W. R. Telford
Autore di The Theology of the Gospel of Mark (New Testament Theology)
Sull'Autore
W. R. Telford is the author of a number of books and articles on the New Testament and Christian origins. Formerly a Senior Lecturer at Durham University's Department of Theology and Religion (and now Emeritus), he is currently Visiting Fellow at St John's College, Durham University.
Fonte dell'immagine: Durham University
Opere di W. R. Telford
Cinéma Divinité: Religion, Theology and the Bible in Film (2005) — A cura di; Collaboratore — 21 copie
The barren temple and the withered tree : a redaction-critical analysis of the cursing of the fig-tree pericope in… (1980) 8 copie
The Synoptic Gospels 1 copia
Opere correlate
Words Remembered, Texts Renewed: Essays in Honour of John F.A. Sawyer (1995) — Collaboratore — 19 copie
Etichette
Informazioni generali
- Altri nomi
- Telford, William
- Data di nascita
- 1946
- Sesso
- male
- Attività lavorative
- senior lecturer
Visiting Fellow - Organizzazioni
- Durham University
St John's College
Utenti
Recensioni
Potrebbero anche piacerti
Autori correlati
Statistiche
- Opere
- 8
- Opere correlate
- 3
- Utenti
- 255
- Popolarità
- #89,877
- Voto
- 3.8
- Recensioni
- 1
- ISBN
- 19
A fairly digestible book on the shortest of the Gospels, though one which provided core material for two of the other three. Telford concentrates (as per his title) more on the internal message of what Mark is trying to say, but I found his discussion of sources and process of composition very interesting: basically he rejects the traditional view that the author was a confidant of St Peter, pointing out that the Gospel displays ignorance of Palestinian geography and Jewish customs, and is no more pro- or anti-Peter than any of the other three, and moves on from that to try and discern what particular spin the author put on each pericope as he included it in the final text, a very satisfying process of analysis.
I'd have liked a bit more reflection on the originality of the enterprise - the gospels were a new genre of writing, and this one was the first one to be written; what existing models might have been in the author's mind? I think the abruptness of the ending at 16:8, ἐφοβοῦντο γάρ, (which Telford defends for other reasons) is excusable if one remembers that nobody had ever written the closing sentence of a gospel before. (However the fact that there are several different additional endings in circulation, two of which made it into the received text, may indicate that early readers found the 16:8 conclusion as unsatisfactory as some later critics.)
Telford does go into some detail about what Mark actually wanted to say theologically, and gives an account of other scholars' proposals as well as offering his own. He buys into the idea that Mark is portraying a Jesus whose mission was secret, revealed through hints and parables; and that the author is trying to navigate a new concept of Jesus between [Jewish] Messiah and [Greek] divine man (theios aner). He ends with the uncomfortable observation that the gospel's clear rejection and dismissal of the Jews is a fundamental element of later anti-Semitism. To be honest I found the theoretical discussions of meaning much less interesting than the process discussions of writing, but I am not the target audience.… (altro)