Recensori in anteprimaAchy Obejas

Lee Child recruits Joyce Carol Oates, Jonathan Ames, Cara Black, and others to reveal nicotine’s scintillating alter egos. In recent years, nicotine has become as verboten as many hard drugs. The literary styles in this volume are as varied as the moral quandaries herein, and the authors have successfully unleashed their incandescent imaginations on the subject matter, fashioning an immensely addictive collection. Featuring brand-new stories by: Lee Child, Joyce Carol Oates, Jonathan Ames, Eric Bogosian, Achy Obejas, Michael Imperioli, Hannah Tinti, Ariel Gore, Bernice L. McFadden, Cara Black, Christopher Sorrentino, David L. Ulin, Jerry Stahl, Lauren Sanders, Peter Kimani, and Robert Arellano. Inspired by the ongoing international success of the city-based Akashic Noir Series (Brooklyn Noir, Boston Noir, Paris Noir, etc.), Akashic created the Drug Chronicles Series in 2011. Following The Speed Chronicles (William T. Vollmann, Megan Abbott), The Cocaine Chronicles (Lee Child, Laura Lippman), The Heroin Chronicles (Jerry Stahl, Eric Bogosian, Lydia Lunch), and The Marijuana Chronicles (Lee Child, Joyce Carol Oates) comes The Nicotine Chronicles, masterfully curated by blockbuster hit maker Lee Child.

"One of Cuba's most important writers." --Junot Díaz The Cubans in Achy Obejas’s story collection The Tower of the Antilles are haunted by an island: the island they fled, the island they’ve created, the island they were taken to or forced from, the island they long for, the island they return to, and the island that can never be home again. In "Supermán," several possible story lines emerge about a 1950s Havana sex-show superstar who disappeared as soon as the Revolution triumphed. “North/South” portrays a migrant family trying to cope with separation, lives on different hemispheres, and the eventual disintegration of blood ties. “The Cola of Oblivion” follows the path of a young woman who returns to Cuba, and who inadvertently uncorks a history of accommodation and betrayal among the family members who stayed behind during the revolution. In the title story, "The Tower of the Antilles," an interrogation reveals a series of fantasies about escape and a history of futility. With language that is both generous and sensual, Obejas writes about lives beset by events beyond individual control, and poignantly captures how history and fate intrude on even the most ordinary of lives.

Memory Mambo describes the life of Juani Casas, a 25-year-old Cuban-born American lesbian who manages her family's laundromat in Chicago while trying to cope with family, work, love, sex, and the weirdness of North American culture. Achy Obejas's writing is sharp and mordantly funny. She understands perfectly how the romance of exile—from a homeland as well as from heterosexuality—and the mundane reality of everyday life balance one another. Memory Mambo is ultimately very moving in its depiction of what it means to find a new and finally safe sense of home.