Sam Wasson

Hollywood: An Oral History by Jeanine Basinger/Sam Wasson is a 2022 Harper publication.

Oral history is a hit or miss with me, but if a book is going to cover old Hollywood at all, I can’t seem to resist. While the page count for this book appears daunting, it’s actually very easy to read. There’s no dense text or history. It is exactly what it says- an oral history. (Though some might beg to differ)

The quotes are quite interesting and give the reader a lay of the land during various periods in Hollywood over the years. It also gives one a look at the Hollywood system from the beginning through to the digital age. It does not cover the streaming era, though. Still, it might enlighten those who want to blow off actors’ current complaints, by educating one on how things normally work for them, and it is not at all like what you might expect.

Some of the more surprising passages were those about Marilyn Monroe and Judy Garland- two women who were undoubtedly a victim of the Hollywood system- but were not remembered fondly by some people who had to deal with them in moment.

I did not read this book from start to finish like a novel, but browsed through it here and there until I finished it. I will not lie and say I digested every single portion the same way. The authors cover nearly every single aspect of the movie making business- producers, directors, writers, music, actors, and all points in between. Some of these areas were not as interesting as others, and I seldom recognized the names of the people working some of the behind the scenes jobs- so I confess to having skimmed some sections.

Overall, though, this is a well-organized look at the Hollywood system from every angle, told through the eyes, ears and mouths of those who experienced it firsthand.

It’s an interesting book, and it is obvious the authors put a great deal of effort into it. I think it is important to know two things going in- there is no big, long index, no biographies or photographs. It’s strictly interview snippets that apply to the time period- from silents, to talkies, to the studio system, to the 1970s, the big blockbusters, and finally the digital age.

This is what you should expect and nothing- more- or less. It’s comprehensive and so I can’t imagine why it wouldn't be enough for those interested, but of course the lack of bios and index might be frustrating to some readers. Personally, I didn't feel either of those were necessary.

The book is fun, informative, and should appeal to pop culture enthusiasts, historians, and movie lovers of all ages and stripes.

4 stars… (altro)

The authors have reviewed many interviews from people in the industry, extracted paragraphs of interest, then organized these by topic (e.g. Comedy, Silent Directors, Sound!). Reading a chapter is pretty easy in this format, but reading the book through was more difficult. There is a lot of great stuff here and I enjoyed it a lot, but I have three complaints.
1. This must have been a big undertaking. How hard would it be to add mini-biographies? I recognized many of these people, the stars, the directors, and people like Edith Head, but some I did not know, and I had to guess at their identity from what they were talking about.
2. If mini-biographies were done, there should be figures of these people, especially in a book about the movie industry, unless there are plans to redo this in an illustrated edition.
3. Somewhere in the book there should be a list of the source interviews and the date they were made.… (altro)

The story of the making of the movie Chinatown, told, more or less, as disorganized often sordid biographies of the movie's producer, screenwriter, lead actor, and director (Robert Evans, Robert Towne, Jack Nicholson, and Roman Polanski). This is a tough book to rate. I enjoyed it a lot, it has many great anecdotes, but it has its problems. The text isn't well-organized, jumping around and leaving some holes in the storyline - Didn't Polanksi realize that his producer had completely replaced the composer and score of his movie? The author always seems to be looking around for new scandalous details, even when they concern secondary or tertiary characters, and the whole shape of the story seems to be guided by the decadent and miserable stories that are available. So, for example, Roman Polanski's statutory rape case is described in great detail, but it postdates the movie. Also, it still isn't clear to me how Chinatown represented the last years of Hollywood, there have been many great movies of all kinds made in the U.S. since then, and it's not like the old studio system was still active in the mid-1970s.… (altro)

Apart from the author’s intro and outro, this is a wonderful compilation of quotes from big names and the ‘unknown’ behind-the-scenes people. Added together, it makes for a fascinating narrative.

The bulk of material is from the early days through to the 1950s. I found this to be the most entertaining. I watch films from all eras, so I knew many of the old stars who are featured, like comedy genius Harold Lloyd and the wonderful Mary Pickford.

Having mentioned that, Mary is only referred to, not quoted. She’s among several big names who aren’t quoted, plus many others don’t get any mention. Clara Bow, for example, is referred to only once.

This isn’t a case of the author deciding certain stars are unworthy to be remembered. Rather, it’s down to the material she had at her disposal. She mentions at the end how she wishes she had more stars to include, and regrets having to cut many hours’ worth of material. What we have, though, is excellent.

Beforehand, I didn’t think I’d be too interested in the cameramen and other behind-the-scenes people, yet they all add to the fascination of early Hollywood.

My fascination downgrades to interest when we leave the Golden Years and venture into the 1960s. From the 1970s onwards, much of the sparkle has gone, but that’s not to say it’s boring. It does become patchy, though.

In the main, however, this is a superb read.… (altro)