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The Girl I Left Behind

di Shūsaku Endō

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1244220,210 (3.56)9
This is the first paperback publication of Endo's previously untranslated novel, a deft and haunting tale of a young woman callously betrayed.
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Mostra 4 di 4
Reads well but perhaps too overtly religious for me. Contrasts the gross with the sublime through the story of a fleeting relationship between two youngsters and the paths their lives take.

Do people really share dirty underpants? I didn't realise I had led such a sheltered life... ( )
  nick4998 | Oct 31, 2020 |
This was a devastating novel. Not only was the female character a good character, but the way she is portrayed did not seem as unrealistic as it might have played out in a film or more conventional novel. The way Endo described the novel in his Afterward as a youthful effort was nothing more than modesty, I thought, since the emotions in the novel were so raw and real. His writing is precise and effective. More to the point than Mishima.

The main character was full of faults and even if you don't take him as a veiled autobiographical character, he is a bold portrayal of a human being. The sacrifice that the female character makes is well prepared, and as the author admits, taken from real life situations. The minor incidents in the novel serve to build up the characters but they also give the reader the feel of the time and place recounted. There is in it the struggle both inner and outer that many of us face at some point in our lives, of leaving people and things behind, and the sadness that comes with moving on through life's phases. Endo's message is universal, and I hope this book will still be read 500 years from now.

The struggle is affecting and powerful and unexpected at times. We are in the hands of Fate or God, and what we choose to do with our short lives is up to us. We have an effect on every single person we meet. That is the inherent message and it is well conveyed and beautifully depicted. The prose is startlingly simple and powerful and the straightforward plot is memorable. No matter what you believe, the themes the author weaves into his narrative are not overbearing or preachy, they are contemplative and will lead you to ask questions no matter which side you're on.

I felt a note of nostalgia in it as well. Doesn't everyone meet a girl (or a boy) in their youth, who they never really stop thinking about, but who does not end up playing a huge part in our lives, who was just there for a brief moment, burning brightly, and whom we can never truly let go?

We always want what we cannot have. This is part of life's beauty and struggle. Even when the main character gains a semblance of a successful life, there is inevitably something missing.

This is a good place to start for readers of Endo, and I greatly look forward to discovering the mysteries of existence in his other works. ( )
  LSPopovich | Apr 8, 2020 |
Wat een prachtig, sober, aangrijpend verhaal. Een echte aanrader ( )
  Djumbo | Apr 28, 2019 |
In an afterword to the English translation, the author semi apologises for the portrayal of the female lead - too submissive for Western tastes. In fact I found both his characters to be well drawn - the feckless young man, and the naive and selfless young woman. They are not meant to be role models or even likeable - they are just there.
I enjoyed the book. It painted a picture of the life and times of Tokyo in the early 60s that I found meaningful and compelling. The plot is fairly mundane until a major lot twist throws the reader out of his/her comfort zone about half way through.
Read April 2016. ( )
  mbmackay | May 2, 2016 |
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This is the first paperback publication of Endo's previously untranslated novel, a deft and haunting tale of a young woman callously betrayed.

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