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Lewis Carroll, Photographer (2002)

di Roger Taylor, Edward Wakeling

Altri autori: Peter C. Bunnell (Introduzione)

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Long before he published Alice's Adventures in Wonderland, Charles Lutwidge Dodgson ("Lewis Carroll" to the world) took up photography as a hobby. Unlike most of the other amateurs in his circle, he persevered to become a dedicated, prolific, and remarkably gifted photographer, creating approximately 3,000 images during his twenty-five years of photographic activity. This handsomely designed volume makes clear the remarkable extent and complexity of Carroll's photographic art. It publishes for the first time the world's finest and most extensive collection of Carroll photographs, many of which have never been reproduced before and are unknown even to committed Carroll enthusiasts. Roger Taylor's thorough and sophisticated discussion of Carroll as a photographic artist and as a prominent member of Victorian society reveals the man as never before, illuminating his relationships with the children he photographed in light of the idealism and social conventions of the day. This text, illustrated with exquisite tritone plates, is followed by Edward Wakeling's fully illustrated and thoroughly annotated catalogue of the entire Princeton University Library collection. It features, in addition to a trove of loose prints, four rare albums made by Carroll himself to showcase his work to friends, family, and potential sitters. Reproduced in album order, these images offer new insight into how Carroll thought about his work--and how he wanted it to be seen. Compelling portraits of Alice Liddell and other children are presented alongside those of eminent Victorians such as Alfred Tennyson and William Holman Hunt, as well as evocative landscapes, narrative tableaux, and wonderfully strange studies of anatomical skeletons. The catalogue is followed by a chronological register of every known Carroll photograph--a remarkable resource for anyone studying his career as a photographer. This sumptuous volume is the definitive work on Carroll's photography. All who admire Carroll and his writing, as well as everyone interested in Victorian England or the history of photography, will find it both essential and irresistible.… (altro)
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An awful lot of awkward dancing around the elephant in the room - I wish Taylor would just give us the plain facts and let them and the pictures speak for themselves instead of trying to convince us of shit. Also, concentrating so heavily on his albums means the body of work comes off as Dodgson wanted it to come off... which is a perspective worth experiencing... but also isn't necessarily the most accurate perspective. ( )
  jhudsui | Sep 1, 2012 |
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Nome dell'autoreRuoloTipo di autoreOpera?Stato
Roger Taylorautore primariotutte le edizionicalcolato
Wakeling, Edwardautore principaletutte le edizioniconfermato
Bunnell, Peter C.Introduzioneautore secondariotutte le edizioniconfermato
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To the memory of Alexander D. Wainwright,
first curator of the Morris L. Parrish Collection -- our friend and guide.
Incipit
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INTRODUCTION
PETER C. BUNNELL
This book marks the first comprehensive publication of the 407 photographs by Charles Lutwidge Dodgson -- more familiarly known to his generations of admirers as Lewis Carroll -- in the collection of the Princeton University Library.
When Charles Lutwidge Dodgson first took up photography in 1856, he was a young man of twenty-four; he had been recently appointed mathematics tutor at Christ Church and thought that the hobby would offer an "occupation" other "than [the] mere reading and writing" associated with collegiate life.
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Long before he published Alice's Adventures in Wonderland, Charles Lutwidge Dodgson ("Lewis Carroll" to the world) took up photography as a hobby. Unlike most of the other amateurs in his circle, he persevered to become a dedicated, prolific, and remarkably gifted photographer, creating approximately 3,000 images during his twenty-five years of photographic activity. This handsomely designed volume makes clear the remarkable extent and complexity of Carroll's photographic art. It publishes for the first time the world's finest and most extensive collection of Carroll photographs, many of which have never been reproduced before and are unknown even to committed Carroll enthusiasts. Roger Taylor's thorough and sophisticated discussion of Carroll as a photographic artist and as a prominent member of Victorian society reveals the man as never before, illuminating his relationships with the children he photographed in light of the idealism and social conventions of the day. This text, illustrated with exquisite tritone plates, is followed by Edward Wakeling's fully illustrated and thoroughly annotated catalogue of the entire Princeton University Library collection. It features, in addition to a trove of loose prints, four rare albums made by Carroll himself to showcase his work to friends, family, and potential sitters. Reproduced in album order, these images offer new insight into how Carroll thought about his work--and how he wanted it to be seen. Compelling portraits of Alice Liddell and other children are presented alongside those of eminent Victorians such as Alfred Tennyson and William Holman Hunt, as well as evocative landscapes, narrative tableaux, and wonderfully strange studies of anatomical skeletons. The catalogue is followed by a chronological register of every known Carroll photograph--a remarkable resource for anyone studying his career as a photographer. This sumptuous volume is the definitive work on Carroll's photography. All who admire Carroll and his writing, as well as everyone interested in Victorian England or the history of photography, will find it both essential and irresistible.

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