1antimuzak
Saturday 8th September 2018 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
A new series in which each week a musician reveals a selection of music - from the inside. Today soprano Claire Booth explains how a song by Mussorgsky has to be sung in Russian to stop it sounding like Gilbert and Sullivan, why the scherzo of Bruckner's 8th Symphony requires just the right tempo and how a Liszt arrangement of a Schubert song made her daughter cry with fear. At 2 o'clock Claire reveals her Must Listen piece. It's a work she describes as dividing musical opinion - but wonders whether the sceptics have simply been listening to the wrong recordings. As she says, her chosen performance has opened her ears to the piece's sense of space. A Tandem Production for BBC Radio 3.
Time: 13:00 to 15:00 (2 hours long)
A new series in which each week a musician reveals a selection of music - from the inside. Today soprano Claire Booth explains how a song by Mussorgsky has to be sung in Russian to stop it sounding like Gilbert and Sullivan, why the scherzo of Bruckner's 8th Symphony requires just the right tempo and how a Liszt arrangement of a Schubert song made her daughter cry with fear. At 2 o'clock Claire reveals her Must Listen piece. It's a work she describes as dividing musical opinion - but wonders whether the sceptics have simply been listening to the wrong recordings. As she says, her chosen performance has opened her ears to the piece's sense of space. A Tandem Production for BBC Radio 3.
2antimuzak
Saturday 29th September 2018 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Conductor Kirill Karabits casts his net wide and puts together a rich playlist with a distinctly Ukrainian flavour. Kirill chooses Shostakovich's 11th symphony, which inspired him to become a conductor, secular and sacred vocal music from the Ukraine and exotic sounds from Australia and Armenia. He also introduces music created by his father, Ivan Karabits along with other composers including Rachmaninov, Liszt and Prokofiev. At 2 o'clock Kirill plays his Must Listen piece - something Kirill himself re-discovered in a music library in Kiev in 2001, but dating from centuries earlier. A series in which each week a musician reveals a selection of music - from the inside. A Tandem Production for BBC Radio 3.
Time: 13:00 to 15:00 (2 hours long)
Conductor Kirill Karabits casts his net wide and puts together a rich playlist with a distinctly Ukrainian flavour. Kirill chooses Shostakovich's 11th symphony, which inspired him to become a conductor, secular and sacred vocal music from the Ukraine and exotic sounds from Australia and Armenia. He also introduces music created by his father, Ivan Karabits along with other composers including Rachmaninov, Liszt and Prokofiev. At 2 o'clock Kirill plays his Must Listen piece - something Kirill himself re-discovered in a music library in Kiev in 2001, but dating from centuries earlier. A series in which each week a musician reveals a selection of music - from the inside. A Tandem Production for BBC Radio 3.
3antimuzak
Saturday 10th November 2018 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Conductor Simone Young describes how listening to JS Bach is like listening to jazz, uncovers beauty in the music of Schoenberg, and showcases the many skills of pianist and conductor Daniel Barenboim. Simone also plays music by Benjamin Britten, and reveals all sorts of things you never knew about the harp. At 2 o'clock Simone's Must Listen piece is a dramatic scene in which emotions and politics are blended to musical perfection. A series in which each episode a musician explores a selection of music - from the inside.
Time: 13:00 to 15:00 (2 hours long)
Conductor Simone Young describes how listening to JS Bach is like listening to jazz, uncovers beauty in the music of Schoenberg, and showcases the many skills of pianist and conductor Daniel Barenboim. Simone also plays music by Benjamin Britten, and reveals all sorts of things you never knew about the harp. At 2 o'clock Simone's Must Listen piece is a dramatic scene in which emotions and politics are blended to musical perfection. A series in which each episode a musician explores a selection of music - from the inside.
4antimuzak
Saturday 26th January 2019 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Find out how keyboard players can learn how to phrase the music of J.S. Bach by listening to the way that singers do it with pianist Angela Hewitt, who also explains why the famous Adagietto from Mahler's 5th Symphony should never turn into a dirge. She also showcases two contrasting pieces by fellow Canadian musicians, and thrills to the verbal and musical skills of Noel Coward. At 2 o'clock Angela's Must Listen piece is a passionate and poignant work in a detailed recording by conductor Arturo Toscanini and the NBC Symphony Orchestra. A series in which each week a musician reveals a selection of music - from the inside.
Time: 13:00 to 15:00 (2 hours long)
Find out how keyboard players can learn how to phrase the music of J.S. Bach by listening to the way that singers do it with pianist Angela Hewitt, who also explains why the famous Adagietto from Mahler's 5th Symphony should never turn into a dirge. She also showcases two contrasting pieces by fellow Canadian musicians, and thrills to the verbal and musical skills of Noel Coward. At 2 o'clock Angela's Must Listen piece is a passionate and poignant work in a detailed recording by conductor Arturo Toscanini and the NBC Symphony Orchestra. A series in which each week a musician reveals a selection of music - from the inside.
5antimuzak
Saturday 30th March 2019 (starting this afternoon)
Time: 13:03 to 15:00 (1 hour and 57 minutes long)
Horn Player Katy Woolley with Music That Works on Our Emotions.
Horn player Katy Woolley is live at the Free Thinking Festival, revealing what composers do to make listeners experience emotion. Choice include Shostakovich, Brahms and Ravel.
Time: 13:03 to 15:00 (1 hour and 57 minutes long)
Horn Player Katy Woolley with Music That Works on Our Emotions.
Horn player Katy Woolley is live at the Free Thinking Festival, revealing what composers do to make listeners experience emotion. Choice include Shostakovich, Brahms and Ravel.
6antimuzak
Saturday 15th February 2020 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Open Your Ears in a New Way with Conductor Simone Young.
Conductor Simone Young makes her personal choices. She describes how listening to JS Bach is like listening to jazz, uncovers beauty in the music of Schoenberg and showcases the many skills of pianist and conductor Daniel Barenboim. Simone also plays music by Benjamin Britten and reveals all sorts of things about the harp.
Time: 13:00 to 15:00 (2 hours long)
Open Your Ears in a New Way with Conductor Simone Young.
Conductor Simone Young makes her personal choices. She describes how listening to JS Bach is like listening to jazz, uncovers beauty in the music of Schoenberg and showcases the many skills of pianist and conductor Daniel Barenboim. Simone also plays music by Benjamin Britten and reveals all sorts of things about the harp.
7antimuzak
Saturday 21st March 2020 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Invention and Exploration on Early Music Day with Violinist Rachel Podger.
Today many radio stations across Europe are celebrating a European Day of Early Music. So to mark that here on Radio 3, we've asked the Ambassador for the day, Rachel Podger, to host Inside Music. Rachel will be spending a couple of hours getting inside a wide selection of pieces that make her life as a performer of (and listener to) early music so rewarding. Rachel remembers the effect of singing the Sanctus from JS Bach's Mass in B minor as a teenager and how it fostered a lifelong fascination for the composer. She also tries to work out why Handel's tunes are so memorable, and finds a keyboard fantasy by Mozart that seems to break all the classical rules. Plus a jazz pianist who brought a new slant to baroque-rooted music by Shostakovich and the thrill of improvising on a melody that's nearly 500 years old. A series in which each week a musician explores a selection of music - from the inside.
Time: 13:00 to 15:00 (2 hours long)
Invention and Exploration on Early Music Day with Violinist Rachel Podger.
Today many radio stations across Europe are celebrating a European Day of Early Music. So to mark that here on Radio 3, we've asked the Ambassador for the day, Rachel Podger, to host Inside Music. Rachel will be spending a couple of hours getting inside a wide selection of pieces that make her life as a performer of (and listener to) early music so rewarding. Rachel remembers the effect of singing the Sanctus from JS Bach's Mass in B minor as a teenager and how it fostered a lifelong fascination for the composer. She also tries to work out why Handel's tunes are so memorable, and finds a keyboard fantasy by Mozart that seems to break all the classical rules. Plus a jazz pianist who brought a new slant to baroque-rooted music by Shostakovich and the thrill of improvising on a melody that's nearly 500 years old. A series in which each week a musician explores a selection of music - from the inside.
8antimuzak
Saturday 30th May 2020 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Symphonies and Swing with Conductor Tito Muñoz.
Conductor Tito Muñoz makes a musical selection, revealing his discovery of Mendelssohn's revised Italian Symphony on a trip to Leipzig, and explaining how an orchestra can sound `menacing, sly and nervous" in the way it swings. Tito also talks about his first encounter with historical performance through the playing of violinist Rachel Podger, and the secret of unpicking the melody in Stravinsky.
Time: 13:00 to 15:00 (2 hours long)
Symphonies and Swing with Conductor Tito Muñoz.
Conductor Tito Muñoz makes a musical selection, revealing his discovery of Mendelssohn's revised Italian Symphony on a trip to Leipzig, and explaining how an orchestra can sound `menacing, sly and nervous" in the way it swings. Tito also talks about his first encounter with historical performance through the playing of violinist Rachel Podger, and the secret of unpicking the melody in Stravinsky.
9antimuzak
Saturday 11th July 2020 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Spine-Tingling Sounds with Violinist Thomas Gould.
Violinist Thomas Gould brings his experiences as a soloist, chamber player and orchestral member to his choices today. He thinks about the limitless ways a singer like Renée Fleming can inflect a single note, and enjoys the emotional effect created by Barbra Streisand as she chooses when to use vibrato. Plus, music by Ligeti and Saint-Saëns and Thomas's `wake-up" moment in Handel's Messiah.
Time: 13:00 to 15:00 (2 hours long)
Spine-Tingling Sounds with Violinist Thomas Gould.
Violinist Thomas Gould brings his experiences as a soloist, chamber player and orchestral member to his choices today. He thinks about the limitless ways a singer like Renée Fleming can inflect a single note, and enjoys the emotional effect created by Barbra Streisand as she chooses when to use vibrato. Plus, music by Ligeti and Saint-Saëns and Thomas's `wake-up" moment in Handel's Messiah.
10antimuzak
Saturday 24th October 2020 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Recorder Player and Violinist Charlotte Barbour-Condini on Reversing the Version.
Recorder and violin player Charlotte Barbour-Condini, winner of the Young Musician woodwind final in 2012, makes a second appearance on the programme. She reveals how Chopin can really work on a harpsichord, how Scarlatti's harpsichord sonatas are transformed on a grand piano, and how Bach's Goldberg variations played by a recorder quintet sound perfectly balanced - the effect being like a kind of multi-player organ. She also explores how a precise musical score can often come across as being completely improvised, and plays an 80-year-old recording that she finds inspirational.
Time: 13:00 to 15:00 (2 hours long)
Recorder Player and Violinist Charlotte Barbour-Condini on Reversing the Version.
Recorder and violin player Charlotte Barbour-Condini, winner of the Young Musician woodwind final in 2012, makes a second appearance on the programme. She reveals how Chopin can really work on a harpsichord, how Scarlatti's harpsichord sonatas are transformed on a grand piano, and how Bach's Goldberg variations played by a recorder quintet sound perfectly balanced - the effect being like a kind of multi-player organ. She also explores how a precise musical score can often come across as being completely improvised, and plays an 80-year-old recording that she finds inspirational.
11antimuzak
Saturday 26th June 2021 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Mark Elder Finds Ecstasy and Compassion in Music.
Mark Elder has been music director of the Hallé Orchestra since 2000, and has conducted many of the world's leading orchestras and opera companies. Here he challenges listeners to conduct alongside Stravinsky's Soldier's Tale and plays a passage from a Rossini opera that he thinks could be the starting point for a whole new Olympic discipline. He also recommends submitting to the emotional intensity of Wagner, and considers the impact of listening to Mahler's third symphony live for the first time.
Time: 13:00 to 15:00 (2 hours long)
Mark Elder Finds Ecstasy and Compassion in Music.
Mark Elder has been music director of the Hallé Orchestra since 2000, and has conducted many of the world's leading orchestras and opera companies. Here he challenges listeners to conduct alongside Stravinsky's Soldier's Tale and plays a passage from a Rossini opera that he thinks could be the starting point for a whole new Olympic discipline. He also recommends submitting to the emotional intensity of Wagner, and considers the impact of listening to Mahler's third symphony live for the first time.
12antimuzak
Saturday 23rd April 2022 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Jean-Efflam Bavouzet.
Jean-Efflam Bavouzet chooses pieces by fellow pianists who have inspired him, from Dmitry Shishkin to Sviatoslav Richter and Zoltan Kocsis, and remembers how conductor Georg Solti encouraged him to combine in-time playing with freedom of expression. He also finds the positive side of internet rabbit holes in his discovery of new young musicians to work with, and explains how the music of Beethoven is defined by rhythm rather than melody. Plus, a track which takes him back to when he was a drummer in a jazz-fusion band in the 80s.
Time: 13:00 to 15:00 (2 hours long)
Jean-Efflam Bavouzet.
Jean-Efflam Bavouzet chooses pieces by fellow pianists who have inspired him, from Dmitry Shishkin to Sviatoslav Richter and Zoltan Kocsis, and remembers how conductor Georg Solti encouraged him to combine in-time playing with freedom of expression. He also finds the positive side of internet rabbit holes in his discovery of new young musicians to work with, and explains how the music of Beethoven is defined by rhythm rather than melody. Plus, a track which takes him back to when he was a drummer in a jazz-fusion band in the 80s.
13antimuzak
Saturday 15th October 2022 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Roísín Ni Dhuill takes listeners deep into the string section of the orchestra with personal insights into how a Mahler symphony sounds from the very middle of the concert platform, and how performing a slow movement by Tchaikovsky requires both immense concentration and group awareness. Roísín also remembers how her ears were 'on stalks' in a German opera pit as she heard Cecilia Bartoli perform unforgettable vocal feats on the stage above her head. And she tries to get her head (and hands) around the way that traditional Irish fiddler Kevin Burke uses his bow to create unique percussive effects. A series in which each week a musician explores a selection of music - from the inside.
Time: 13:00 to 15:00 (2 hours long)
Roísín Ni Dhuill takes listeners deep into the string section of the orchestra with personal insights into how a Mahler symphony sounds from the very middle of the concert platform, and how performing a slow movement by Tchaikovsky requires both immense concentration and group awareness. Roísín also remembers how her ears were 'on stalks' in a German opera pit as she heard Cecilia Bartoli perform unforgettable vocal feats on the stage above her head. And she tries to get her head (and hands) around the way that traditional Irish fiddler Kevin Burke uses his bow to create unique percussive effects. A series in which each week a musician explores a selection of music - from the inside.
14antimuzak
Saturday 11th February 2023 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Stephen Hough.
Stephen Hough introduces some of the piano music and fellow pianists who have been a source of inspiration to him over the years, including Artur Schnabel playing Beethoven, Alfred Cortot performing Chopin and a 1928 recording by Josef Lhévinne of Johann Strauss II's Blue Danube waltz. Stephen also selects a movement from Tippett's Piano Concerto, and a couple of his own recordings of music by Cécile Chaminade and John Corigliano. There is choral music by Tallis, Britten and Elgar, as well as fiery intensity from cellist Daniil Shafran and a turbocharged excerpt from Richard Strauss's opera Salome. Plus, a celebration of the joint creative talents of Shirley Bassey and Nelson Riddle in the music of Irving Berlin.
Time: 13:00 to 15:00 (2 hours long)
Stephen Hough.
Stephen Hough introduces some of the piano music and fellow pianists who have been a source of inspiration to him over the years, including Artur Schnabel playing Beethoven, Alfred Cortot performing Chopin and a 1928 recording by Josef Lhévinne of Johann Strauss II's Blue Danube waltz. Stephen also selects a movement from Tippett's Piano Concerto, and a couple of his own recordings of music by Cécile Chaminade and John Corigliano. There is choral music by Tallis, Britten and Elgar, as well as fiery intensity from cellist Daniil Shafran and a turbocharged excerpt from Richard Strauss's opera Salome. Plus, a celebration of the joint creative talents of Shirley Bassey and Nelson Riddle in the music of Irving Berlin.
15antimuzak
Saturday 5th August 2023 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Jean-Efflam Bavouzet.
Jean-Efflam Bavouzet chooses pieces by fellow pianists who have inspired him, from Dmitry Shishkin to Sviatoslav Richter and Zoltan Kocsis, and remembers how conductor Georg Solti encouraged him to combine in-time playing with freedom of expression. He also finds the positive side of internet rabbit holes in his discovery of new young musicians to work with, and explains how the music of Beethoven is defined by rhythm rather than melody. Plus, a track which takes him back to when he was a drummer in a jazz-fusion band in the 80s.
Time: 13:00 to 15:00 (2 hours long)
Jean-Efflam Bavouzet.
Jean-Efflam Bavouzet chooses pieces by fellow pianists who have inspired him, from Dmitry Shishkin to Sviatoslav Richter and Zoltan Kocsis, and remembers how conductor Georg Solti encouraged him to combine in-time playing with freedom of expression. He also finds the positive side of internet rabbit holes in his discovery of new young musicians to work with, and explains how the music of Beethoven is defined by rhythm rather than melody. Plus, a track which takes him back to when he was a drummer in a jazz-fusion band in the 80s.
16antimuzak
Saturday 30th March 2024 (starting this afternoon)
Time: 13:00 to 15:00 (2 hours long)
Stephen Hough.
Stephen Hough introduces some of the piano music and fellow pianists who have been a source of inspiration to him over the years, including Artur Schnabel playing Beethoven, Alfred Cortot performing Chopin and a 1928 recording by Josef Lhévinne of Johann Strauss II's Blue Danube waltz. Stephen also selects a movement from Tippett's Piano Concerto, and a couple of his own recordings of music by Cécile Chaminade and John Corigliano. There is choral music by Tallis, Britten and Elgar, as well as fiery intensity from cellist Daniil Shafran and a turbocharged excerpt from Richard Strauss's opera Salome. Plus, a celebration of the joint creative talents of Shirley Bassey and Nelson Riddle in the music of Irving Berlin.
Time: 13:00 to 15:00 (2 hours long)
Stephen Hough.
Stephen Hough introduces some of the piano music and fellow pianists who have been a source of inspiration to him over the years, including Artur Schnabel playing Beethoven, Alfred Cortot performing Chopin and a 1928 recording by Josef Lhévinne of Johann Strauss II's Blue Danube waltz. Stephen also selects a movement from Tippett's Piano Concerto, and a couple of his own recordings of music by Cécile Chaminade and John Corigliano. There is choral music by Tallis, Britten and Elgar, as well as fiery intensity from cellist Daniil Shafran and a turbocharged excerpt from Richard Strauss's opera Salome. Plus, a celebration of the joint creative talents of Shirley Bassey and Nelson Riddle in the music of Irving Berlin.
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