Pagina principaleGruppiConversazioniAltroStatistiche
Cerca nel Sito
Questo sito utilizza i cookies per fornire i nostri servizi, per migliorare le prestazioni, per analisi, e (per gli utenti che accedono senza fare login) per la pubblicità. Usando LibraryThing confermi di aver letto e capito le nostre condizioni di servizio e la politica sulla privacy. Il tuo uso del sito e dei servizi è soggetto a tali politiche e condizioni.

Risultati da Google Ricerca Libri

Fai clic su di un'immagine per andare a Google Ricerca Libri.

Sto caricando le informazioni...

Siete pazzi a indossarlo! Perché la moda a basso costo avvelena noi e il pianeta (2012)

di Elizabeth L. Cline

Altri autori: Vedi la sezione altri autori.

UtentiRecensioniPopolaritàMedia votiCitazioni
4362857,296 (3.73)19
The work evaluates the costs of low priced clothing while tracing the author's own transformation to a conscientious shopper, a journey during which she visited a garment factory, learned to resole shoes, and shopped for local, sustainable clothing. Until recently, she was a typical American consumer. She had grown accustomed to shopping at outlet malls, discount stores like T.J. Maxx, and cheap but trendy retailers like Forever 21, Target, and H & M. She was buying a new item of clothing almost every week, the national average is sixty four per year, but all she had to show for it was a closet and countless storage bins packed full of low quality fads she barely wore, including the same sailor stripe tops and fleece hoodies as a million other shoppers. When she found herself lugging home seven pairs of identical canvas flats from Kmart, she realized that something was deeply wrong. Cheap fashion has fundamentally changed the way most Americans dress. Stores ranging from discounters like Target to traditional chains like JC Penney now offer the newest trends at unprecedentedly low prices.… (altro)
Sto caricando le informazioni...

Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro.

Attualmente non vi sono conversazioni su questo libro.

» Vedi le 19 citazioni

So a couple years ago, I got anxious about child labor making clothes. I guess, at the end of the day, I'm a hippy at heart and I absorbed a lot of sweatshop rhetoric as a child. At the end of 2013, I made a New Year's resolution that I wasn't going to buy anything, unless it was made in a country with strong labor laws, or out of recycled materials, or in some other way good for something. It was a surprisingly difficult year, especially for socks and underwear. But after 2014 ended, I kept it up for clothes, at least. And, as billed by Elizabeth Cline, buying high-end brands (mostly used) and avoiding fast fashion has resulted in clothes I like more, and keep longer.

Given that I was pretty much already there, I found Overdressed a pretty shallow read. It read fast, and at times seemed more interested in the cost of cheap fashion to a fashionista, rather than more generally. Nonetheless, it provided a context for how the clothing market got to where it was. ( )
  settingshadow | Aug 19, 2023 |
Inspired by this book, I took a trip to the thrift store today for the first time in several years, and it seems that fast fashion has gotten an even stronger hold than it had in 2017. I could hardly find anything 100% cotton, let alone the silk and wool treasures I used to find. *Sigh* This is a decent book but not really anything I didn't already know. And the narration of the audiobook isn't great (narrator kept mispronouncing words, like saying "blots" for "bolts," and "tawny" for "tony"), but it gets the job done. ( )
  ImperfectCJ | Sep 16, 2022 |
Unexpectedly fascinating. A game-changer.

I've been dissatisfied with my clothes for years, painfully aware of the poor quality of the sewing and the fabrics, noticing the lack of detail.

Cline explains why and what a consumer can do about it. So I'm looking at doing my own sewing at least for simple tops and dresses.

( )
  Bookjoy144 | Mar 2, 2022 |
Right now I'm wearing a pair of $150 shoes that were made in America (which I happen to buy because I have hard to fit feet). In 2013 America, I am the exception. 20 or more years ago, however, I wouldn't have been, as Elizabeth Cline shows. In inflation adjusted money, the price of clothes has dropped dramatically and our expectations for clothing have changed alongside. We now buy cheaper clothes in larger quantities.

The drop in price and the rise of fast fashion has come at a cost, however. We have come to expect clothes that are cheap in quality as well as in price. They are made under time pressure in foreign factories with poorly paid workers, from cheaper fabrics, in quickly run off collections ripped off from other manufacturers. The mid-market fashions many of us grew up in are now hard to find or completely nonexistent: the lines that purport to be mid-market are now made cheaply as well. At the high end, while some pieces reflect a genuine increase in labor, materials, and design, others retail for far greater markups as a demonstration of affluence and the importance of labels.

Cline does a nice job of demonstrating the costs--both in clothes and to the workers who make them--of our modern attitude to fashion. She is short on suggestions, however, aside from promotion of ethical fashion initiatives. The book is predominantly focused on standard sized women's wear. As with fashion in general, plus (where we pay 3x or more the price for equally poorly made clothing--no Zara for us) is ignored. A few mentions are made of suits, but men and children get short shrift; the examples are continually of dresses, skirts, and blouses.

As always with discussion of ethical fashion, I left with a small amount of personal frustration, but the issues addressed are relevant for all. ( )
  arosoff | Jul 11, 2021 |
This has been doing the rounds of the interwebs for a while, and it fits into my recent goals to buy less, make more, reduce crap. It was a fairly thought-provoking read, even if not a lot of it was a major revelation. It sucks that good manufacturing jobs are almost extinct in the US, and while the author points to slow fashion in LA and Brooklyn as signs that this might be changing, I hardly think it's on an industry scale yet. I had no idea that when I was a teenager, we still made 50% of our clothes here!

I would really like to feel good about where my clothing comes from and how it's constructed, and I don't want to wear synthetics (or hemp pants). I guess I'll just have to keep plugging away at that learning-to-make-clothing thing!

ETA: This graphic: http://tumblr.everlane.com/post/41880067167/youve-heard-of-farm-to-table-but-hav... illustrates the point of a much of the book. Companies mostly divorced from their sourcing, which makes it harder to create ethical products. (I realize the graphic comes from another company that produces overseas, and excuse me if my trust factor isn't high enough to buy their ethics-speak hook, line, and sinker. Yet.) ( )
  beautifulshell | Aug 27, 2020 |
nessuna recensione | aggiungi una recensione

» Aggiungi altri autori

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Cline, Elizabeth L.autore primariotutte le edizioniconfermato
Rosaschino, LindaTraduttoreautore secondarioalcune edizioniconfermato
Devi effettuare l'accesso per contribuire alle Informazioni generali.
Per maggiori spiegazioni, vedi la pagina di aiuto delle informazioni generali.
Titolo canonico
Titolo originale
Titoli alternativi
Data della prima edizione
Personaggi
Luoghi significativi
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Eventi significativi
Film correlati
Epigrafe
Dedica
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
To my grandmothers, Routh and Margarett
Incipit
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
In the summer of 2009, I found myself standing in front of a rack of shoes at Kmart in Astor Place in Manhattan.
Citazioni
Ultime parole
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
(Click per vedere. Attenzione: può contenere anticipazioni.)
Nota di disambiguazione
Redattore editoriale
Elogi
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Lingua originale
DDC/MDS Canonico
LCC canonico

Risorse esterne che parlano di questo libro

Wikipedia in inglese (2)

The work evaluates the costs of low priced clothing while tracing the author's own transformation to a conscientious shopper, a journey during which she visited a garment factory, learned to resole shoes, and shopped for local, sustainable clothing. Until recently, she was a typical American consumer. She had grown accustomed to shopping at outlet malls, discount stores like T.J. Maxx, and cheap but trendy retailers like Forever 21, Target, and H & M. She was buying a new item of clothing almost every week, the national average is sixty four per year, but all she had to show for it was a closet and countless storage bins packed full of low quality fads she barely wore, including the same sailor stripe tops and fleece hoodies as a million other shoppers. When she found herself lugging home seven pairs of identical canvas flats from Kmart, she realized that something was deeply wrong. Cheap fashion has fundamentally changed the way most Americans dress. Stores ranging from discounters like Target to traditional chains like JC Penney now offer the newest trends at unprecedentedly low prices.

Non sono state trovate descrizioni di biblioteche

Descrizione del libro
Riassunto haiku

Discussioni correnti

Nessuno

Copertine popolari

Link rapidi

Voto

Media: (3.73)
0.5
1 1
1.5
2 4
2.5 1
3 26
3.5 9
4 42
4.5 2
5 15

Sei tu?

Diventa un autore di LibraryThing.

 

A proposito di | Contatto | LibraryThing.com | Privacy/Condizioni d'uso | Guida/FAQ | Blog | Negozio | APIs | TinyCat | Biblioteche di personaggi celebri | Recensori in anteprima | Informazioni generali | 204,771,714 libri! | Barra superiore: Sempre visibile