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City Gates

di Elias Khoury

Altri autori: Vedi la sezione altri autori.

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411608,013 (2.5)8
Elias Khoury is one of the most distinguished writers and intellectuals in the contemporary Arab world. His contributions to Arab culture are substantial and enormously diverse, including novels, literary criticism, and cultural critique. His distinction as a writer and critic in the Arab world, already recognized in France where many of his works have been published in French translation, is currently finding recognition in the United States as well. Gates of the City, Khoury's first novel, mixes the genres of the epic and the lyric to meditate on the pains and ravages of civil war. Khoury also provocatively draws on the traditions and themes of Arabic storytelling as articulated in A Thousand and One Nights. A man wanders the labyrinths of the city of Beirut (unidentified in the novel) out of the past and through the present into an uncertain future, a trajectory much like the city itself, the space of contested cultural claims as yet unresolved. The man must find his way through the city's passages, out of his own past, through the present, and into a still anticipated future.… (altro)
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» Vedi le 8 citazioni

In this early novella by the acclaimed Lebanese author, a wandering man travels to a faraway city in order to lead a life of luxury, surrounded by beautiful mistresses and provided with the finest clothes and perfumes. However, when he arrives to the walled city of Beirut he is unable to find a proper entrance. After an extensive search, he eventually encounters several young and mysterious women, each of whom offer to permit him to enter the city alone, and to meet him inside at the city square. After initially refusing these gestures, he eventually agrees to the gesture from the last woman that he meets. Once inside, he discovers that the city is nearly deserted, and that the town square is bare, except for the coffin of the deceased king and the sounds of wailing from an unknown source. He is unable to find any of the women he met previously, and after walking aimlessly in circles, he cannot find a way out of the town or anyone who can help him. He decides to return to the square, where he eventually meets the women and the entombed king, who share stories about what has happened to the town, and themselves.

I found City Gates to be an easy and pleasurable book to read, but I didn't understand the message that Khoury was trying to convey. ( )
  kidzdoc | Nov 8, 2009 |
Elias Khoury's City Gates is a fable, an exploration of themes rather than a clear-cut story. It largely eschews the principles of modern fiction such as plot and character for concepts that adhere closely to Arabic methods of storytelling. City Gates, while a very small novel – novella, even – is dense in its examination of the difficulty of a place steeped in history coming to terms with its troubled modern times.
 

» Aggiungi altri autori (1 potenziale)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Elias Khouryautore primariotutte le edizionicalcolato
Haydar, PaulaTraduttoreautore secondarioalcune edizioniconfermato
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He was a man and he was a stranger,
He didn't tell his story to anyone, he didn't know he was a story to be told. He thought, he used to think, the way we think, and he was like everyone was, but he didn't tell anyone, because he didn't know that the things that had happened could be told to anyone.
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Elias Khoury is one of the most distinguished writers and intellectuals in the contemporary Arab world. His contributions to Arab culture are substantial and enormously diverse, including novels, literary criticism, and cultural critique. His distinction as a writer and critic in the Arab world, already recognized in France where many of his works have been published in French translation, is currently finding recognition in the United States as well. Gates of the City, Khoury's first novel, mixes the genres of the epic and the lyric to meditate on the pains and ravages of civil war. Khoury also provocatively draws on the traditions and themes of Arabic storytelling as articulated in A Thousand and One Nights. A man wanders the labyrinths of the city of Beirut (unidentified in the novel) out of the past and through the present into an uncertain future, a trajectory much like the city itself, the space of contested cultural claims as yet unresolved. The man must find his way through the city's passages, out of his own past, through the present, and into a still anticipated future.

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