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The Lovecraft Anthology, Volume II (2012)

di Dan Lockwood (A cura di)

Altri autori: Bryan Baugh (Illustratore), Warwick Johnson Cadwell (Illustratore), David Camus (Writer), Jamie Delano (Writer), Benjamin Dickson (Writer)16 altro, Chad Fifer (Writer), Francesco Francavilla (Immagine di copertina), Nicolas Fructus (Illustratore), Attila Futaki (Illustratore), Warwick Johnson Caldwell (Illustratore), Chris Lackey (Writer), H. P. Lovecraft (Creator), Dwight L. MacPherson (Writer), Mick McMahon (Illustratore), Pat Mills (Writer), Paul Peart-Smith (Illustratore), Robert M Price (Prefazione), Steve Pugh (Illustratore), Adrian Salmon (Illustratore), Simon Spurrier (Writer), Matt Timson (Illustratore)

Serie: The Lovecraft Anthology (2), Illustrated Classics Graphic Novels

UtentiRecensioniPopolaritàMedia votiCitazioni
1025266,380 (3.82)4
A graphic anthology of tales from the renowned master of the eerie. Building on the success of the first volume, it showcases the talents of a new roster of adapters and artists. The anthology includes reflections on the terrible power of art in 'Pickman's Model' and 'The Picture in the House', the ghoulish graverobbing of 'The Hound' and the otherworldly monstrosities which come 'From Beyond'. This collection reveals the nightmare worlds of Lovecraft's imagination, exploring themes of forbidden knowledge and insanity in tale after tale of unsettling horror.… (altro)
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Mostra 5 di 5
Second volume of graphic novel adaptations of the Lovecraft's short and less known stories.

Same as for the first volume art is somewhat of the mixed bag but in overall it is good. Every artist managed to make Lovecraft's creepiness and horror palpable and truly disturbing. Again stories are very much of the same structure so my advice is to make this read count, do not try reading it all in one sitting because effect will be watered down. Reason is simple, we are "bombarded" with similar stories through books, TV and movies all the time so that awe moment will definitely be missing. Remember this was not the case when stories were written so idea is to savor them and read them over longer period of time.

My only issue with this collection is that few stories end on a weird note - I had to check if I was missing pages.

All in all good collection, recommended to fans of horror and Lovecraft especially. ( )
  Zare | Jan 23, 2024 |
Maledetto il terreno dove morti pensieri
vivono in corpi estranei…
… e maledetta e’ la mente
che non e’ racchiusa in testa alcuna. (copertina)

Il modello di Pickman

E’ qui che
vengo a catturare
il notturno spirito
d’antico orrore e a
dipingere cose che
altrove non potrei
neppure con-
cepire. (da qualche parte)

Dall’altrove

Che cosa sappiamo del
mondo e dell’universo
che ci circonda?
E’ assurdo quanto siamo
scarsamente dotati di
canali sensoriali e degli
oggetti che ci circondano
abbiamo una percezione
assai limitata.

Ho visto oltre
i confini dell’infinito
e ho evocato demoni
dalle stelle.

Vorrei poter ignorare quel che so dell’aria che ci circonda e del cielo che ci sovrasta. (da qualche parte)

La citta’ senza nome

Non ero del tutto in me e
nelle tenebre la mia mente
lampeggiava di frammenti
dell’amato bagaglio di
sapienza demoniaca. (da qualche parte)

La ricorrenza

Efficiunt Daemones, ut quae non sunt, sic tamen quasi sint, conspicienda hominibus exhibeant. Lattanzio.
Cosi’ operano i demoni, che cio’ che non e’ appaia agli uomini come se fosse.

Ancora oggi, ci sono frasi che
la mia mente non tollera, di
registrare. Versi che riempiono
i miei sogni di terrore. (da qualche parte)
( )
  NewLibrary78 | Jul 22, 2023 |
Volume 2 of [b: The Lovecraft Anthology|10191063|The Lovecraft Anthology, Volume 1|H.P. Lovecraft|https://images.gr-assets.com/books/1337426778s/10191063.jpg|15090176] was far superior to the first.

The artistry of the comics themselves reminded me of the work of Dave McKean and the stories that were chosen were of a decidedly more obscure bend. Choosing tales such as The Rats in the Walls was rather inspired, as so much of it could be conveyed through the art rather than the script. The story, actually, appealed to me in comic form when I've never been a fan of it in general.

This is a good introduction to H.P. Lovecraft and his non-Cthulhu mythos stories. It elicits the cosmic dread while also showing that Lovecraft is capable of stories of a more fantastical bend (i.e. The Colour Out of Space) and the comics were both easy to read and fun to look at. Once more, it is a pleasure to see the more visual aspects of Lovecrafts works being played with in a way that isn't... movies of questionable worth.

Would highly recommend. ( )
  Lepophagus | Jun 14, 2018 |
Excellent set of comic renditions of Lovecraft stories, two adapted by our favorite Lovecraft podcast, guys, Lackey and Fifer. Included are Pickman's Model, The Temple, From Beyond, He, The Hound, The Nameless City, The Picture in the House, The Festival and The Statement of Randolph Carter. Enjoy.
  saint2001ron | Oct 20, 2012 |
Selfmadehero is a publisher from the UK that has slowly assembled an impressive catalogue of graphic novels and anthologies. They have been particularly enterprising when it comes to adapting the stories and novels of HP Lovecraft. Last year we saw At the Mountains of Madness and The Lovecraft Anthology Volume I; later this year we are anticipating The Case of Charles Dexter Ward. All of their publications are handsome productions and well worth acquiring. The Lovecraft Anthology Volume II is a bit pricey in the US, listing at $ 19.95, although it is an import and has a generous page count of 128. Editing is by Dan Lockwood, who also did the honors for Volume I. The very attractive cover art is by Fancesco Francavilla, and shows some very hard looking characters who may be cultists or street thugs you don’t really want to meet. It sets the mood perfectly. The introduction was by Robert Price and did not do too much for me.

Interestingly, the member of the creative team here who also appeared in Volume I is the editor, Mr. Lockwood. As far as I know these are the only comic book adaptations of these particular stories, except as I note in my comments to follow. My bottom line is that this book is highly recommended.

Pickman’s Model – adaptation Jamie Delano, illustration Steve Pugh – Bravo to Mr. Pugh for the wonderful images he created. Much like HPL’s prose, most of the ghastly works of Pickman are merely hinted at, leaving it to the imagination of the reader. We instead see the reactions of Thurber and Eliot, and the mad leers of Pickman himself. What a great way to start the book.

The Temple – adaptation Chris Lackey, illustration Adrian Salmon – I was less moved by the adaptation of the Temple, but that’s because I like the story less. Mr. Lackey gave us a serviceable script and the stylized art of Mr. Salmon complemented it well.

From Beyond – adaptation David Camus, illustration Nicholas Fructus – From Beyond is another brilliant success for selfmadehero. I loved Mr. Fructus’ art and the adaptation was spot on. What a great addition to the growing body of Lovecraftian comics.

He – adaptation Dwight McPherson, illustration Paul Peart-Smith – I liked Dwight McPherson’s script well enough but the art left me flat, particularly compared to some of the other stories included here. It wasn’t bad, it just wasn’t my favorite.

The Hound – adaptation Chad Fifer, illustration Bryan Baugh - Mrs Fifer and Baugh give us a very effective (and pretty gory) version of The Hound. I liked the vivid colors of the amulet and the blood in an otherwise sepia toned tapestry.

The Nameless City – adaptation Pat Mills, illustration Attila Futaki – The Nameless City is a marvelous adaptation of HPL. I give major kudos to artist Attila Futaki and colorist Gerg Cuilhaumond. If it weren’t for the inclusion of The Festival, this would have been my favorite.

The Picture in the House – adaptation Benjamin Dickinson, illustration Mick McMahon – The competing version is an adaptation by Steven Philip Jones, illustrated by Wayne Reid for Caliber Comics, available in a graphic novel compilation from Transfuzion Publishing. I don’t really recollect the older version. No matter, I think the creative team of Dickinson and McMahon do the story justice. Although the art seem deliberately stylized and unpolished, I actually thought tension developed quite nicely throughout the panels; I was pretty creeped out by the end so hats off to the artists for achieving their goal.

The Festival – adaptation Simon Spurrier, illustration Matt Timson – For me this was the crowning jewel of the issue. The art was effectively atmospheric and the text conveyed the mood of HPL’s story perfectly. Anyway, I really like most of HPL’s Kingsport stories.

The Statement of Randolph Carter – adaptation Dan Lockwood, illustration Warwick Johnson Cadwell – The main competition for this version is from the old Caliber Comics (available in the graphic novel compilation The Worlds of HP Lovecraft from Transfuzion Publishing), adapted by Steven Philip Jones and illustrated by Christopher Jones. First of all, I have to say, I think this one of HPL’s worst stories. Even when I was 13 I thought the punch line was silly. No matter, just as musicians insist on performing Beethoven’s juvenilia, so we continue to get riffs on HPL’s lesser lights. I didn’t care much for either the current version or the older one. The adaptation by Mr. Lockwood is OK enough but the art left me flat.

So of course this is a mandatory purchase for fanciers of Lovecraftian comics and Lovecraftian art. If you avoid graphic novels, let your hair down a little and sample this. I spent a very enjoyable few hours perusing the book and will do so again in a week or so. Bring on Volume III! ( )
  carpentermt | Mar 28, 2012 |
Mostra 5 di 5
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Nome dell'autoreRuoloTipo di autoreOpera?Stato
Lockwood, DanA cura diautore primariotutte le edizioniconfermato
Baugh, BryanIllustratoreautore secondariotutte le edizioniconfermato
Cadwell, Warwick JohnsonIllustratoreautore secondariotutte le edizioniconfermato
Camus, DavidWriterautore secondariotutte le edizioniconfermato
Delano, JamieWriterautore secondariotutte le edizioniconfermato
Dickson, BenjaminWriterautore secondariotutte le edizioniconfermato
Fifer, ChadWriterautore secondariotutte le edizioniconfermato
Francavilla, FrancescoImmagine di copertinaautore secondariotutte le edizioniconfermato
Fructus, NicolasIllustratoreautore secondariotutte le edizioniconfermato
Futaki, AttilaIllustratoreautore secondariotutte le edizioniconfermato
Johnson Caldwell, WarwickIllustratoreautore secondariotutte le edizioniconfermato
Lackey, ChrisWriterautore secondariotutte le edizioniconfermato
Lovecraft, H. P.Creatorautore secondariotutte le edizioniconfermato
MacPherson, Dwight L.Writerautore secondariotutte le edizioniconfermato
McMahon, MickIllustratoreautore secondariotutte le edizioniconfermato
Mills, PatWriterautore secondariotutte le edizioniconfermato
Peart-Smith, PaulIllustratoreautore secondariotutte le edizioniconfermato
Price, Robert MPrefazioneautore secondariotutte le edizioniconfermato
Pugh, SteveIllustratoreautore secondariotutte le edizioniconfermato
Salmon, AdrianIllustratoreautore secondariotutte le edizioniconfermato
Spurrier, SimonWriterautore secondariotutte le edizioniconfermato
Timson, MattIllustratoreautore secondariotutte le edizioniconfermato
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A graphic anthology of tales from the renowned master of the eerie. Building on the success of the first volume, it showcases the talents of a new roster of adapters and artists. The anthology includes reflections on the terrible power of art in 'Pickman's Model' and 'The Picture in the House', the ghoulish graverobbing of 'The Hound' and the otherworldly monstrosities which come 'From Beyond'. This collection reveals the nightmare worlds of Lovecraft's imagination, exploring themes of forbidden knowledge and insanity in tale after tale of unsettling horror.

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