways. You can't preen about how factual the story is and then say "well except for this bit here which I just didn't like the historical reality of".

One more note – interestingly, there is a book by the same title - Soldier's Secret (subtitled "The story of Deborah Sampson) – which tells of the same scenario in the Revolution.

And finally, and this is purely a personal reaction, I find it very sad that Frank's way of proving his masculinity was to tell dirty stories and spit and scratch and fart. ( )

Disclaimer straight up: I was supplied a gratis ebook ARC of the book through NetGalley.

I desperately wish this book had existed twenty years ago when I was twelve and utterly obsessed with the Civil War. As flawed as the novel is, it brings to life the incredibly complicated real person Sarah Edmonds. She lived as a man before the Civil War and then enlisted in the Union army, kept her secret for several years, and eventually had to desert when persistent malaria required her to seek medical treatment. Also amazing is what happened after she left the army: she wrote a book about her experiences, which became a bestseller, and twenty years later she called on the testimony of her fellow soldiers to have the desertion charges dropped. She attended a reunion of her unit and received a military pension for her remaining few years of life.

That said, the novel felt very uneven to me. Mind you, I read as an adult; as a twelve-year-old, I probably would have read the thing till it was memorized.

Moss does her utmost to stay true to the source material, and as wonderful as that is, it feels very constraining at times when she info dumps things that feel far beyond Sarah's viewpoint. The present tense narrative also feels unneeded and choppy. The romantic plot felt forced in, and sometimes the conflict between Sarah/Frank didn't feel genuine to me. There are a lot of other wonderful details though, like the difficulties Sarah had in keeping her "monthlies" a secret. So many other books ignore important elements like that.

I would really like to read more about Sarah Edmonds. This novel may be rough in spots, but it was very enlightening, and will be very empowering for tween and teen girls. ( )