Pagina principaleGruppiConversazioniAltroStatistiche
Cerca nel Sito
Questo sito utilizza i cookies per fornire i nostri servizi, per migliorare le prestazioni, per analisi, e (per gli utenti che accedono senza fare login) per la pubblicità. Usando LibraryThing confermi di aver letto e capito le nostre condizioni di servizio e la politica sulla privacy. Il tuo uso del sito e dei servizi è soggetto a tali politiche e condizioni.

Risultati da Google Ricerca Libri

Fai clic su di un'immagine per andare a Google Ricerca Libri.

Sto caricando le informazioni...

Fate, Time, and Language: An Essay on Free Will

di David Foster Wallace

Altri autori: Vedi la sezione altri autori.

UtentiRecensioniPopolaritàMedia votiCitazioni
2212122,063 (3.43)3
In 1962, the philosopher Richard Taylor used six commonly accepted presuppositions to imply that human beings have no control over the future. David Foster Wallace not only took issue with Taylor's method, which, according to him, scrambled the relations of logic, language, and the physical world, but also noted a semantic trick at the heart of Taylor's argument.Fate, Time, and Language presents Wallace's brilliant critique of Taylor's work. Written long before the publication of his fiction and essays, Wallace's thesis reveals his great skepticism of abstract thinking made to function as a negation of something more genuine and real. He was especially suspicious of certain paradigms of thought-the cerebral aestheticism of modernism, the clever gimmickry of postmodernism-that abandoned "the very old traditional human verities that have to do with spirituality and emotion and community." As Wallace rises to meet the challenge to free will presented by Taylor, we witness the developing perspective of this major novelist, along with his struggle to establish solid logical ground for his convictions. This volume, edited by Steven M. Cahn and Maureen Eckert, reproduces Taylor's original article and other works on fatalism cited by Wallace. James Ryerson's introduction connects Wallace's early philosophical work to the themes and explorations of his later fiction, and Jay Garfield supplies a critical biographical epilogue.… (altro)
Nessuno
Sto caricando le informazioni...

Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro.

Attualmente non vi sono conversazioni su questo libro.

» Vedi le 3 citazioni

Mostra 2 di 2
Upon further review of my previous review (which was blank) of the DFW book in question, I remember now giving the book one star because I was led to believe the goodreads rating system, which one star meant I did not like the book, which was completely true. But, in all honesty, I did not like the book mostly because I could not understand it. And besides not understanding it, I was having no fun while reading it. Much of the French, Italian, and local semi-contemporary philosophy I read I do not understand either, but I love reading it. It is fun for me reading Gilles Deleuze, Giorgio Agamben, and Alphonso Lingis. And every now and then I get something happening to me while reading it which can only be explained as a sort of revelation, a good idea, or perhaps an inspiration. So, to be fair, the book of DFW's might have been great, but it was lost on me the reader. Just wanting to be honest with all of you here. I looked at some of these other reviews of the same book and realize I am so very very far out of my league of expertise. ( )
  MSarki | Mar 31, 2013 |
David Foster Wallace was more than a complex fiction writer. He was also a complex philosopher. Much like his father, James Wallace, David had a knack for wrapping his brain around logistical queries and rewriting them to his liking. One such problem concerned a paper on Fatalism written back in the 60’s by a fellow named Richard Taylor. Taylor sought out to prove that, though philosophy, a logical argument could be made for maintaining a position that fatalism is alive and well in what he calls ‘logical necessity’.

A fatalist reasons that the future (much like the past) cannot be changed and thinks that any and all future events are inevitable. What happens was meant to happen and there’s no other way it could have happened.

The book starts with Taylor’s short essay and then snowballs into back and forth sniping between Taylor and critics that sought to expose fatalism as nothing more than wishful thinking. Then, in 1985, Wallace, a twenty-something grad student looking for a thesis, took on Taylor’s argument, and, in the process, created what was called System J, for interpreting physical modalities.

To be sure, this is incredibly deep material. As someone who’s had only a few philosophical (logic, not historical) classes, I quickly lost my nerve after reading the first essay by Taylor. A big part to understanding the material is rooted in mathematical algebraic logic. Though it’s not as mind-bending as his 2010 book on mathematical infinity, “Everything and More...”, Time, Fate, and Language is no pushover.

However, it’s DFW’s writing that helps the reader glean his overall point, which I believe is cogent enough for any reader to understand. It’s not that Taylor is outright wrong, but rather, Wallace argues that Taylor is confusing metaphysics and semantics in his presuppositions leading to the oft-repeated syllogism: A sea battle will either take or not take place if a naval commander issues a certain order.

Should fans of DFW be encouraged to pick up this previously unpublished thesis? On the one hand there is some insight (not enough), mostly contained in the preface and appendices that shed light on DFW as a student and his blossoming philosophy hobby. It doesn’t necessarily, and shouldn’t, act as a full biographical account, as that’s not where the focus of the book lies, but if you’re interested to know some of DFW’s motivations as a student (not to mention to see how densely constructed his writing could be for a 25 year old) then perhaps you may want to seek out this title. At the worst you’ll spend days after bemoaning the loss of such a philosophical and literary talent but at the very best you’ll have a spent just a little more time gaining some insight into the mind of a gifted individual. ( )
2 vota CK25_00 | Oct 27, 2011 |
Mostra 2 di 2
nessuna recensione | aggiungi una recensione

» Aggiungi altri autori

Nome dell'autoreRuoloTipo di autoreOpera?Stato
David Foster Wallaceautore primariotutte le edizionicalcolato
Cahn, Steven M.A cura diautore principalealcune edizioniconfermato
Eckert, MaureenA cura diautore principalealcune edizioniconfermato
Garfield, JayEpilogueautore principalealcune edizioniconfermato
Ryerson, JamesIntroduzioneautore principalealcune edizioniconfermato
Devi effettuare l'accesso per contribuire alle Informazioni generali.
Per maggiori spiegazioni, vedi la pagina di aiuto delle informazioni generali.
Titolo canonico
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Titolo originale
Titoli alternativi
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Data della prima edizione
Personaggi
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Luoghi significativi
Eventi significativi
Film correlati
Epigrafe
Dedica
Incipit
Citazioni
Ultime parole
Nota di disambiguazione
Redattore editoriale
Elogi
Lingua originale
DDC/MDS Canonico
LCC canonico

Risorse esterne che parlano di questo libro

Wikipedia in inglese (2)

In 1962, the philosopher Richard Taylor used six commonly accepted presuppositions to imply that human beings have no control over the future. David Foster Wallace not only took issue with Taylor's method, which, according to him, scrambled the relations of logic, language, and the physical world, but also noted a semantic trick at the heart of Taylor's argument.Fate, Time, and Language presents Wallace's brilliant critique of Taylor's work. Written long before the publication of his fiction and essays, Wallace's thesis reveals his great skepticism of abstract thinking made to function as a negation of something more genuine and real. He was especially suspicious of certain paradigms of thought-the cerebral aestheticism of modernism, the clever gimmickry of postmodernism-that abandoned "the very old traditional human verities that have to do with spirituality and emotion and community." As Wallace rises to meet the challenge to free will presented by Taylor, we witness the developing perspective of this major novelist, along with his struggle to establish solid logical ground for his convictions. This volume, edited by Steven M. Cahn and Maureen Eckert, reproduces Taylor's original article and other works on fatalism cited by Wallace. James Ryerson's introduction connects Wallace's early philosophical work to the themes and explorations of his later fiction, and Jay Garfield supplies a critical biographical epilogue.

Non sono state trovate descrizioni di biblioteche

Descrizione del libro
Riassunto haiku

Biblioteca di un personaggio famoso: David Foster Wallace

David Foster Wallace ha una Legacy Library. Legacy libraries sono le biblioteche personali di famosi lettori, aggiunte dai membri di LibraryThing che appartengono al gruppo Legacy Libraries.

Vedi il profilo legale di David Foster Wallace.

Vedi la pagina dell'autore di David Foster Wallace.

Link rapidi

Voto

Media: (3.43)
0.5
1 1
1.5
2 1
2.5 1
3 3
3.5 2
4 5
4.5
5 2

 

A proposito di | Contatto | LibraryThing.com | Privacy/Condizioni d'uso | Guida/FAQ | Blog | Negozio | APIs | TinyCat | Biblioteche di personaggi celebri | Recensori in anteprima | Informazioni generali | 204,772,610 libri! | Barra superiore: Sempre visibile