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Shakespeare's Professional Career (CANTO)

di Peter Thomson

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Shakespeare was a supremely successful accommodator. The story of his career as actor and playwright, which this book tells, shows the accommodation of his remarkable talents to the circumstances of his time: the social, political and professional life of Elizabethan and Jacobean England. It describes the development of this talent into genius. It also describes a background of theatrical rivalry, opportunism, service to noble patrons, and the sometimes involuntary involvement in political intrigue. The book begins with Stratford-upon-Avon and investigates Shakespeare's likely link with the Earls of Derby, who were probably his first theatrical patrons. It goes on to detail the theatrical conditions that prevailed when Shakespeare first embarked on his profession. Year by year Peter Thomson recreates Shakespeare's writing career, showing how the plays mirror their times. The story reveals the precarious nature of theatrical survival, the constant threat posed by the withdrawal of noble or royal patronage, the spread of disease, the anxieties of war and the uncertain climate. Peter Thomson's concern throughout is with the concrete details of the profession, setting out playhouse practices from the viewpoint of playwright, actor and audience. His discussion of the London playhouses incorporates the new evidence provided by the recent Rose and Globe excavations. The narrative is succinct but entertaining, enabling the non-expert to pick a clear path through contemporary political struggles and intrigues, the structure of Elizabethan patronage, the formation and disbanding of theatre companies and the fate of their buildings. There are numerous illustrations. Some will be familiar to students of Shakespeare, but are reproduced here in the context of his professional development; others have been gleaned from museums, libraries and great houses to illustrate the wider social context of Elizabethan and Jacobean England.… (altro)
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Shakespeare was a supremely successful accommodator. The story of his career as actor and playwright, which this book tells, shows the accommodation of his remarkable talents to the circumstances of his time: the social, political and professional life of Elizabethan and Jacobean England. It describes the development of this talent into genius. It also describes a background of theatrical rivalry, opportunism, service to noble patrons, and the sometimes involuntary involvement in political intrigue. The book begins with Stratford-upon-Avon and investigates Shakespeare's likely link with the Earls of Derby, who were probably his first theatrical patrons. It goes on to detail the theatrical conditions that prevailed when Shakespeare first embarked on his profession. Year by year Peter Thomson recreates Shakespeare's writing career, showing how the plays mirror their times. The story reveals the precarious nature of theatrical survival, the constant threat posed by the withdrawal of noble or royal patronage, the spread of disease, the anxieties of war and the uncertain climate. Peter Thomson's concern throughout is with the concrete details of the profession, setting out playhouse practices from the viewpoint of playwright, actor and audience. His discussion of the London playhouses incorporates the new evidence provided by the recent Rose and Globe excavations. The narrative is succinct but entertaining, enabling the non-expert to pick a clear path through contemporary political struggles and intrigues, the structure of Elizabethan patronage, the formation and disbanding of theatre companies and the fate of their buildings. There are numerous illustrations. Some will be familiar to students of Shakespeare, but are reproduced here in the context of his professional development; others have been gleaned from museums, libraries and great houses to illustrate the wider social context of Elizabethan and Jacobean England.

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