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Jar Jar Binks Must Die... and other Observations about Science Fiction Movies

di Daniel M. Kimmel

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244948,963 (4)3
As the title Jar Jar Binks Must Die indicates, Daniel M. Kimmel is not only a film critic with strong opinions, he's also a fan. In this collection of essays, he covers movies from Metropolis (1927), answering the absurd claim that the restoration of this silent classic negated its status as a science fiction film, to how Star Trek, Avatar, Moon, and District 9 may have made 2009 a "miracle year" for the genre. Along the way he looks at neglected works like Things to Come (1936), explains why remakes aren't always bad, and how seeing E.T. in an empty screening room changed his mind about Steven Spielberg. Whether to rediscover old favorites or add new titles to your Netflix queue, this is a must-have for lovers of SF movies. Author Bio Daniel M. Kimmel is a past president of the Boston Society of Film Critics. When it was discovered he is also a science fiction fan he started getting invitations to participate at a number of SF conventions, which he continues to do. He reviewed for the Worcester Telegram and Gazette and now writes for Northshoremovies.net. He is a correspondent for Variety, the "Movie Maven" for the Jewish Advocate and teaches film--including a course on SF and horror--at Suffolk University. His essays on classic science films have appeared in several publications including Clarkesworld, Space and Time, and the Internet Review of Science Fiction. He is the author of a history of FOX TV, The Fourth Network (2004) which received the Cable Center Book Award. His other books include a history of DreamWorks, The Dream Team (2006) and I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies (2008).… (altro)
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This set of essays does a fabulous job covering all the very best, and very worst, Sci Fi movies up to the early 2000s. It also makes some pretty pithy comments about the movies, the creators, and even the actors. I LOVED it. ( )
  Nightwing | Apr 17, 2020 |
First off, in the interest of full disclosure, I need to tell you that Dan and I have been friends for years, and I received a free copy of this book from him. There's no pretending I'm completely objective, here. On the other hand, Dan and I have been arguing vigorously about science fiction, fantasy, and movies for all those years, too.

This is a collection of criticism and commentary about science fiction movies that Dan has written over his years as a movie critic. He's added some updating, new critiques, and some additional material, tying it together into a knowledgeable, educational, and entertaining discussion of science fiction movies, their value, and their significance.


The organization is more thematic than chronological, but discusses movies from the early silent masterpiece Metropolis to recent major entries such as Avatar and District 9, and little gems like Moon. There's something here for every taste, and you will smile, grin, nod in agreement, and howl with outrage (maybe not in the same places I did!) One of the important and recurring themes of the book is the way science fiction is relegated to an artistic ghetto, and when a movie is too good to be written off as "sci-fi trash," nearly everyone associated with it feels a need to insist it's not sci-fi, it's about people and ideas. This irritating behavior of those who "go slumming" in our beloved genre is not limited to movies; it's too often true of tv and literature as well. We have learned to roll our eyes and ignore it, but sometimes it's good to address it, and Dan does that very well here.

If you enjoy science fiction movies, or want to learn more about them and have a greater understanding of an unfamiliar genre, you must read this book.

Highly recommended.

As mentioned above, I received a free copy of this book from the author, who is a personal friend. ( )
  LisCarey | Sep 19, 2018 |
http://nwhyte.livejournal.com/1950794.html

this is a collection of essays about sf cinema, mostly published before in fanzines and on the now sadly defunct Internet Review of Science Fiction. Several of the early pieces are a bit peevish, but most of them brim with enthusiasm and certainly gave me a few thoughts for films which I haven't seen but might enjoy. (The gaps in my cinematic knowledge, both of sf in particular and of classics in general, are pretty huge.) Inevitably, as you get from any collection of previously published pieces, it is not perfectly structured and in places repetitive, but generally interesting reading for someone like me who would like to know more about the subject. ( )
  nwhyte | Jun 10, 2012 |
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As the title Jar Jar Binks Must Die indicates, Daniel M. Kimmel is not only a film critic with strong opinions, he's also a fan. In this collection of essays, he covers movies from Metropolis (1927), answering the absurd claim that the restoration of this silent classic negated its status as a science fiction film, to how Star Trek, Avatar, Moon, and District 9 may have made 2009 a "miracle year" for the genre. Along the way he looks at neglected works like Things to Come (1936), explains why remakes aren't always bad, and how seeing E.T. in an empty screening room changed his mind about Steven Spielberg. Whether to rediscover old favorites or add new titles to your Netflix queue, this is a must-have for lovers of SF movies. Author Bio Daniel M. Kimmel is a past president of the Boston Society of Film Critics. When it was discovered he is also a science fiction fan he started getting invitations to participate at a number of SF conventions, which he continues to do. He reviewed for the Worcester Telegram and Gazette and now writes for Northshoremovies.net. He is a correspondent for Variety, the "Movie Maven" for the Jewish Advocate and teaches film--including a course on SF and horror--at Suffolk University. His essays on classic science films have appeared in several publications including Clarkesworld, Space and Time, and the Internet Review of Science Fiction. He is the author of a history of FOX TV, The Fourth Network (2004) which received the Cable Center Book Award. His other books include a history of DreamWorks, The Dream Team (2006) and I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies (2008).

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