New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 70 include: A Farewell to Jan Kott; Raised and Written in Contradiction: the Final Interview; Arden and Absolute Milan: Jan Kott and the Kinds of Exile; The Maker and the Tool: High Culture, Popular Culture, and the Work of Charles Parker, Re-Placing the Audience: a Survey of Site-Specific Theatre in Britain; 'King Lear' as an Experimental Musical: the Japanese Production of 'Rio O'; Creating a Movement Space: the Passageway in Noh and Greek Theatres.