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The Progress of a Crime (1960)

di Julian Symons

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1075254,197 (3.35)3
Fiction. Mystery. Historical Fiction. HTML:

From the archives of the British Library comes a classic thriller full of mystery, police drama, and simmering tension.

The murder, a brutal stabbing, definitely took place on Guy Fawkes Night. It was definitely by the bonfire on the village green. There were definitely a number of witnesses to a row between a group of Teddy Boys. And yet, was it definitely clear to anybody exactly what they had seen? In the writhing, violent shadows, it seems as if the truth of the crime may have gone up in smoke.

Based on a real case and showcasing thorough research and skillful plotting, Julian Symons' phenomenal 1960 crime novel is a searing drama of wrongful accusation, gripping policework and a sharp portrait of small-town tensions.

This British Library Crime Classics edition also includes the short story "The Tigers of Subtopia" and an introduction by award-winning author Martin Edwards.

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… (altro)
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» Vedi le 3 citazioni

Mostra 5 di 5
I think I enjoyed The Belting Inheritance a bit better than this one, but it was still quite a good mystery and well worth a read. ( )
  JBD1 | Apr 27, 2023 |
Note: I accessed a digital review copy of this book through Edelweiss.
  fernandie | Sep 15, 2022 |
‘’They went out into the streets of the city where it seemed always to be raining, the soft rain of autumn that made the few cars now moving around the city centre suck and lick out the shiny black roads.’’

A stubbing takes place on Guy Fawkes Night. The bonfire is enough to light the faces of the murderers.

Or is it?

Two young men are accused of the crime, members of one of the local gangs, formed by children - for that is what they are - who are desperate for someone to listen to them and their needs. The parents’ utter failure to be there for their children becomes the root of a crime that draws the attention of the Press aka. the vultures with pens and cameras instead of claws. But not all of them are the same. A young journalist becomes involved in the case - in more ways than one - and tries to discover the truth.

Julian Symons’s mystery is a powerful, solemn commentary on how family and society can ostracise a person and drive them to crime and madness. This is what isolation and lack of understanding do to the young members of our societies. This is why parents need to take a good, long look into the mirror before they drive their children to despair. This is why teachers need to educate and nurture and stop treating the classroom as a field to exercise our twisted notion of authority over young souls. In Symons’s story, the crime takes a secondary role. What really counts is the psychological impact of being the accused in a secretive community that points the finger without a second thought.

We witness the machinations of the trial process, the intrigues and calculations of seeking the sensational material for the first page, the battle of Labour VS Tories, two parties that don’t give a fig about the people, and the changes that defined England during the 60s. The beautiful relationship between Jill (I loved her!) and Hugh made this excellent courtroom drama even more striking. And don’t tell me there is no such thing as love at first sight because THERE IS and you are utterly clueless. Pun intended.

Poignant Introduction - as always - by Martin Edwards.

My reviews can also be found on https://theopinionatedreaderblog.wordpress.com/ ( )
  AmaliaGavea | Nov 27, 2021 |
Not really a crime novel more a novel about reporting crime in the local paper. Interesting but not really a puzzle to solve. ( )
  wrichard | Jan 2, 2021 |
I had to force myself to finish this book and if it hadn't been part of my "Edgar winners" self-imposed project, I wouldn't have. There's no mystery in it really. The story is told from the POV of a provincial journalist who witnesses a crime and then gets involved with the alleged perpetrator's sister. Interesting view of British journalism is not enough to redeem this dull and depressing book for me. ( )
  auntieknickers | Apr 3, 2013 |
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Zoals gewoonlijk lunchte Hugh Bennett die dag bij Guiseppe [sic], het enige goede eethuisje in de buurt van de krant.
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Garney, zoals hij daar in de getuigenbank stond en met antwoorden kwam aanzetten, die vaak doorzichtige leugens waren, die met de laagste sluwheid elk incident in zijn eigen voordeel trachtte te verdraaien, scheen in de ogen van de misschien voor indrukken wat àl te vatbare Michael Baker op te komen voor rechten, die helemaal niet thuis hoorden in dit hof en in enig juridisch proces: het recht om te doen wat hij wilde, het recht om op een motorfiets binnen te daveren en zo terloops weg de man tegen wie hij een wrok koesterde, te doden, het recht ten slotte, een verrader van zijn eigenbedachte code te vernietigen. (Sijthoff 1962, p. 153-154)
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Fiction. Mystery. Historical Fiction. HTML:

From the archives of the British Library comes a classic thriller full of mystery, police drama, and simmering tension.

The murder, a brutal stabbing, definitely took place on Guy Fawkes Night. It was definitely by the bonfire on the village green. There were definitely a number of witnesses to a row between a group of Teddy Boys. And yet, was it definitely clear to anybody exactly what they had seen? In the writhing, violent shadows, it seems as if the truth of the crime may have gone up in smoke.

Based on a real case and showcasing thorough research and skillful plotting, Julian Symons' phenomenal 1960 crime novel is a searing drama of wrongful accusation, gripping policework and a sharp portrait of small-town tensions.

This British Library Crime Classics edition also includes the short story "The Tigers of Subtopia" and an introduction by award-winning author Martin Edwards.

.

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